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Dingwall Owners Club

Nice job on the bass! And I like Julia's voice as well.

The demo I recorded on a couple months ago is finally available, Happily Ever Never | Julia Wolfe

I used my ABZ6, into an Avalon U5, minimal EQ in the mixing process.

The 5 tracks were recorded in 2 hours, mixed/ fixed/ mastered in 4, split the session over three days.

I'm excited to be able to share great pop music. And now I've got pro-recorded tracks to add to my résumé.
 
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I too found that I preferred the standard configuration.

Your bass should be ready for the 'reverse' configuration. Here's a pic of my 2013 SP4 'MacGyvered' to play in reverse w/o pickguard:

McGyvermeetsDingwall_zps55894315.jpg


I just traced the 'guard on cardboard to make a mount for the controls. The experiment went well - I discovered that I prefer the standard configuration on my SP4. :cool:
 
So....I'm lurking on the Dingwall site checking out the latest porn and notice a new Super P in surf green made it to the photo's page.

Dear Mr. Dingwall, Quit! I find it extremely difficult to focus at work knowing a beautiful thing like this was created and it's not sitting at my house.

ps. great job!!!

Super P Surf Green.PNG
 
I'd build a fEarful and get the Dingwall.

Your amp gets a whole new lease on life with a fEarful.

As always, I tout the 12/6 cube with the alpha 6 mid as the biggest bang for the buck.
I'd love to build a fEarful, but my finances dictate that I can't afford a purchase until after summer, meaning when classes have started. This is my final year for my undergrad, so I've really got to budget my outside-of-class time.
 
Dingwall is at home now... just waiting for *me* to get there.

Curious - anyone use the Hipshot X-tender keys with the Combustions, or any Dingwall?

I had Sheldon put one on my Afterburner 4 (it was the prototype, actually), but I did not want/need one on my 5-string Z3. I love the D-tuner option on the 4-string.
 
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I should have my Weber AB200 re-wired and reassembled by then...
I'm hoping that the all-tube route will get me closer to where I want to go.

I'm not sure that the Dingwall is the most natural choice for grindy distorted tones, but the Dingwall is not negotiable, so the amp has to make it work.

Wouldn't a passive super series with that shorter scale be close to what you're thinking? My only question would be the Dingwall pickups which tend to be wider sounding than most 'traditional' basses.