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Fender pre-CBS Club: pics mandatory!

Interesting, there is only a month difference between yours and mine but mine is still in the L range, L89***. I don't know how accurate the serial #s were but maybe the L series ended sometime in May '65. I always loved white/tort combos, beautiful bass !
Some time ago I saw a photograph that claimed to be from the 1960s of a Fender assembly-line employee installing the necks on instruments. I recall the neck plates being scattered in a bin, making it seemingly impossible to apply the serial numbers in sequence.

And then there is the story about Leo Fender being so thrifty that when they replaced the factory's tile flooring, he had it saved and used it to make the position markers for necks. If this is true, I can see them using whatever neck plates they had on hand, regardless of the number stamped on it (and I doubt that they foresaw the future attention paid to parts that held clues to when the instrument was assembled).
 
Some time ago I saw a photograph that claimed to be from the 1960s of a Fender assembly-line employee installing the necks on instruments. I recall the neck plates being scattered in a bin, making it seemingly impossible to apply the serial numbers in sequence.

And then there is the story about Leo Fender being so thrifty that when they replaced the factory's tile flooring, he had it saved and used it to make the position markers for necks. If this is true, I can see them using whatever neck plates they had on hand, regardless of the number stamped on it (and I doubt that they foresaw the future attention paid to parts that held clues to when the instrument was assembled).
I read this too. Apparently the clay dots were made from asbestos floor tiles, is this true Fender historians?
 
CAR refin '64 P-bass & friend ('68 EB-2):

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Im very interested in how the Berg NV115 cabs perform in real gig situations.
View attachment 1146302 I've always loved the warmth of tube amps, and my Ampeg B-15N was always my favourite... until today! My new Bergantino B|AMP and NV115 puts out the cleanest, purest tone I have ever heard. My Oly White 1963 Jazz sounds more amazing than I have ever heard before :woot:
 
I had Gord Miller at GM Vintage Restorations redo the finish on my '64P. He did his usual stellar job.
Before:
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After:
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35444054830_e571a5f7e7_b.jpg


Gord has previously done my 60 Jazz and 62 P (pics are in this thread somewhere I believe), and I can report that after the finishes had fully cured, both basses sounded noticeably better than before.
If that happens with this bass, and I expect it will, I will be REALLY happy as it's already one of the best sounding Ps I've ever played.
 

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