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Dingwall Owners Club

There's always something new/better/updated/improved "just around the corner". Buy now, and enjoy it while it is here. Otherwise, you'll forever be waiting.
While I take your point there were some serious upgrades between v1 and v4 that made the combustion an option for me. I really don't like the v1.
I'm assuming it's colours and maybe a small hardware change in which case a 2017 will be joining my stable.
 
Some crappy photos from my shop visit today.... got to spend roughly an hour with this one:
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It's certainly very nice, as everyone should expect. I like the shape. The balance is amazing (the shop has several other TBirds, including an all original '77 -- this blew them all away). The tone is pretty dang similar to my Afterburners, and the neck very much felt similar to my ABs as well in general terms (mine are 5s though, so not identical). It was fun to play, but, I'm GASing way less for one now -- it wouldn't do anything for me that my ABs already don't, and it'd be hard to justify purchasing as my 4th Dingwall. If it were a 5, or tuned B/E/A/D, I maybe would've connected a tad more with it? Hard to say.

I spent a few minutes after the DBird with several TBirds from Gibson and Lull. Again, the DBird, IMO, was a noticably "better" bass than those. It's still available, $3590 is the asking price. I'm betting it doesn't last long.

Theeeeen I got to spend about 45 minutes with this one:
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I'm seriously sitting here trying to figure out how to get $10k. I didn't do anything at all of a decent job with the photos... lots of details that I just didn't capture well. Like, the strip of maple underneath the fretboard, on top of the 7 laminates. Or the dual-density body. One thing that photos can never capture is how it feels and plays... and just, wow. The neck on this just agrees with me so much more than my AB necks. I felt like I could just fly on there, and more of the stuff I play felt a bit more natural. I wasn't expecting that to be such a big difference, but, it sure was.

Finding “the” Prima can be a game/life changer. I did and never regretted it!
 
Finding “the” Prima can be a game/life changer. I did and never regretted it!
Yeah. After letting it soak over me for 2 days... I have to pass. I'd love to find a way and afford it, but, I can't and shouldn't. I could dump it on a credit card and pay it off in ~2 months, but, that is just a dumb idea all around. It is such an amazing instrument. I hope someone else picks it up soon. If I were playing and recording enough, I could probably justify it... but I just left one band, so I'm down to the theatrical heavy metal, and a couple of recording-only projects, plus the misc session work I do with the small movie studio folks I work with.
 



I was initially hesitant to purchase a Dingwall because the majority of videos I found were very modern/aggressive/clanky sounding which isn’t entirely my thing. I have to say my SJ5 is a great mix of clarity and warmth, which is exactly what I was hoping for. So I wanted to shoot a clip showing it with more conventional tones in case folks are curious. Mine has FD3 pickups and a Glock preamp which I’m very impressed by. I typically use it in series setting, and I shot this clip in that mode in both active and passive to give folks and idea of what it sounds like. Strings are Ernie Ball Cobalts and the bass is tuned 1/2 step down.

Awesome tone!!
 
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Yeah. After letting it soak over me for 2 days... I have to pass. I'd love to find a way and afford it, but, I can't and shouldn't. I could dump it on a credit card and pay it off in ~2 months, but, that is just a dumb idea all around. It is such an amazing instrument. I hope someone else picks it up soon. If I were playing and recording enough, I could probably justify it... but I just left one band, so I'm down to the theatrical heavy metal, and a couple of recording-only projects, plus the misc session work I do with the small movie studio folks I work with.

Primas are obviously beautiful. A sort of exercise on how far the shop can take their skill and apply it to your dream bass. Now, if you loved the FEEL of the neck and the overall ergonomics of the instrument...look for a late-era Zebra. You should be able to get in at half that cost or slightly less. Different Zebras have different levels of customization or materials, so if you can find one that's fairly simple, that's say 2004-current, you're probably going to be happy with the feel.
 
Does anybody happen to have a picture of the routing underneath the pickguard for the new style of Combustion or NG2?
Sorry for the poor photo quality. I took this picture of my Ducati White NG2 3 days ago. Thinking about adding a 3rd pickup.
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Yeah. After letting it soak over me for 2 days... I have to pass. I'd love to find a way and afford it, but, I can't and shouldn't. I could dump it on a credit card and pay it off in ~2 months, but, that is just a dumb idea all around. It is such an amazing instrument. I hope someone else picks it up soon. If I were playing and recording enough, I could probably justify it... but I just left one band, so I'm down to the theatrical heavy metal, and a couple of recording-only projects, plus the misc session work I do with the small movie studio folks I work with.
I hear you. I feel like the hack with a Steinway. But it doesn't matter. I love it and it sounds great. I'm blessed to have it.
 
Installing a Payson bridge on my Combustion???

I have a brand new Payson bridge sitting on my desk. I have installed several Bad Ass bridges and others over the years. Mostly swap outs. Those have been done either when I was too young to fear and/or on $100 pawn shop instruments.

The Payson bridge came with -0- instructions so I guess it must all be self evident, except it isn't.

1. The information says it is 19mm and adjustable to 18mm, since the Combustion is 18mm, how do I adjust it? I don't see any side to side adjustment at all.

2. With a straight bridge, it is pretty simple to draw a centerline from the fretboard, square it up on a 90, center it and bolt it on. With the multi-scale this looks more complicated to me. I saw a step by step of @Jeff Roller's NG3 and he used existing holes to bolt it on.

3. I have seen a Payson bridge on something in a photo that looked to me like the string did not have a straight path across the saddle to the anchor point. Is this an issue or does it even matter?

Am I overthinking this? I can take it to a local guy next week and have him do it, or I can give it a shot myself.
 
1. The information says it is 19mm and adjustable to 18mm, since the Combustion is 18mm, how do I adjust it? I don't see any side to side adjustment at all.

It's basically the same design as Hipshot

There are three adjustment screws on each saddle. Two are for saddle height and the other is for spacing.
Just loosen the screw a little and move the saddle to the left or right, then tighten it back down.
Once you loosen it you'll see how it moves.

I got nothing on the other questions, but I'm strongly considering "upgrading" my bridge mainly because I want it in black.
 
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Use the front holes, it should line up perfectly. The back set screw on the saddle adjusts the side to side spacing of the string, the two front set screws set the height.
I couldn't live with the bridge hole that's uncovered. If the Payson bridges were just a smidge bigger (to fully cover the bridge holes) I would buy 2 in a heartbeat.