The only thing missing from his performance is 1. a big red nose 2. a fright wig 3. floppy shoes.
I think the fact that he can evoke a clown without resorting to props is but one indication of Geddy's brilliance.
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The only thing missing from his performance is 1. a big red nose 2. a fright wig 3. floppy shoes.
First time I ever heard the name Geddy Lee I thought he was some kind of avant garde Asian bassist with some symphonic orchestra.
I get it.... I had to look up who Flea was.... Scared me....First time I ever heard the name Geddy Lee I thought he was some kind of avant garde Asian bassist with some symphonic orchestra.
Peter Tork....Here We Come, Walkin' Down the Street, Get the funniest looks from everyone we meet. Hay Hay we're the Monkee'sAccording to you, if you would ask anybody on the street to name you a bassist, which would be the most popular ?
Peter Tork....Here We Come, Walkin' Down the Street, Get the funniest looks from everyone we meet. Hay Hay we're the Monkee's
It was probably carol kaye playing all those monkees tracksIf it were 1968, that might indeed be true![]()
It was probably carol kaye playing all those monkees tracks
I didn't get thatNobody wanted see Carol Kaye off on a whacky adventure every week![]()
Nobody wanted see Carol Kaye off on a whacky adventure every week![]()
Having big sister around would have cramped their style.I didn't get that
If it were 1968, that might indeed be true![]()
Ok, ok... She's not a bassist, and she's not really famous, but I'd sure like to know her!
Nobody wanted see Carol Kaye off on a whacky adventure every week![]()
Oh, I missed the point. Dense, I guess. Funny!Having big sister around would have cramped their style.
Hilarious!Absolutely!
Lee and his famous "Producer Switch...
Lee: "Ah, the Producer Switch! That was inspired by incompetent producers ignorant of music terminology, who would make nebulous statements like, “Can you make it shimmer?” Or, “Can you make it more mauve-y?” I had done a TV session where Tommy Tedesco—out of sight of the producer, except for his head—kept bending over and picking up the same acoustic guitar when asked to try mandolin and other stringed instruments. He would simply play in a different position on the neck, and it worked! So I immediately went home and drilled a hole in my bass and put in a dummy Switchcraft switch. Then when I would get one of these tenuous requests, I would make sure the producer could see me hit the switch, and I’d just play higher up on the neck or pluck closer to the bridge, and they’d say, “Perfect!” On my Warwick Star Basses there was an extra hole from a change in the electronics, so I had them put a Producer Switch on them."