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Fodera Club Part VII

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i've always figured that most guys use there fodera basses for jazz/fusion.

in that sense, i'm a little bit on an anomaly. started playing my 6-string in rock band while also doing outside jazz. i've done oldies gigs (flats on 6-strings). mostly i do my own bands that are basically out jazz hybrids: third-stream music (with e-bass), avant blues/jazz, and completely free stuff that can run the gamut from complete noise to c major goodness, and ethereal lushness to thrown-down groove . . . sometimes in the same 40-minute tune. for instance, playing l.a./mountainview/sacramento next month doing basses/effect and max/msp with a guy who does guitars/laptop grooves, and a saxophone and max/msp guy—all free improv.

Very cool man. Actually I've found my Monarch 4 to be totally versatile. Played every thing from Rock, Funk, club dates to straight ahead Jazz. Only bass I owned for 27 years and I was playing full time for a good portion of that. On a side note, the cat in the American Idol house band has been really showing the versatility of his. He was out on stage rockin it last night. :-)
 
+1 I use my Fodera-6 for many styles. With the versatility of the duals and the pope pre, I don't feel like it is limited to any one genre.

Very cool man. Actually I've found my Monarch 4 to be totally versatile. Played every thing from Rock, Funk, club dates to straight ahead Jazz. Only bass I owned for 27 years and I was playing full time for a good portion of that. On a side note, the cat in the American Idol house band has been really showing the versatility of his. He was out on stage rockin it last night. :-)
 
i've always figured that most guys use there fodera basses for jazz/fusion.

in that sense, i'm a little bit on an anomaly. started playing my 6-string in rock band while also doing outside jazz. i've done oldies gigs (flats on 6-strings). mostly i do my own bands that are basically out jazz hybrids: third-stream music (with e-bass), avant blues/jazz, and completely free stuff that can run the gamut from complete noise to c major goodness, and ethereal lushness to thrown-down groove . . . sometimes in the same 40-minute tune. for instance, playing l.a./mountainview/sacramento next month doing basses/effect and max/msp with a guy who does guitars/laptop grooves, and a saxophone and max/msp guy—all free improv.

Wait, who in Mountain View??? I live here and had a degree through CCRMA at Stanford, so I probably know some of the same people. Are you going to be playing here? When/where? I'd love to go.

Sad news today, too, as the "Max" in Max/MSP died this morning .:hmm:
 
Wait, who in Mountain View??? I live here and had a degree through CCRMA at Stanford, so I probably know some of the same people. Are you going to be playing here? When/where? I'd love to go.

Sad news today, too, as the "Max" in Max/MSP died this morning .:hmm:

i kinda dropped that cause i saw you're up there. dana street roasting on 13 may. playing with g.e. stinson and andrew pask (ap works for cycling 74, maybe you know him?). i saw that max died from a facebook post.
 
Yeah, it's too bad- I just saw him a few weeks back when he was making the rounds.

Awesome about the gig, though. I know who Pask is, I think because of the cycling 74 link, but I can't remember if I've seen Stinson's name before. I'm there though, if I can get away from work for a bit!
 
Yeah, it's too bad- I just saw him a few weeks back when he was making the rounds.

Awesome about the gig, though. I know who Pask is, I think because of the cycling 74 link, but I can't remember if I've seen Stinson's name before. I'm there though, if I can get away from work for a bit!

g.e. was in a band called shadowfax back in the day. he's not doing that stuff anymore. he and i have done a band with scott amendola and nels cline called l.stinkbug.

it would be great to see you.
 
g.e. was in a band called shadowfax back in the day. he's not doing that stuff anymore. he and i have done a band with scott amendola and nels cline called l.stinkbug.

it would be great to see you.

Man, I used to listen to Shadowfax back in the mid 80's, probably one of the first prog-fusion groups I got into in my teens.


Is that Janek's bass finished?
 
Oh I totally get that- I've only got about ~17 years or something under my belt, and for over a decade I've been playing the same 16.5mm spacing with 34" scale. I had a 35" for a long long time, but I never liked the feel as much, and it's actually taking me quite a bit of time to get used to the 33" on my Fodera. The strings feel very very different, which I didn't expect.

I've done the 19mm thing for a bit, and it doesn't upset me at all, I'm just at home on the narrow. It just happens to be that it allows me to move much less on both ends, so it's ideal. But for the same reasons as you, I wouldn't want to suddenly have to switch to 36" 6 string with 19mm spacing.

Variety is the spice of life...which is why it's okay that you guys have such horribly uncouth taste in string spacing. :D

Hey Chris you mentioned that your strings on the 33'' Fodera feel very very different. I'm considering having a 33"-32" inch scale made for myself because I think the smaller scale would be a little nicer all the way around, but what did you mean by "strings feeling different"? is it the string tension with the smaller scale bass thats the adjustment? thanks
 
So I should post a picture, but I put flush threaded inserts into the headstock so I could use machine screws for the truss cover rather than the tight, sticky wood screws. It's muuuuuch better- I can rip the cover off in less than 10 seconds if an adjustment was needed. Much better. I did the sane for the electronic cavity cover. Never need to worry about the holes stripping or going loose over time.

I highly recommend everyone do it if they hate spending excess time fiddling with the truss cover. I left it off entirely prior to putting the inserts in.

Angus,

What is the string spacing (at the nut) on your 5-string Fodera with 16.5mm at the bridge?

Calipers' battery dead, so i'll get it to you tomorrow.
 
Two or three weeks now until my Yin Yang custom is ready. Just got my "4 week heads up" call a week and a half ago.

Why is it that waiting becomes harder and harder as you get closer to something? At this point I'm chomping at the bit! Feels like Christmas did when I was a kid.
 
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