I'm going to get a lot of flak for this, but Musicman and G&L blow Fender out of the water...
In my opinion.
In my opinion.
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G&L people are very similar to Rick people...
Ew... no no no. I’m not a Rick hater, but no.Watch out for bad fretwork on Tribute models. Everything else is pretty solid.I've owned Fenders, MM and G&Ls. All are great instruments. My preference is the G&L Tribute models...you get all of the innovations, tone and feel at a fraction of the price of either of the other basses mentioned.
I think G&Ls are overlooked by some because of "product recognition" or name snobbery.... IMHO.
For me personally it's part that I grew up playing Fender and part that I have never liked the look of the Music Mans and G&L has that weird hook on the headstock (though I've come around a bit on G&L).Did Leo improve with age? If so why aren’t G&L’s more popular
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Did Leo improve with age? If so why aren’t G&L’s more popular
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It's the "voice" of Fender P and J Basses that has become the industry standard. This nothing to do with workmanship. Fender Basses are the standard in tone just like a piano vs a harpsichord. When people hear something that sounds unfamiliar, they will often reject it. In the studio, techs have a baby if you don't show up with a Fender. I LOVE G&L Basses for their construction improvements but the one G&L I own is a JB-2 because it sounds like...you guessed it, a Fender Jazz Bass.Eh, I’m not sure I totally agree. There’s probably triple the Camrys on the road than 60s Mustangs. Is one better? That’s up to the driver.
As far as basses go, the Fenders were the first big name in electric basses to the masses, and as such they’ve been on thousands of recordings. They found a place in people’s eardrums that everyone seems to like and that’s what they’ve always heard on records, so that’s still the “it” bass.
Musicman brought another really unique sound and voice, and was still early enough in the electric music world to make a big dent.
G&L are really nice instruments, but I think it was just too late at that point. The market was saturated with all kinds of things, and despite the refinements to his own designs, Leo had a lot more to battle; including his own former companies.
I respectfully disagree. I dig the G&L logo and love the headstock!I love G&L's.
All of what people have said about market saturation and name recognition and first market movers and all that I'm sure is right.
I think G&L's 2 main problems are:
1. the name
2. the headstock
the name is just not great, hard to google, hard to even write half the time because of the ampersand.
the headstock (though it has grown on me to the point where I actually like it) will never look as good as Fender's iconic headstock. Most people really do not like the G&L version and it took me like 10 years to come around to it all the while basically playing a G&L exclusively.
I think the downside to G&L is lack of distribution. I’ve been playing bass for 23 years and I’ve never tried one. I’ve owned several Fenders and musicmans but they're both actually in stores around here. I’ve never seen a G&L in a store before. Btw I live in NC not Antarctica.Did Leo improve with age? If so why aren’t G&L’s more popular
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This... 101%!the word Fender was on most basses when they got a drivers license
I live in an urban area that has close to 6 million people within a 1 hour drive in any direction. You'd think there would be a G&L dealer somewhere with at least 4 basses in stock. The last dealer I was in to see, had two, a US Kiliton and the owners 1500, which wasn't for sale. He'd be happy to order me one though. G&L's are hens teeth in Canada. You can't buy them without a custom order.
G&L the Swiss Army knife of Basses!Fender : the first workable bass avalaible ...
EBMM : First mass produced basses with preamp and a slap monster
G&L : ????