Hey guys,
Since the discussion has included some posts about Holly, I thought I'd let you know what Jason told me today when I was on the phone with him, talking about, af all things, a possible holly top for another bass for me
He said that while the holly in the pictures looks white, it is, in actuality, an off-white, cream type of color. The more you accent the contrast, the more it looks whitish or creamy; if you use a black fretboard (ebony) and/or black hardware, it looks more white; using a rosewood board, and/or gold hardware, it takes on a more cream hue. I did
not ask I'm whether holly ages toward a yellow hue. But then, any white instrument I've seen that ages toward yellow (which have been 100%
painted white instruments, by the way) looks even more distinguished! For whatever the info and my opinion are worth
One last point. Jason also said, and I'd tend to agree with him, that holly as a top is something you would really have to want/like. Many folks would ask why one would pay a premium (and you WILL) for a holly top, and then have it look very much like a painted top. Holly, in the size/quality necessary for a solid top is VERY rare, and getting rarer, as is ebony (you all may know, or not, that Gibson is no longer using ebony, due to scarcity, and is now using Richlite, an awful compound substance composed of paper and resin, instead of ebony, on its Les Paul Custom guitars). So keep in mind the rare combination of woods in that holly topped Emperor II!!
All that said, I'm quite sure holly has its own unique beauty, particularly in person. More motivation to purchase that holly beast!!!