I thought I was wrong once but I was mistaken.Well, I may be wrong. It wouldn’t be the first time.![]()

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I thought I was wrong once but I was mistaken.Well, I may be wrong. It wouldn’t be the first time.![]()

No, I'd suggest you have a look at the Rumble Wiki pages @G-Dog put together.Sorry if this is a stupid question, but... that's never stopped me before.
Why even have a gain control at all, if it's impossible to cause clipping with you input level? Is the gain control on the Rumbles there only to control the "sensitivity" of the overdrive?
Sorry if this is a stupid question, but... that's never stopped me before.
Why even have a gain control at all, if it's impossible to cause clipping with your input level? Is the gain control on the Rumbles there only to control the "sensitivity" of the overdrive?
Sorry if this is a stupid question, but... that's never stopped me before.
Why even have a gain control at all, if it's impossible to cause clipping with your input level? Is the gain control on the Rumbles there only to control the "sensitivity" of the overdrive?
I am guessing that Sweetwater didn't have a Stage 2-10 in stock at picture time, so they thought switching the grille with a black one on a Rumble 2-10 would suffice.
Thank you, @Lovep! That looks more like the Stage & Studio than what Fender shows on their website!!!
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Actually, Soul man, it's the Fender website that doesn't/didn't have the right cab at picture time. They are/were showing chrome corners instead of black!
and you need
!That is one fine-looking rig!
Both the Overdrive and the Vintage circuits are affected by the Gain control, higher gain results in increased compression and sustain when these circuits are engaged. Also, it’s a good way to adjust the input from a hotter bass.Sorry if this is a stupid question, but... that's never stopped me before.
Why even have a gain control at all, if it's impossible to cause clipping with your input level? Is the gain control on the Rumbles there only to control the "sensitivity" of the overdrive?
Actually, Soul man, it's the Fender website that doesn't/didn't have the right cab at picture time. They are/were showing chrome corners instead of black!
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Assuming both are 8 ohms each, yes. The v3 wont go below 4 and 4 gives you the full rated wattage of the head.I tried a search to no avail. Question, can a FR v3 500w amp handle a 210 and a 410? Thanks for any help I can get?
Thank you sir. I posed my question on a Google search and it brought my back to this forum with a different thread.Assuming both are 8 ohms each, yes. The v3 wont go below 4 and 4 gives you the full rated wattage of the head.
I tried a search to no avail. Question, can a FR v3 500w amp handle a 210 and a 410? Thanks for any help I can get?
Assuming both are 8 ohms each, yes. The v3 wont go below 4 and 4 gives you the full rated wattage of the head.
Thanks guys! The reason I ask is because I was surfing for a used fr 210 to accompany my other 210 and I stumbled across a used fr 410 cab for around $200. Didn't know if I would fry my v3 500w amp. All the equipment discussed is v3.
Thanks again.
Sure but why not fix it for the Stage?
That's Thelonius Monk's brother.I did confirm with Fender that they are, indeed, black. That photo is erroneous.
As to why the Rumble 115 cab is wider than the R200c I can only speculate that the extra volume was needed for the best tuning. And, perhaps, the smaller volume for the combo was justified by manufacturing efficiencies. But, of course, those two reasons are diametrically opposed; or either could be applied to both. So, what do I know? Perhaps @tombowlus has dicussed this with Fender and I missed it?
I do not know the answer to that question, but I can ask!![]()

You know his cousins the Thessalonians?That's Thelonius Monk's brother.