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Fodera Club Part XXV

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Steve, many thanks.
Picture #2 Man wins by a mile, it's that's killer sombrero. As for the EII it looks comfortable for your playing position. I wear my basses a little higher, so not sure how it would feel. Gotta try one, that's the only way to tell.;)

Ha ha. Pic #2 was a Mexican Halloween gig. I often wear my bass higher, especially with 34" scale. The Emp is 35". I vary to save my back.So long as I can keep my wrists straight most of the time. It all works for me with these basses.:cool:
 
I'm sure this has been asked before, but what's the theory with the larger / single pole piece on the c string? Balance the volume of it with the other strings?


I asked the very nice guy that makes Aero pickups that question. He said that the C string being thin vibrates between the pole pieces. Thus creating the dead C string effect. One pole picks that string much better. Aeros answer to this is his square bobbins.
 
No, it was less about volume than timbre. We actually use a different magnet material for the pole piece. It was based on trial and error over a number of years...

J

I'm sure this has been asked before, but what's the theory with the larger / single pole piece on the c string? Balance the volume of it with the other strings?
 
No, it was less about volume than timbre. We actually use a different magnet material for the pole piece. It was based on trial and error over a number of years...



J


That's pretty cool. If I decide to commit to the six string route, those pups with plastic covers are the way I'd go. 17.5 mm is perfect.
 
IMHO, it's overkill. I believe that his signature bass sounded better before we put the third pickup in it...

Although Tom is way too kind to say anything, that may be one of the reasons that it's been in the shop since several weeks after the third PUP was added. He has been playing a stock E5S for the past two years...

Jason


Interesting, I also have a third p/u in my Zon TJ6...what I find is that I'm using the back two pups 90% of the time and getting a much better tone than just the bridged soloed or blended slightly with the neck pup. Also, having the third p/u acts like a ramp for that whole area (my Bart pups are radiused which you can raise or lower each one individually to your preference). The key to mine is a switch to go from the back two, front two or the outside pups, so there is lots of tonal variation. I also have a Mike Pope pre 4 band that I just love in this bass as well. I like what Pete Skjold is doing with his adjustable ramp molds, IMHO this could be the next evolution in bass design with a more integrated and adjustable ramp/pickup design. Do you think Fodera may go this direction in the future?
 
neck = win

emp-6.jpg
 
so i need some help from some fellow YYS owners or even Jason...I've never noticed this because i'm not very particular about looking at every blemish, i just play them but I did notice that it looks like there might be a gap, a rather large one or perhaps this is normal and i'm just insane.

fodera1.png


fodera+2.png
 
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