Beautiful Mike... love the shape and the wood...I wanted a wood that was a bit more neutral than Koa for this bass. I've played a LOT of mahogany basses over the years that I've liked a lot. And it never struck me as having TOO much of any one pronounced trait (does that sentence make sense?)
I like the feel of ebony better than any other fingerboard wood. And although it can be bright, in my opinion Maple is every bit as bright...but it's a bit grittier or maybe drier sounding to me. I feel like I can get the grit I need from ebony with a little coaxing, though.
I want this bass to be flexible. Between the preamp, the moving PU, the removable fingerboard piece, the not too "opinionated" sounding wood, and a little player influence I should have a lot of latitude tonally.
I uploaded a picture of the Viceroy in the spray booth. I checked with Jason and he said it was ok to show this now. The name was completely David Yates' idea. For those of you who don't know, David is my good friend and a true Fodera lover. He is a really brilliant electrical engineer. He has taught me a LOT over the years. We worked tirelessly on the new Fodera preamp together. He's one sharp dude.
I was initially on the fence about the name Viceroy because I didn't know if Vinny would like it. But when I said it, he immediately said, "hey, I like that". Go figure.
The body design was at my request. I don't like the offset in the emperors and the monarchs are too small for my taste. I wanted to create something that might be more like what the emperor would have been had it been more like a P bass than a Jazz bass. We went back and forth for an hour or so one day with a piece of tracing paper on the floor just making little changes and staring at it. What we ended up with was what many at the shop feel is sort of a hybrid. Like an overgrown monarch or a more symetrical emperor. Personally, I really love it. It's striking but classy and still decidedly Fodera.
I'm going to record a tune with a drummer friend of mine this weekend and bring it to NAMM without some of the bass parts. I'm building the tune around the bass, to show what it can do in a musical setting. NAMM is the perfect venue for that
I'm getting it on Thursday. First performance is Friday. So I'll be flying almost blind. Should be interesting!
have a blast a NAMM.



