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Do I really need another one.

Be careful as you're talking about introducing choice, which can be a complete head wrecker when going out to a gig and trying to decide which to take........ ;)

Personally, I like flats better on a J anyway. If I was going to get a second bass I'd get a backup J for that one and try some rounds on it. If you don't like it you'll have the backup, and if you do you'll have your new sounds.....
 
I've only ever owned one bass. It's a great Jazz bass that I play almost every day. I play with flatwounds and like them. I have recently tried a Precision with flatwounds. I started on a Precision and the neck size is not an issue. My Jazz is a American Original and the Precision is a Vintage II. Part of me is saying get the Precision with the flatwounds and put roundwounds on the Jazz. The other part is saying " do you really need another bass as the Jazz is doing it for me".
You don't need the P
 
Do you play in a band?

Having many different stock sounds to draw from comes in handy in a covers band, but honestly it’s not needed. It just depends on how much you want to invest in different sounds. A J or a P will fit in just fine anywhere.

If you’re not in a band or interested in being in one, then for sure, no, one is fine.
 
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I've only ever owned one bass. It's a great Jazz bass that I play almost every day. I play with flatwounds and like them. I have recently tried a Precision with flatwounds. I started on a Precision and the neck size is not an issue. My Jazz is a American Original and the Precision is a Vintage II. Part of me is saying get the Precision with the flatwounds and put roundwounds on the Jazz. The other part is saying " do you really need another bass as the Jazz is doing it for me".
I only had a Fender Telecaster Bass for four decades. The first reissue. When I retired I rounded it out with a Precision and a Jazz Bass. That honestly showed me Leo's genius. The tones those basses produced set the stage for decades to come.

Finally, getting a Jazz Bass also showed me a different more slender and faster neck. I learned to prefer it.

Since then, I went modern with two new active basses. A Sadowsky Will Lee and a Spector NS-2. Both with thin necks and narrow nuts. Although I tend to grab one of those first these days I can't ignore the elemental appeal of the passive Fenders.

It's an education any way you look at it.
 
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