My last post here as I said I cant keep up with the explaining and i was initially trying to be a little vague on purpose.This is kind of what I'm hearing too, particularly with the part about wanting to bring in new material. The desire of musicians to stick with the old and familiar and not learn new material is a huge issue. When I hear "we're experienced" my mind immediately goes to "we are playing the songs we learned 30 years ago and we think that's all that works." We see that mindset here over and over again with people who only want to play songs they think are safe, not realizing that there's a treasure trove of good music out there that is not overdone and that audiences will respond to. But I really can't say what's going on here. All I can really see is that the OP isn't happy with it and probably needs to move on.
The setlist choice isnt me being resistant to change...im the one pushing to constantly add new stuff...any new stuff...as long as it was a big enough hit and can be played well by us. Setlist issues destroyed my previous 3 successful cover bands (mostly just never adding anything new or not having enough songs people like). The setlist issue for me is more of a case of poor choices, which is not exclusive to this singer. Ive noticed alot of musicians are not good at gauging what is working over time and what isnt. Minor hits or stuff that likely wont work well in the venues we play (most people there are 40+) isnt a great idea. I dont really care what we play as long as it works more often than not. The songs Ive been resistant to have usually been something that ive played in a previous band that did not go over at all, or a choice of something that i know wont work at most of the places we play. Could one of those songs surprise us and work? Sure. We had people dancing to 2112 Overture a couple of times in a previous band. But with so many to choose from, why try to force it?
Anyway, venting over. Thanks folks, Im off to practice singing =)