Fantastic gig last night with my revitalized ABZ!
My only live experiences since I did the coil switches were at church, where IEM issues and low volume levels made it difficult for me to really asses the value of the change "in the mix".
Last night was our monthly city-wide event. Three and a half hour set, louder, more enthusiastic gathering, more up-tempo stuff.
Dang, but having the series/parallel option opens up my options on this already fine bass. The neck pickup in series mode was perfect for all the stuff where you would normally slot in a P-bass with well played-in roundwounds. Both pickups in series mode, and combined in parallel via the pickup selector was perfect for a little extra grind a la Jazz Bass with both pickups up full.
Rocking between the low F and C on a trash can ending (tune was in F major), the low C was much more satisfying. All it took, was the extra heft of series mode on the neck pickup.
During sound check, somebody jokingly suggested a reggae intro on one tune. Without much thought, I obliged with the full monte: both pickups in series mode, combined in series, and the tone rolled off about two thirds. I felt like I was channeling Family Man Barett... Huge, round tone, with just enough point on it for pitch definition. Who knew that such awesome dub tones lived inside this thing?
All of this was with a fairly fresh set of Dingwall nickels, through a stripped-down signal chain of Turbo Tuner > Diamond BCP on minimal compression and slight treble rolloff > Radial JDI > FOH, with wireless IEM's, one in, one out.