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FEA fan club!

Any news on a Dual Band Compressor-Limiter build? I've been on the wait list since last December.

Thanks.
-Alan

Hi Alan,

I’m truly sorry for the wait. There will be a batch of the Dual-Band comps built after this batch of DE-CL’s. The last several batches of compressors have had very little attrition, so we are not moving through the lists as quickly as we wanted.


Got my O-ring upgrade for my FEA pedals that have the new knobs on them. Sent to me in Japan without even requesting it. Excellent customer service, thank you so much Frank and Glen.

Thank you. I hope the o-rings work well.

-Frank
 
The part about the make-up gain knobs switching from one to the other depending one whether or not the limiter is on made the whole concept make a lot more sense to me.

You've left me very curious about what this warmth knob sounds like at medium and high settings!
 
DE-CL review now posted!!!! http://www.ovnilab.com/reviews/feadecl.shtml

Very sorry for my part in all the delays!

Thanks for the review!

The part about the make-up gain knobs switching from one to the other depending one whether or not the limiter is on made the whole concept make a lot more sense to me.

You've left me very curious about what this warmth knob sounds like at medium and high settings!

When the warmth circuit is turned up it sounds really weird… from the 12:00 to 3:00 position it has a sound similar to a ringer (octave up distortion)… past 3:00 it has a really odd burpy ringer tone. There is no clipping in the circuit, so it doesn’t have the usual types of OD sounds. The warmth is created by asymmetrical amplification. You can think of the warmth control as a panning gain control in the output amplifier. As the warmth is increased the balance of the gain for the positive and negative portions of the signal are modified. The positive signal gain is progressively decreased as the negative signal gain is increased.

I totally agree with Cyrus that most people will use the warmth below the 12:00 position.

-Frank
 
I would like to point out (and correct me if i'm wrong) that the limiter section on the DE CL can be used as a boost/'micro amp' as well...and that's really a nice feature for people playing bass solo's now and then.
It gives you that little boost to cut thru (when you need it).

That made the DE CL ideal for me :)
 
Hey Frank, was wondering what's the rundown after this first batch of DE-CL's and Dual-Band Comps? I'm assuming i'm on the 2nd (hopefully not 3rd :eek: ) batch of DE-CL's, just trying to figure out if it's realistic to expect this pedal before next year (no pressure intended). That review pretty much assured me of everything I hoped the pedal would be (time to pull out the Gas-X) :D
 
Hey Frank, was wondering what's the rundown after this first batch of DE-CL's and Dual-Band Comps? I'm assuming i'm on the 2nd (hopefully not 3rd :eek: ) batch of DE-CL's, just trying to figure out if it's realistic to expect this pedal before next year (no pressure intended). That review pretty much assured me of everything I hoped the pedal would be (time to pull out the Gas-X) :D

Everyone on the DE-CL list now will be covered by the next batch.

-Frank
 
just got my DE-CL and started playing with it. The warmth definitely adds some overdrive past 12 o'clock. I'm liking the ratio around 10 oclock for some reasonable compression. attack almost at 12. Thresh hold seems a bit sensitive, really dependent on how much is coming in from the bass. it seems best around 2 o'clock right now.

Haven't really dove in hard to the limiter side, though love the idea of using it for some solo boost if need be.

Hopefully later i'll get a chance to load it into my pedal board and a/b it with the empress i currently use.

Anyone else have thoughts on setting up this unit?