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Dingwall Owners Club

My sad news of the day......

I cancelled my Z3 order as it was early enough. Putting all efforts towards getting away from city life.
Peace and health are the single most important things in life. I could have neither living in a large city. Some like it but for me I have to have clean air country living. I do like to be within a drive-able access to a city and don't mind being in one for a few hours but don't like sleeping in them. Sounds to me like a grand decision you have made.
 
I wrote this over in the talkbass purchases that led you astray thread, thought some here might enjoy the read too.

I have been waiting for a thread like this. I'm 24 and a working musician mainly playing bass, but also a producer using synth's and drum machines etc, been playing live consistently (for income), I can in my experience the majority of information regarding equipment on here has....led me astray.. My thinking is that the majority of users on here are in a higher age bracket, thus the music and sound which they are trying to achieve is that from decades past (not flaming anyone, i love the vintage goodness, used and SVT and jazz with flats for years) but with that comes a strong reluctance to anything new and innovative. "fender P is all you need" "flats are real bass strings" and other sentiments lay strong within this forum, for good reason, the Fender Precision is and always will be a staple to electric bass, the standard in which all are judged.

That being said, innovation and moving forward with arms wide open to these innovations is ideal to a healthy and evolving artistic community. A Lamborghini adventador is an incredible piece of machinery, now made under the supervision of Audi. Some may say it doesnt have the flare and flamboyance of previous cars like the Diablo or Countach, but often this flamboyance and excitement comes from the vehicles short-comings and the people who used them creating romances with these vehicles because of them, instead of being critical of an expensive "super" car falling apart or being very difficult to drive, even more so if you compare the Adventador to a model T-ford. IMO embracing innovation not only good for all musicians (young, old, up and coming) but it is good for the market. So many threads on here are about people complaining about this company, that company, this brand that brand. Majority of which are the big players in the industry, the same big players that are stuck making the same instruments decade after decade. Their main and target audience imo are people that enjoyed music in their prime through the 60's-80's which goes back to my previous point about the nostalgic point of view in my argument.

Earlier this year I went into a bass store in Melbourne and played a dingwall Super P4 and it blew my socks off. I actually didnt know what to do, I couldnt put it down, If i wasn't playing it i was gobsmacked by all the details and the level of sophistication and innovation at nearly every corner/curve of the instrument. I then picked up an ABZ and was even more amazed that a bass could PERFORM and deliver low notes with such accuracey while still feeling like an instrument with "soul". I'm not trying to fanboy or anything like that but here in Australia the only real options to try are fenders, musicmans, ibanez, the occasional rickenbacker and a few boutique stores which carry some dingwalls, MTDs, Spectors, Sadowsky's. The dingwalls just to me we're everything that pointed to the future, to progressive thinking, to improvement on a design thats stood the test of time until now. Not long after I ordered a custom ABII for myself.

Same goes for tubes and their glory, solid state and its staleness, multi-FX and their coldness. I can tell you now that myself and my guitarist have gone through so many pedals thanks to forums hype and after years have come back to high quality multi-FX for their silent delivery, huge versatility especially in live situations. Sure they are not perfect, but in majority of live situations only you will really notice the difference, and sure it depends on what you are going for. If you are going for original music and sounds to engage the audience and put on the best show and experience for them, you need to be open minded and innovate. Because audiences of today demand you to be "fresh".

TLDR;
Try things before you buy, if not, do serious research and PREPARE your mind and wallet for the situation that even after all that trawling through threads and youtube videos the piece of gear might just not be for you.
Dingwall/MTD/other highend innovative designs are like the bugatti veyron
Classic designs are like the model t-ford or an old mustang.....both are great and have their own thing going on, but you know out those you know which one is "better" at being what it is.
 
Picking up a Dingwall for the first time will do that to ya!

As for being led astray by the hype of Talkbass's flavor of the month, followed by hours of youtube demos stoking the "I wants", followed by a purchase and subsequent "meh"? Sure, I think we're all susceptible. Comes with having an internet connection, too much free time, and a credit card.

The Dingwalls more than lived up to the hype, and far exceeded my expectations. I made a blind leap and bought used Super PJ back in 2009. My Fender was packed up and for sale the day the Dingwall arrived. I've never looked back. More than that, every used Dingwall I've owned recouped it's purchase price. That kind of value is hard to find.
 
I am not into one-upmanship, singlemalt, but after playing my AB-1 for five years that I purchased new in 2007, I sold it for more than I originally paid for it! The sale was after I had commissioned and received my SJ/P4 and realized that Sheldon's "medium-scaled" instruments were perfection for me. Knowing that our currency wasn't getting any stronger and Dingwall prices weren't going to go down, I went on a small buying binge (it's over now!). When Sheldon came out with his Super P, I HAD to try one. No disappointment - he really did make the 'super precision'.
 
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A deadly duo, received my new-to-me, mint, SPJ5 courtesy of smallequestrian. This bass is mint, great tones, a superb Pbass +. Here is a photo, review and side by side comparison to my SJ5XXX to follow. I am very pleased, and proud of my Dingwalls.
 
His loss, my gain. One cool feature about it is the candy green changes colors according to lighting, and can go from black looking to candy apple green to 68 GTO green. I personally would have spec'd black hardware, but the chrome really works. And it really gives up very little to the SJ5XXX (and I mean very little).
 
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Peace and health are the single most important things in life. I could have neither living in a large city. Some like it but for me I have to have clean air country living. I do like to be within a drive-able access to a city and don't mind being in one for a few hours but don't like sleeping in them. Sounds to me like a grand decision you have made.

Couldn't agree more. We will be looking at a 40 min commute to the nearest city if all goes as planned...

FYI. To all of the supportive comments from you guys. It's greatly appreciated.
Thank you for the encouragement.
 
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Haven't posted in a while but wanted to check in. Been really loving my Combustion and get nothing but compliments on my tone. I play a lot of varied stuff from a pop/rock/soul band with covers and originals ranging from Maroon 5 to Gavin DeGraw to Bruno Mars, a Billy Joel tribute band, a country band and a classic rock/pop band and it fits all styles with ease.

My go-to settings are preamp flat and in series mode. Usually just go direct and my amp is just for monitoring and a lot of the time I'm on in-ears and really don't even need it. I started with the stainless strings but found the tone of the nickels more to my liking.

It gets a good deal of attention too and lots of questions about is it hard to play. I adapted to it quickly and hasn't been an issue and when I play my Stingrays now they feel odd.

A quick action shot from our gig opening for Fuel a couple of weeks ago.

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That is very cool, @Andy Eysbroek! What a great birthday gift :D

My bass has started production. I'm not sure if I can change anything at this point, but, I'd like the collective's thoughts on DG versus Glock. 3x pickups with toggles in either case. I spec'd with Glock at the onset, but since there's no P-tone on 6ers, I am wondering if I should have gone with DG to have a little more edge? I have Glocks in my other afterburners and like it well enough, so I won't be at all upset if I can't change it.