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Fender Rumble Club

Thanks for the in
That's odd, mine is dead quiet. Be sure to check your gain structure to make sure you are at unity gain.
Yes, if you go in through the effects return you are by passing the Rumble front end and using the ZOOM B3 as a pre-amp. This is the way to go if you are using the various amp models.

Thanks for the input, I went through the effects return at rehearsal the other night and I had a mighty sound. I've also been on the Zoom forum and picked up some useful tips there. My 500 V3 is by far the best amp I've ever played through I had the master at around 10 o'clock and was easily heard against a hard hitting drummer and 2 guitars (one using a rumble V2 300w)
 
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I did. thanks for asking. I actually used a different cable a lyxpro 1/4 trs to female xlr. The cable that wasn't working was from radioshack.. It worked with my microphone fine but was not liking the rumble for some reason.. All is well now..

Probably a resistance issue...

I don't know about your particular mixer, or interface you are using, but I know on my Mixer, a Behringer XENYX 1202FX, the MFG (Behringer, not Fender) says to run the amp XLR to XLR so I can use the gain on the mixer.
 
Only tangentially related to Rumbles, but I'm kind-a jazzed about my new-to-me acquisition today: the book Elements of Acoustical Engineering by Harry F. Olson, Acoustic Research Director, RCA Laboratories, Princeton, New Jersey, USA. 2nd (expanded) edition, 1947, by D. Van Nostrand Company, Inc.

This is "The Book" on everything acoustic from speaker cabinets to vocoders. It's where the opinions stop and mathematics takes over.

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acousric_engineering_cover.jpg


Being a Seinfeld fan, I am pleased with the publisher!
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I was using my Rumble 500 amp at rehearsal last night, no cab required as it's only a practice.

Am I going mad, or did my amp sound better when it warmed up?!

I was playing my Ricky 4001, Vintage selector on (gives it that extra bottom), and for the first part of the night was okay, but a bit flat.

Bit later on, it was roaring! Funny what you ears pick up.

I always use the cab for gigs, as I find it gives a more balanced tone overall, takes a little of the sharpness out. Probably imagining that too!

On a separate note, I took my 40 to my Luthier the other day to plug my bass into after some work. He was blown away - by the tone, and the weight. Couldn't believe something that small was so powerful and light.

Spreading the Rumble word!
 

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