OK, that clears it up even more.^^^ This Is True!^^ Anything you input through the AuxIn is 'wide open' direct to the power amp. Be Careful!
Maybe I should just by my own mixer and the problem is solved.... Hmmmmm. I'm sure they wouldn't mind......
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OK, that clears it up even more.^^^ This Is True!^^ Anything you input through the AuxIn is 'wide open' direct to the power amp. Be Careful!
why do you need to have the bass in the mixer?OK, that clears it up even more.
Maybe I should just by my own mixer and the problem is solved.... Hmmmmm. I'm sure they wouldn't mind......
I was amazed the first time I took my 25 to an acoustic gig. Turned out it was a very large room and I am playing with 2 amped acoustic guitars and a cajon. I was using my Mike Kelly Dragonfly. When I saw the room I said why didn't you tell me we are playing a large (basketball court size) room? I don't have time to go get my 500. So IYup, second one is on the wayTaking him out to test drive more basses in a couple of weeks after he gets done going over what I have on the wall.
If you have any kind of mixer you can put the mic into, that will solve the problem. You can control the mic volume with the mixer.Thanks WRM. That makes sense. I guess it only costs 10 bucks for the adapter to try it. I haven't had a reason to go past noon on the gain and about 10 pm on the master. I'll give it a shot and report back after practice.
Put some GHS Precision Flats on my jazz bass and it brought the Rumble rig to the next level. Tone is somewhere between JPJ and Macca. Now if I could just play like those guys . . .
I put DR Fatbeams on my Jazz V and so far, I am just not sure. The Rumble makes it sound good, but I miss my TI flats which had a weak B string. Maybe GHS next time. Pressurewound or Precision Flats.....Put some GHS Precision Flats on my jazz bass and it brought the Rumble rig to the next level. Tone is somewhere between JPJ and Macca. Now if I could just play like those guys . . .
Put some GHS Precision Flats on my jazz bass and it brought the Rumble rig to the next level. Tone is somewhere between JPJ and Macca. Now if I could just play like those guys . . .
It is the sound of dark chocolate! I have a set of GHS Precision flats on my '76 Precision hot rod for 2+ years now. A brand new set of GHS Pressurewounds on my 2012 American Standard Jazz.I keep GHS precision flats on my P bass at all times. Nothing quite like them to my ears.
I'm kind of a freak because I like jazz basses with flats and p basses with nickel rounds.
GHS PressurewoundsMy jazzes? I'm weird because I go with half-rounds on them for a split the middle approach.

GHS PressurewoundsTrust me. I'm a left-handed bass player.
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I don't guess I do, I was just thinking that was ideal. It's sounded good without the support so maybe I'm just complicating this.why do you need to have the bass in the mixer?
I was amazed the first time I took my 25 to an acoustic gig. Turned out it was a very large room and I am playing with 2 amped acoustic guitars and a cajon. I was using my Mike Kelly Dragonfly. When I saw the room I said why didn't you tell me we are playing a large (basketball court size) room? I don't have time to go get my 500. So I
If you have any kind of mixer you can put the mic into, that will solve the problem. You can control the mic volume with the mixer.
Off topic. I'm not having any luck finding out how to be a support member. I assumed it was donations. Any help would be appreciated.
Thanks, not sure how I missed it. Thanks again.Have you hit this link? http://www.talkbass.com/account/upgrades
That should give you all the options
I'm kind of a freak because I like jazz basses with flats and p basses with nickel rounds.
I can't decide. I keep 2 SX P shorties and 2 SX J shorties -Precision flats on a P and a J and Pressurewounds on the other P and J. Total tonal choice depending on the gig, and I still don't have as much money tied up as I would in one 'good' bass!!!
Blooz
