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Fractal Audio Club

Any chance we'll see these bass packs implemented as part of the DynaCab firmware?
It's great that you've got these cab packs officially affiliated with Fractal now. Congrats!

As I understand it, CabLab integrates seamlessly for audition with my FM9 Turbo acting as the audio interface. As I've never used CabLab4, I'm unsure of the full scope of the implementation. Ideally, I'd want to have FM9 Edit open along with CabLab4, with an existing preset's cab block being edited, so that I could hear the custom DynaCab IR in CabLab within the context of the existing preset. Is this possible?
There's no internal memory for a sampling of the bass cab packs.

What you do is dial up the preset on your FM9. Launch CabLab4 and tell the software to connect to the unit.

Then in settings you can tell it to temporarily dump your cab and audition your cab lab mixes in your preset.

CabLab 4 is free and hasn't crashed on me yet.
 
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There's no internal memory for a sampling of the bass cab packs.

What you do is dial up the preset on your FM9. Launch CabLab4 and tell the software to connect to the unit.

Then in settings you can tell it to temporarily dump your cab and audition your cab lab mixes in your preset.

CabLab 4 is free and hasn't crashed on me yet.
OK. That sounds like it's not to difficult to work with. I'll have to give it a try.
Are there any sound sample clips of these Ampeg cabinets?
 
Went down the rabbit hole here. I started looking at some more FX for my board and quickly realized the cost of entry for an FM 3mkII is not much more, or even less expensive, than comparable options from good multi fx units, think Eventide, or multiple pedals.

I've got the fractal bug and hopefully will be joining the club soon.
 
Went down the rabbit hole here. I started looking at some more FX for my board and quickly realized the cost of entry for an FM 3mkII is not much more, or even less expensive, than comparable options from good multi fx units, think Eventide, or multiple pedals.

I've got the fractal bug and hopefully will be joining the club soon.
That's how I got into Fractal (on guitar initially) and what really brought me over was when it came to being able to switch multiple FX and settings quickly and easily. On a traditional pedalboard you are looking at pricey and complicated switching solutions that still won't be adjusting your dials etc. IME The Fractal world really is far more powerful, better value, and they have frequent updates filled with great new features. I ended up getting an FM9 Turbo Mark II and have zero regrets, such an amazing and well thought out piece of kit.
 
I'm also an FM9 Turbo owner. Even though it's a pricey unit, I think it's an incredible value given all that it offers and, just as important, the regular firmware updates. Also following the firmware updates for the AxeFXIII, which just had a total reworking of the compressors among other things. Usually these updates trickle down to the FM3 and FM9, so patiently waiting with fingers crossed in the hopes that the new comps make their way down to us.

FWIW, last night I was messing around with a preset that was nothing more than an up-front graphic EQ, Comp model and a Drive model.
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The JFET Preamp & comp gave a really nice vintage sort of thick, slightly overdriven tone with plenty of growl, great for classic old-school stuff. it's totally different than my typical gig tone, which is very edgy hard rock/metal, and a much more complex split path routing preset.
It really points to the fact that there are so many very simple ways to get very nice bass tones without diving too far down the rabbit hole. The latest amp, cab and drive modeling has really taken a step up IMHO.
 
That's how I got into Fractal (on guitar initially) and what really brought me over was when it came to being able to switch multiple FX and settings quickly and easily. On a traditional pedalboard you are looking at pricey and complicated switching solutions that still won't be adjusting your dials etc. IME The Fractal world really is far more powerful, better value, and they have frequent updates filled with great new features. I ended up getting an FM9 Turbo Mark II and have zero regrets, such an amazing and well thought out piece of kit.
Not having to deal with cable/power is another huge plus. It hurts a bit when I see the guitarists in my band spending 15-30 minutes trying to run down a grounding issue or mismatched cable on their boards.
 
Had another nice outcome from a gig last night with the FM9 Turbo3.
(This band is 100% amp-less on stage, with our 2 guitarists using an AxeFxII and Zoom G5n respectively, all piped through stage wedges. It's awesome and ROOMY on stage.)
It's such a luxury to have everything I need for tone and effects in just one preset, using per-preset programmed switches. It's a dual path setup with the low end remaining static regardless of what's happening for effects on the high end chain:
- 4 flavors of preamp/drive on a switch that scrolls through each of the A/B/C/D Drive channels, each increasing the audible level of drive distortion
- pitch shift on/off
- tremolo on/off
- low path level (discrete from the top end path): 4 different levels to satisfy FOH needs, scrolling through A/B/C/D volume block channels
- 2 envelope filter channels, switchable
- tuner, with mute via long-press/hold of its switch

I'm really just scratching the surface of the FM9's capabilities, but it's great having my load-in consist of 2 basses ( bass stands in the gig bag pouches ) and a soft case for the FM9, power & instrument cables and microphone. Setup/teardown is so fast, and easy on the back. Best live rig I've ever owned.
 
Had another nice outcome from a gig last night with the FM9 Turbo3.
(This band is 100% amp-less on stage, with our 2 guitarists using an AxeFxII and Zoom G5n respectively, all piped through stage wedges. It's awesome and ROOMY on stage.)
It's such a luxury to have everything I need for tone and effects in just one preset, using per-preset programmed switches. It's a dual path setup with the low end remaining static regardless of what's happening for effects on the high end chain:
- 4 flavors of preamp/drive on a switch that scrolls through each of the A/B/C/D Drive channels, each increasing the audible level of drive distortion
- pitch shift on/off
- tremolo on/off
- low path level (discrete from the top end path): 4 different levels to satisfy FOH needs, scrolling through A/B/C/D volume block channels
- 2 envelope filter channels, switchable
- tuner, with mute via long-press/hold of its switch

I'm really just scratching the surface of the FM9's capabilities, but it's great having my load-in consist of 2 basses ( bass stands in the gig bag pouches ) and a soft case for the FM9, power & instrument cables and microphone. Setup/teardown is so fast, and easy on the back. Best live rig I've ever owned.
What do you use for monitoring?
 
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What do you use for monitoring?
Our guitarist is also a pro audio provider of tour grade gear. Not sure of the manufacturer, but the powered wedges are very high quality, big $$$$, loud and fairly flat response. We're very fortunate to have that. He uses a Midas digital rack mixer under ipad control. The bass channel is duplicated, one each for mains and monitors, so they can be EQ'd discretely.
 
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RTFM Ser! Got it. Playing Ampless thru phones.
Not sure what styles of music you play, but I'd recommend maybe starting with the SV2 (Ampeg SVt) model if you're looking to use amp modeling. There some some built in bass cabs that are solid, but Dr Bonkers 810 SVT dynacab pack is great if you're looking to add more options. Note that the external cab packs have to be managed from a PC though
 
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Ordered an FM3 mkII today. Can't wait to dig in. I'm currently using an Opus and it's really great, but I also want FX without a massive board. Any tips for a Fractal Newb?
Oh also the new compressors are exceptional. I don't think the FM3 has them yet, just the axe FX 3. But I've been enjoying them a lot, hard to pick a favorite. The 1176 and pedal JFETs, the VCA bus compressor, new optical are all great. The new tube compressor is also super interesting, it has a very unique soft compression curve. Almost feels like a combo of a tube DI box and a compressor. For more classic bass tones w/o a ton of coloration, I don't even think an amp sim would be needed if you used the tube comp.
 
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Ordered an FM3 mkII today. Can't wait to dig in. I'm currently using an Opus and it's really great, but I also want FX without a massive board. Any tips for a Fractal Newb?
It's easy to get a bit swamped as a new Fractal user. Be patient and methodical. Study some simple presets to see how a signal chain is created, and resort to the manual often, especially with respect to initial setup and setting the input level to the AD/DA converters. I recommend joining the Fractal forum, too. It's become a little friendlier over the years for bassists, thankfully. Lots of really experienced and helpful users over there.

True, you can get really great sounds just by using a Drive, a compressor (or two) and a GEQ or PEQ. I'd get familiar with the CAB block using stock cab IRs.
The CAB block has some outstanding features for bass. A favorite trick is to use the Cab block with a "null" IR ( a flat EQ curve "#1024 TOTALLY-FLAT" if I recall) so that it's not applying any speaker tonal EQ, but then you can use all the other stuff to apply to your otherwise flat signal (room ambience, mic preamp saturation, hi/lo cuts, etc.). It's deep. Your family may not see you for days LOL.

Programming the switches is also another area where you can have a lot going on, so be careful there if you dive into any extensive programming there.

Enjoy!
 
It's easy to get a bit swamped as a new Fractal user. Be patient and methodical. Study some simple presets to see how a signal chain is created, and resort to the manual often, especially with respect to initial setup and setting the input level to the AD/DA converters. I recommend joining the Fractal forum, too. It's become a little friendlier over the years for bassists, thankfully. Lots of really experienced and helpful users over there.

True, you can get really great sounds just by using a Drive, a compressor (or two) and a GEQ or PEQ. I'd get familiar with the CAB block using stock cab IRs.
The CAB block has some outstanding features for bass. A favorite trick is to use the Cab block with a "null" IR ( a flat EQ curve "#1024 TOTALLY-FLAT" if I recall) so that it's not applying any speaker tonal EQ, but then you can use all the other stuff to apply to your otherwise flat signal (room ambience, mic preamp saturation, hi/lo cuts, etc.). It's deep. Your family may not see you for days LOL.

Programming the switches is also another area where you can have a lot going on, so be careful there if you dive into any extensive programming there.

Enjoy!
One note on this is I've noticed the flat IR drops my signal a bit. I sometimes have to boost the cab block by 6-9db to maintain unity gain. Idk if this is maybe just caused by some settings on my unit as I haven't seen anyone else ever mention it
 
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Oh on the topic of cabs, I really like the ML USA 410 + 115 cab (or whatever it's called). There's a couple in the stock cabs, but I ended up buying the ML bass cab pack for like $40 or something from the fractal store since I liked them so much.
 
One note on this is I've noticed the flat IR drops my signal a bit. I sometimes have to boost the cab block by 6-9db to maintain unity gain. Idk if this is maybe just caused by some settings on my unit as I haven't seen anyone else ever mention it
There may be other "null" IRs lurking around the forum from all the years gone by before Fractal included it as a stock IR.,.might work better.

null IR
 
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Just started using the VP4 a couple of days ago.

I was using the HX Stomp for very limited functionality. Basically My effects setup was:
Shure GLXD 16+ >> OE Cali '76 >> HX Stomp (In the stomp I had EQ > FX Loop for blending dirt > Chorus > Phaser > Nobel DI) In the loop of the HX Stomp I had a Greer Lightspeed (Mild OD) and a Greer Black Mountain Crunch (Mid gain OD).

I have replaced the HX Stomp with the VP4 setup as follows:

EQ > Drive 1 > Drive 2 > Chorus

Couldn't be happier!
 
Just started using the VP4 a couple of days ago.

I was using the HX Stomp for very limited functionality. Basically My effects setup was:
Shure GLXD 16+ >> OE Cali '76 >> HX Stomp (In the stomp I had EQ > FX Loop for blending dirt > Chorus > Phaser > Nobel DI) In the loop of the HX Stomp I had a Greer Lightspeed (Mild OD) and a Greer Black Mountain Crunch (Mid gain OD).

I have replaced the HX Stomp with the VP4 setup as follows:

EQ > Drive 1 > Drive 2 > Chorus

Couldn't be happier!
VP4 is phenomenal, just downsized my bass rig to it after getting a Mesa TT800 for my amp. Main sound right now is studio comp (1176) -> optical comp (la-2a) -> drive (still TBD, but liking the black glass) -> graphic EQ.
 
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