Allow me to interject my thoughts. . . I see Brad's point, about practicality and efficiency with regard to modes of production and not simply building one bass at a time. There's a lot of glueing, setting, carving, etc... and it makes sense that these be done together for efficiency.
That said, it makes sense that they do this for custom orders together. I understand Kevin, your point with regard to Vinnie's artistry and attention to detail. As I say all this, make no mistake that I am one of Vinnie's biggest fans with regard to his art, and that he is a genuinely nice person - and he truly is an artist (literally, he paints, etc...). I've been told, for what it's worth, that he has nothing to do with the business side of things. Then again, the instruments bear his name - this will be more relevant after reading on. . .
But I would be livid if I'd been quoted 18 months (for example), had been waiting three years, and began to see "production" instruments going up for sale on the website assembled "as they go." I'd be particularly ticked if I heard rumors of 6 month build times for these instruments.
I think Ken's point here is that once you (as the luthier) quote an individual a certain build time, then you push it back, then you push it back again, ad nauseam. . . well, it seems that eventually you need to finish the order, to the exclusion of any subsequent ones.
Now, an anecdotal tale that happened to an individual whom I know better than anyone in the world. An order was placed for a certain Fodera bass and a delivery time was quoted of 18 months. This was in the year 2001, month of March.
(It is important to understand that the order was paid in full in late 2002 in anticipation of the completion of said bass.) The spec's were confirmed, the only one left to determined was top wood. This was a custom order, an AJ Presentation, complete with carved top. Apart from that the rest was relatively straightforward, electronics, neck and body woods.
A year went by, then two. The choice for top was down to three pieces, and one was selected. Now, over the course of this period, many top woods had been requested, some of which (chestnut burl) were said to no longer be available - as in extinct, none left, what was built was all we've got - NOT "we have some more left, but they're reserved for other projects." A select piece of maple was chosen in early 2002. In late 2002 that particular piece of wood was nowhere to be found, when it was time to carve and assemble. No explanation.
Interestingly, several basses with chestnut tops began to turn up over in Japan, as well as a particular bass with a particular maple top.
In 2003 a visit was made to the shop to choose another top wood, at which time it was discovered that
no progress had been made on said bass, i.e.
there was no bass, only a neck blank and body wood. At this time, another top wood was chosen, and said bass was promised to be started immediately and completed by Christmas.
In February of 2004 no pictures could be produced and it was admitted that the bass had not been started at all. This began a long and arduous process of repeated phone calls, messages, e-mails, to get closure of one form or another, whether that meant some type of production instrument, or unspoken for custom. . .
You get the picture. It's no secret that tons of these basses go over to Japan, and it's no secret that they cost many more thousands of dollars over there. It's understandable that Fodera would want to concentrate its efforts on the Japanese market. Fine. . . but it needs to be made clear up front that this is the case, a REALISTIC timeframe must be given for delivery, and Fodera must INITIATE the communication on it if there is a hold up in production time.
I know of other individuals who have waited 4+ years for instruments from Fodera, and they were quoted a max time of 2 years. I know others still who watched as several custom orders were placed and completed while they waited for a very standard instrument. The objection here is partially the same as Ken's initial point, but there's also an issue of integrity. In my mind, it's not enough to merely build amazing instruments and quote delivery times on the presupposition that "everyone who orders knows he's going to wait longer anyway." That's unscrupulous in my estimation. Yes, people will still order Fodera's, some unaware of the discrepency in delivery times, other knowingly - sure, it's on them either way. But, that doesn't change Fodera's responsibility.
Kevin, congrats on that bass - it looks literally identical to a certain bass I once heard of that was never completed. I know it will be a monster.
I'm quite certain that 60 posts will have been made in the time it took me to write this, rendering mine obsolete and irrelevant. Sorry. . .
