Ok fine, yes, I know what I said but after weeks and weeks of doing it for THE MAN, when I finally unloaded the truck on my last scheduled work day for 2021, I just figured I wanted to get a couple of things out of the way.
Things that have been bugging me.
Things like, the "Blondes have more fun" Jazz Bass had a neck attached with (genuine 7ender) wood screws. We don't like that. We like machine screws into threaded inserts. So I took care of that. Blondie deserved better.
A2 stainless steel M5 Pozi-2 raised and csk screws into M5 steel inserts. A2 is not a fancy bright stainless steel such as you find in those nasty soft screws supplied with door hinges, it's a more structural grade and is very gray in its appearance. It can take some punishment. It's what you want for this kind of thing. I used a little copper loaded grease on the bolt threads, just in case, and lapped the inserts down flat to the neck with a diamond stone before sanding back to 400 and applying some oil to keep the bad stuff out and the good stuff in.
Does it make a difference to your tone? Yes, I really think it does, as long as your neck pocket is as tight as you can make it. If I were pressed for a single adjective, I'd be choosing between "articulate" and "muscular". It's just a tighter, more focused tone. So maybe I'd say "focused".
Next thing I really wanted to do was to refinish the headstock on my recently acquired Ibanez RS900, which I have christened Babydoll. For some bizarre reason, somebody has, at point in Babydoll's life, replaced the iconic Gotoh sweetheart tuners with regular Gotohs. I guess they thought it was an upgrade.
That's bad enough in itself, but instead of tapping out the ferrules from the back of the headstock with a suitable size SPECIAL TOOL (screwdriver) they attempted to dig them out from the front.
That's just never gonna work. Then, they figured they would apply some kind of poly finish that had sat in an open can for a year, with a credit card instead of a brush, and I mean it was literally trowelled on. Ugly af. I wish I had taken "before" pics of this refin disaster. It looked like Joan Collins' forehead.
I attacked it with a cordless random orbit sander and a 400 grit pad to remove the bulk of the mess. I went all the way to 1500 grit, being very cautious not to "burn through" and damage the original headstock decal.
Then I gave it four light coats of ProXL matte rattle can nitro, let that cure for 24 hours, and Micromeshed it from 1500 to 12000. I think it's pretty good and it has the same semi gloss sheen that I remember from my Ibanez RB620. It's close enough for me.
You can see especially around the A string tuner where somebody has just tried to dig out the ferrule with a screwdriver. I didn't even attempt to fix things like that. Babydoll is nearly 42 years old, she's entitled to a few battle scars.
So, I've not been idle. Just busy in different directions. I think now I can really get going on what I was supposed to be doing.