I agree with you. But to play devil's advocate, wouldn't that mean you would be playing a Fender and not a Sadowsky?
beat me to it.
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I agree with you. But to play devil's advocate, wouldn't that mean you would be playing a Fender and not a Sadowsky?
Did you mean Amati(1505-1578)? -Not sure if he was the first, but he sure preceded AntonioStradivarius(1644-1737).![]()
Of course Stradivari was not the first but it looks he was the best.
So in all this actual "Fender clone world" hype, eventually will be remembered only the best sounding ones.
However, price and hype wise, the games are done...The vintage original rules.
Except that they're not exact duplicates are they? No more than say a NYC is an exact duplicate of a FMT Jazz. They have certainly pinched certain design cues from Fodera, Dzozd and Ritter and amalgamated them, but the overall product is not an exact duplicate of any of those products. Its just a question of degree. How much was the Emperor or an NYC inspired by a Fender Jazz vs how much of it is original design? How much of these basses are taking inspiration from three distinct brands and amalgamating them rather into a different bass rather than just building an Emperor clone?
As may people have mentioned, every builder, including Fodera, takes inspiration from whats come before them. Are there truely any original ideas in bass building? Maybe, but they are pretty rare.
So once we are past the marketing and hype, I think Taste more than any other, is the deciding factor when it comes to electric basses.
By the way, my relatively benign view of this stuff is NOT shared by my partners. And, given how much of their lives went into getting Fodera to this point and the personal sacrifices that they made along the way, I cannot blame them...
Except that they're not exact duplicates are they? No more than say a NYC is an exact duplicate of a FMT Jazz. They have certainly pinched certain design cues from Fodera, Dzozd and Ritter and amalgamated them, but the overall product is not an exact duplicate of any of those products. Its just a question of degree. How much was the Emperor or an NYC inspired by a Fender Jazz vs how much of it is original design? How much of these basses are taking inspiration from three distinct brands and amalgamating them rather into a different bass rather than just building an Emperor clone?
As may people have mentioned, every builder, including Fodera, takes inspiration from whats come before them. Are there truely any original ideas in bass building? Maybe, but they are pretty rare.
I agree with you. But to play devil's advocate, wouldn't that mean you would be playing a Fender and not a Sadowsky?

You didn't say that you were only referring to the bodies in your post, so how would a reader know that?I was talking about the bodies, yes. They are duplicates. Sure the pickups are different shapes (ripping off Jerzy there!) but if you look at the body styles they are the same. How can you not see it? Not only that he steals other Fodera shapes too. Takes the Emperor II and duplicates it, then adds a little point to the butt.
Anyway...
Big time! It's also a matter of personal taste...although I am intellectually interested by those luthiers that make instruments strikingly similar to ours, I (speaking personally only) would never want to own or routinely play one of them. I am a guy that respects the genuine article...in wine, in art, in music, in cars, in homes...I like to get back to the root of the inspiration and deal with that on its terms.
Thank goodness that it is a big World and that there are enough people in it that can tell the differences, respect the differences and be interested enough in what we do to keep us busy.
By the way, my relatively benign view of this stuff is NOT shared by my partners. And, given how much of their lives went into getting Fodera to this point and the personal sacrifices that they made along the way, I cannot blame them...
Seriously if i have to explain the difference between the 2 then you have missed my point.![]()
You didn't say that you were only referring to the bodies in your post, so how would a reader know that?
I was talking about the bodies, yes. They are duplicates. Sure the pickups are different shapes (ripping off Jerzy there!) but if you look at the body styles they are the same. How can you not see it? Not only that he steals other Fodera shapes too. Takes the Emperor II and duplicates it, then adds a little point to the butt.
Anyway...
Since you never responded to what I said in the other thread I'll repeat myself here.....some would consider the bass in your avatar a direct ripoff of Fodera considering it's a singlecut design. How is that any different? Where do you draw the line? I love Pete's work, but it's a point that should be brought up considering your opinion is so strong regarding this issue. The body is obviously a different shape, but the fact that it is a single cut takes directly from Fodera's and Anthony Jackson's creation. How is that not the same?

some would consider the bass in your avatar a direct ripoff of Fodera considering it's a singlecut design.
