• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Fender Rumble Club

It was just that it was iconic of the surf music days. The Ventures endorsed them.

I'm not sure if Johnny Ramone endorsed them, but I'm also not sure if he ever played anything other than a Mosrite:

220px-Johnny_Ramone_1983_c.jpg
 
  • Like
Reactions: Gluvhand
The 200 is the biggest Rumble my local GC carries so I have not played through the 210 yet. Im assuming it will be a bit punchier or tighter than the single 15?

The 200c was the biggest Rumble combo the GC near me carried, so I don't have any experience with the 500c or the 210 cab. I had a TC BG 115 combo that was boomy at high volumes and flabby at low volumes. Before that I had a Peavey 112 that I didn't like either. My Rumble hasn't been either of those things.

I'm moving to the 210 specifically out of preference. I don't have anything against the 15 that I'm playing through now, I just feel like a 210 now and another later would get me closer to my tonal goals. I'll be buying the cab sight unseen based on my experience with my combo amp.
 
  • Like
Reactions: Linnin
I see you don't have a number. I have one for you if you want. Be prepared to love that 500. If you're looking for Motown, @Linnin posted this for getting the B15 sound, which is quintessential Motown:
"
Started with Gain and all tone controls dialed down to 7 o'clock or 0 if you will.
Contour voicing: ON Vintage voicing: ON. Master Volume: High Noon
Added: a smidge of Treble (not too much) 8 o'clock; a dash of High Mids (about 8:30 or so), Bass & Low Mids both at 9 o'clock

Adding Gain brings the heat. I brought it up a tad to just under 9 o'clock, any more is excessive, and I also like it with Gain fully diminished."
Thanks Dav..I'll give that a run. Yes please on the number. Mate, after dragging my Hartke cabs up stairs I'm already loving the 17 kilos of goodness!
 
I know the Squires used to have a bad name, but I believe they have improved a lot, from what I've read and my own limited experience anyway. It is Indonesian made.
For what it's worth. I have 3 squires in the quiver. A fret less J that plays and sounds good, but the pickups could be a little warmer. I have a deluxe active jazz V which is great, build and electronics wise. I also have a 5 string passive P, which I have been enjoying but will have to replace the pickups in (1/4 pounders most prob). All the basses are very playable and finish quality high, just the (passive) pickups have let me down (btw did the same mod to my sons Mexi J - maybe I'm a Seymour Duncan addict?). Anyway hope it helps!
 
  • Like
Reactions: Linnin
I am really ticked today. Did not get to turn my Rumble on yesterday. First day I have missed in a couple of months. Had some major plumbing issues to straighten out and my daughter's car broke down in Savannah. Somethings come before practicing....Daughters and having a place for the wife to crap rank higher.
 
  • Like
Reactions: RedVee
The 200 is the biggest Rumble my local GC carries so I have not played through the 210 yet. Im assuming it will be a bit punchier or tighter than the single 15?
Not really. The sound of the two is far more similar than not. The Rumble 500 combo's twin 10's do give you the virtue of coupling effect where any single driver can not. There have been quite a few Rumble Club members that put a Rumble 500 combo atop a Rumble 115 cabinet with good results. There is no reason why a Rumble 200 combo could not be stacked atop a Rumble 210 cabinet with equally stellar sonic results. It will look exactly the same as a Rumble 500C + 210 stack. You just won't have the same amount of headroom or SPL. Otherwise you will be moving a about the same amount of air, and the dispersion characteristics will be similar with the nod going to the 15 for smoother broader delivery of the entire midrange. If I had a Rumble 210 handy, I'd surely give it a go! :cool: Rumble On! :cool:
 
  • Like
Reactions: btmpancake
I am really ticked today. Did not get to turn my Rumble on yesterday. First day I have missed in a couple of months. Had some major plumbing issues to straighten out and my daughter's car broke down in Savannah. Somethings come before practicing....Daughters and having a place for the wife to crap rank higher.

You are a lot more committed than I am. I've probably practiced about 50% of the days the last couple months. It's been a while since I went say 90 days in a row playing bass. I may challenge myself to that when my new head and cab gets here. I'll have fresh strings too, so no excuses.

Happy Fender Friday!
bassamp_hi_1212620511.jpg

Last one with the combo. I'll have to play her out in style.

IMG_0813.JPG
 
  • Like
Reactions: Steadfast
You are a lot more committed than I am. I've probably practiced about 50% of the days the last couple months. It's been a while since I went say 90 days in a row playing bass. I may challenge myself to that when my new head and cab gets here. I'll have fresh strings too, so no excuses.



Last one with the combo. I'll have to play her out in style.

View attachment 1000644

Yeah! I am on an impossible mission. I will practice until I can play like Jaco...which means I while never quite practicing. Lololol

Seriously though...I am trying to get my bass chops up equal to my sax chops by the end of 2017. It is a very serious challenge but I have a crazy idea ......so I need to be equal on both by 2018.
 
  • Like
Reactions: jp58 and Linnin
That's reasonable. You either have talent or you don't.

It is doable for sure. A second instrument is much easier if you learned music theory with the first...which I did. I am basically just learning how to physically move about the fretboard...among a thousand other details. The flute, clarinet, nose flutes, penny whistles etc... were a piece of cake.

The big piece that I am having to master is that the bass is primarily a foundation rhythm instrument and I have trained to be a improvisational soloist. That is why I referenced Jaco---I need to be able to play solo stuff at a high caliber as well on bass. I have a music goal that involves both the sax and bass at the same time.
 
I am really ticked today. Did not get to turn my Rumble on yesterday. First day I have missed in a couple of months. Had some major plumbing issues to straighten out and my daughter's car broke down in Savannah. Somethings come before practicing....Daughters and having a place for the wife to crap rank higher.
Rent your wife a port-a-potty, call a taxi for your daughter, and get back to practicing like you should.
Yeah! I am on an impossible mission. I will practice until I can play like Jaco...which means I while never quite practicing. Lololol

Seriously though...I am trying to get my bass chops up equal to my sax chops by the end of 2017. It is a very serious challenge but I have a crazy idea ......so I need to be equal on both by 2018.
Shouldn't be a problem, don't you know bass is really easy and anyone can do it? Guitar players have been telling me that for years.
 
  • Like
Reactions: jp58 and Steadfast
Rent your wife a port-a-potty, call a taxi for your daughter, and get back to practicing like you should.

Shouldn't be a problem, don't you know bass is really easy and anyone can do it? Guitar players have been telling me that for years.

It is cold enough to safely squat in the marsh without fear of getting a gator bite on her arse.

I know what you mean about people thinking the bass is second. That infuriates me...even before I played bass. One of my favorite things in small jazz groups is playing with just a bassist...no one else. Bass and sax for a chorus or two before the band joins in. I have a hard time deciding which I like more--bass or sax. It is a toss up.
 
  • Like
Reactions: RedVee
It is cold enough to safely squat in the marsh without fear of getting a gator bite on her arse.

I know what you mean about people thinking the bass is second. That infuriates me...even before I played bass. One of my favorite things in small jazz groups is playing with just a bassist...no one else. Bass and sax for a chorus or two before the band joins in. I have a hard time deciding which I like more--bass or sax. It is a toss up.
I have two brothers and a nephew who are monsters on sax. I find all the buttons and levers intimidating.
 
...I am trying to get my bass chops up equal to my sax chops by the end of 2017. It is a very serious challenge but I have a crazy idea ......so I need to be equal on both by 2018.
Do you find that certain runs, like a be-bop line, are more or less difficult on a 4-string fretboard? Ive always thought a 4 string bass would be physically more restrictive to play than a sax....true/false?
 
  • Like
Reactions: Steadfast
I have two brothers and a nephew who are monsters on sax. I find all the buttons and levers intimidating.

I know right? You can go to almost any town in America and find a monster sax player or two...but not always monster bassists. Yet--bassists are more needed. I find that strange. It is really hard getting consistent work on sax if you can't travel. But, here in Savannah people are looking for bassists every freaking night!
 
  • Like
Reactions: Linnin
Do you find that certain runs, like a be-bop line, are more or less difficult on a 4-string fretboard? Ive always thought a 4 string bass would be physically more restrictive to play than a sax....true/false?

Good question and one that I am dealing with right now. I think it ultimately will be easier on the bass because things fall more into a mathematical pattern than on the sax. I am now understanding why I heard things Jaco played that I could not replicate on sax.

Does that make sense? I am finding it hard to put into words what I am hearing.

I guess on the sax the fingerings change drastically depending on the key. But, not so much on the bass. I am fumbling... lololol