By accounts Fender serial number plates were in a bin, and not sequentially issued. My '59 has a '58 plate on it according to the date/serial number charts.
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Some time ago I saw a photograph that claimed to be from the 1960s of a Fender assembly-line employee installing the necks on instruments. I recall the neck plates being scattered in a bin, making it seemingly impossible to apply the serial numbers in sequence.Interesting, there is only a month difference between yours and mine but mine is still in the L range, L89***. I don't know how accurate the serial #s were but maybe the L series ended sometime in May '65. I always loved white/tort combos, beautiful bass !
I read this too. Apparently the clay dots were made from asbestos floor tiles, is this true Fender historians?Some time ago I saw a photograph that claimed to be from the 1960s of a Fender assembly-line employee installing the necks on instruments. I recall the neck plates being scattered in a bin, making it seemingly impossible to apply the serial numbers in sequence.
And then there is the story about Leo Fender being so thrifty that when they replaced the factory's tile flooring, he had it saved and used it to make the position markers for necks. If this is true, I can see them using whatever neck plates they had on hand, regardless of the number stamped on it (and I doubt that they foresaw the future attention paid to parts that held clues to when the instrument was assembled).

That fretboard is so nice.Another photo of my sunburst '64:
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View attachment 1146302 I've always loved the warmth of tube amps, and my Ampeg B-15N was always my favourite... until today! My new Bergantino B|AMP and NV115 puts out the cleanest, purest tone I have ever heard. My Oly White 1963 Jazz sounds more amazing than I have ever heard before![]()
Another photo of my sunburst '64:
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Can't comment on that right now... not gigging at all... just studio work, so I really haven't experienced it cranked up. Will post an update when I get out with itIm very interested in how the Berg NV115 cabs perform in real gig situations.
Thanks for asking.Nice-looking bass. What neck is that? Did you change the bridge?View attachment 1172368 This is my 1963, surf green refin. A true player. Not 100% original but the most vital parts are. I think it is made of sustainium.
I would never get around to playing the bass51/55.
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