The only thing I liked about my HH bongo was how it looked, and the beautiful Egyptian Smoke finish. Loved the BMW-inspired aesthetic.
However, despite its 4-band EQ, mine was deficient in the high mids area even with that control knob cranked up. Also I found the overall sound a little too "processed", and not in a pleasing musical way. Totally subjective, I know but still...
Was my example defective? At the time I suspected it may have been. I bought it used, after all. I couldn't understand why a bass with such extensive EQ controls should come up short in the high mids area. Was this "the Bongo sound"? After a couple weeks of fooling with it, I set it free. Never bothered with another Bongo since.
By stark comparison, a Sterling H that fell into my lap, sounds amazing. Sound-wise, it's everything I wished the Bongo would have been. A Bongo platform with Sterling elecs might be the perfect EBMM for me. A lighter weight basswood body, and a poly finished neck instead of the oil-wax finish? Yeah I could go for that.
However, despite its 4-band EQ, mine was deficient in the high mids area even with that control knob cranked up. Also I found the overall sound a little too "processed", and not in a pleasing musical way. Totally subjective, I know but still...
Was my example defective? At the time I suspected it may have been. I bought it used, after all. I couldn't understand why a bass with such extensive EQ controls should come up short in the high mids area. Was this "the Bongo sound"? After a couple weeks of fooling with it, I set it free. Never bothered with another Bongo since.
By stark comparison, a Sterling H that fell into my lap, sounds amazing. Sound-wise, it's everything I wished the Bongo would have been. A Bongo platform with Sterling elecs might be the perfect EBMM for me. A lighter weight basswood body, and a poly finished neck instead of the oil-wax finish? Yeah I could go for that.