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Fender pre-CBS Club: pics mandatory!

Hey group, any way of identifying if this is the original bridge cover to my 52P?
Doesn't look super old but i was told it was never on.
Has no identifying marks or anything and was told it was actually used as an ashtray lol.
20231118_153036.jpg

20231118_153045.jpg
 
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The pitting sure looks authentic.

Old chrome and modern chrome have differnt hues (blue-ish vs yellow-ish). Usually sit them side by side and its obvious. But the old chrome could go well into early 80s.

Same machines/molds making the reissue parts as the old ones I thought?

The last time I looked was almost 20 years ago. I studied the covers from my 69 Jazz to a Fullerton reissue I also had; every stretch mark from the stamp dies was identical.

Because I like to buy old parts if I see it, I recently picked up a set of Jazz covers that a seller thought was vintage. Nope; the metal is way thinner, and the chrome hue is way off. So at least the modern reissue ones are different now.
 
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Well maybe I could ask for something better… those who use pre cbs P basses and flats, what experience do you have with aguilar compressors? My Seymour Duncan Studio bass has been my go to for the past 6 or so years and Im wondering if an aguilar would be an improvement.


Thanks,
Bass4

:)
I just played my 1960 and realized I wanted some compression.
My "good" compressors weren't around (FEA and Doc Lloyd) so grabbed my Duncan SB and it sounded great!
 
I get a such a clear and nice tone from my 60 P. One would think given the abundance of records from the 60's and 70's that these old P's are muddy and distorted sounding. I find that when I put my 60 into my tone hammer and a comp pedal, I get a nice tone that has a good fundamental low end with enough top end that's actually pretty bright considering it's 63 years old.

Here's ole gravyburst!
 

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