You may have been able to guess that, after my two Stingrays, my L-2500 gets the next most gig time.
Like a Stingray, it has lots of tonal variety and, also like a Stingray, it can deliver as much beefy punch as you want from it. For my purposes, it's general character suits my band's playlist really well.
Funny thing is, that for all the versatility it has, I almost always leave the controls set the same way (passive mode, pickups in series, and just the neck pickup by itself). Then I might adjust the bass and treble knobs if I want to change the tone, though I don't tweak them on every song. The other settings are great and I find myself more likely to use them at home than I ever have at a gig. The only reason I can come up with for doing that is simply that I love what I get from that setting and have nothing driving me to do things differently. In contrast, I'll use all five settings on the pickup switch on my Stingrays on a typical gig and love what I get from them all. Yet I could also use one setting on the Stingrays (Position #4) all night and be equally happy with it.
Unfortunately the only action shot I have of the L-2500 on my phone is a selfie that a friend of our keys player took of himself and his wife a couple of months ago. You'll have to zoom in to see me.
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But here's a good picture of the bass itself. I should take some new glamour shots of it, though. I replaced the black knobs with chromes and this series of pics I took just did not capture the burst very well.
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