...that's the first look I've had at my bass. Well, with finish at least.Some nice redwood taking shape in the shop!
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...that's the first look I've had at my bass. Well, with finish at least.Some nice redwood taking shape in the shop!
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I would upgrade the rig.Alright Dingwallians, it looks like in the fall I've got what it takes to pick up either,
A) used Super P4 to have refinished in Capri Orange
Or
B) a sweet amp setup (thinking fearless 1 or 215, Peavey IPR and ???? Preamp)
The budget would be topping out around $2500, absolute max.
I like my amp(s) but I feel like my DW deserves the best. A fearless 15 with a great pre/ power amp would render obsolete my TC BG250 and my Peavey VB2 + 215 stack
That said, a Super P is basically the only other bass I need, and would be very, very happy with.
That's good sounding stuff -- but my "eureka!" moment lately was in a very different tonal direction; I finally listened to "Live at Leeds" all the way through.
It REALLY made me want to find a good grindy tone -- and I'm not sure that I can get there with my current amps...
Are you kidding, DW not suited for grind? You must've missed Nolly's tones through Darkglass gear on Periphery's double album Juggernaut! Seriously, I think of my DW as a a blank slate; crisp, clear, accurate tone just perfect for whatever you plan on plugging into. Mine sounds seriously delightful plugged into my pedalboard, especially my DIY Big Muff.I should have my Weber AB200 re-wired and reassembled by then...
I'm hoping that the all-tube route will get me closer to where I want to go.
I'm not sure that the Dingwall is the most natural choice for grindy distorted tones, but the Dingwall is not negotiable, so the amp has to make it work.
I prefer the regular (taller/slimmer) 12/6.As always, I tout the 12/6 cube with the alpha 6 mid as the biggest bang for the buck.
No, I've heard it; Nolly's tone is a more processed, raspy sounding grind than what I'm looking for. I didn't state my opinion very intelligibly.
What I have noticed that I like distorted tones better with my bass in passive mode -- so I'm wondering if impedance loading isn't part of the overall recipe that I like.
And I've never really found a stomp box, hybrid amp, etc., that gave me that tone -- but laying heavy-handed into an all-tube amp gets me there in a very cool way.
Going back to earlier in the thread -- one of the cooler manifestations of that tone was playing my VB-2 into (2) 4x10 cabs and an 810.
Clean channel and playing LOUD; when the amp got hot it started giving up some very, very tasty touch-sensitive distortion.
You need to hear stacked pickups in series at the bridge...
No, I've heard it; Nolly's tone is a more processed, raspy sounding grind than what I'm looking for. I didn't state my opinion very intelligibly.
What I have noticed that I like distorted tones better with my bass in passive mode -- so I'm wondering if impedance loading isn't part of the overall recipe that I like.
And I've never really found a stomp box, hybrid amp, etc., that gave me that tone -- but laying heavy-handed into an all-tube amp gets me there in a very cool way.
Going back to earlier in the thread -- one of the cooler manifestations of that tone was playing my VB-2 into (2) 4x10 cabs and an 810.
Clean channel and playing LOUD; when the amp got hot it started giving up some very, very tasty touch-sensitive distortion.
FWIW, my Dingwall through my old Sunn 200s rig is absolutely outstanding. I don't quite push it into the full gnarly overdrive mode out of respect for the D140's and the low string but the Dingwall's definition sounds mighty fine when blurred a bit through a good tube amp and quality drivers.I should have my Weber AB200 re-wired and reassembled by then...
I'm hoping that the all-tube route will get me closer to where I want to go.
I'm not sure that the Dingwall is the most natural choice for grindy distorted tones, but the Dingwall is not negotiable, so the amp has to make it work.