• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

G&L Club Part 3

Status
Not open for further replies.
Hey all,

I played my new JB at a band rehearsal last night and wanted to provide some thoughts / impressions of it. I play in a local bar band that does some classic rock, some blues, some originals - the typically mix of beer-induced fun at the local watering hole. I played through the practice amp - an old tube amp into a 2x15 cabinet (I'm unsure of wattage & additional details about the amp).

Initial impressions - I have only played a single coil, 4-stringed jazz bass a couple times before, and that one was fretless (a Warwick Corvette Standard Fretless). I am quite used to playing a 5-stringed bass (my L2500 or Pedulla Thunderbass/Thunderbolt), so I am quite used to basslines that utilize the 5th string (e.g., playing in 6th position in the key of F). I found myself trying to hit a few notes and missing - nothing to do with the bass, just some gripes about switching back to a 4 string & the issues of "really" knowing a bass.

This bass is exceptionally bright. When the rest of the band was not playing, I could hear EVERY movement on the strings. I do have brand new bright strings on there (DR Hi-beams, less than 15 hours total). Turning the tone knob down helped considerably. The bass still cut through just fine - the tone is aggressive and full. Not as aggressive as my L2500 (is there any other bass that is??), but much much more than my Pedulla with Bartolinis.

I'm not particularly good at slapping, but a couple of the originals we play requires the occasional thump or pop. Those notes cut through crystal clear, through the drums, organ, and guitars. Pick-style was very clear.

I had a little trouble with the V/V/T setup, as I am used to basses with an overall volume knob and a pickup blend (or switch). I would not mind if the JB had a volume / blend / tone layout, similar to the Warwick basses.

There is a decent amount of sustain with this bass. I found myself having to be extra careful when playing, to not let notes ring more than they should.

Cons:
The satin finish on the neck is sticky, especially in a wam practice space. I can't wait to sand and oil the back of the neck. If I have time prior to our gig on Saturday, I'll use some steel wool and gun oil to lube it up (My L2500 is awesome after this treatment!).

The bass is a little on the heavy side. Maybe my traps were sore from lifting weights earlier, or maybe I just need to HTFU. It is nowhere near as heavy as the solid bubinga Warwick I owned, just hevay enough to require the occasional adustment between songs.

All in all, it is an excellent bass, and based on one multi-hour rehearsal, I am willing to put in the time to learn this bass and break it in. It isn't fair to compare it to my L2500 (owned & played for 6 years now), my 78 PBass (owned and played for 17 years), or my Pedulla Thunderbass (owned and played for 4 years), each with countless hours practicing or gigging live. If you want a classic Fender sound, with a G&L aggression and finish, I recommend this bass.
 
Nice review Chebass! Mine was super bright in the beginning too. I never liked old strings before but after letting these get a little grime in them, the tone is great! I also play in a classic rock/blues bar band and I find the JB very versatile. For harder rockin' tunes I max the tone and put both pups on full. For bluesier or lighter tunes, I cut the treble 25-50% (this is my favorite tone on the bass). For more country-ish stuff or songs that clearly had a p-bass I max the tone and do neck pup only (gets a great p-bass tone in my opinion).

Hope the JB proves a good addition to your already impressive arsenal.
 
Just arrived today. Only got to play around with it for a few minutes through a small Marshall combo. But man, this thing has quite the snarl to it. Really mean and aggressive. I've heard a few people refer to these things as a poor-man's Wal, and I get it now. Also, I'm really happy I went with the walnut finish, it really is beautiful.

l2500-1.jpg


l2500-2.jpg
 
Just arrived today. Only got to play around with it for a few minutes through a small Marshall combo. But man, this thing has quite the snarl to it. Really mean and aggressive. I've heard a few people refer to these things as a poor-man's Wal, and I get it now. Also, I'm really happy I went with the walnut finish, it really is beautiful.

l2500-1.jpg

bigChief,
I love the walnut stain on the ash! Great looking G&L!!!



After quite a while I'm back in the G&L club too. I picked up a very nice USA L2500 this week in a trade.
Easily the best playing G&L that I've owned or played. It really took a nice low setup without fret buzz.

Here's a pic:

[Invalid or Expired Link Removed]
 
Does anyone have any idea what gauge and how many turns of wire the MFD 'buckers have?

I'm wondering what it might take to reverse-engineer a set of 6-string MFDs from scratch. Ok - so they wouldn't be *identical*, but hopefully you could get close enough with some effort. With the right pole material, geometry, windings, wire gauge, and magnets, you could do reasonably well. But I'm not taking apart a perfectly good set to find out!

My recent conversion of my fretted L2500 to E-C and the addition of an EMG preamp has be incredibly cool! But I miss the huge-sounding B-string. I have other basses with excellent B-strings, but it would be super cool to have a 6-string version of the L2500. I'm afraid I'd have to build that myself, though.
 
Hey all,

I had to do it - I sanded the finish off the back of the neck on my new JB yesterday. I guess it is mine now! I started by marking the neck with a sharpie marker (so I could ensure I was sanding evenly - when the sharpie disappeared, I knew that spot was sanded). I used 150 grit followed by 220 grit, and then topped off with 0000 gauge steel wool. I then coated the back of the neck and fingerboard with KG4 gun oil. It plays beautifully now, and the neck is as smooth as can be.

I had to add a little more relief and raise the string heights - when digging in, they kept hitting the frets and buzzing. This is the highest action I've had to use - 9/64" at the last fret. The bass was very full and thick at our gig last night. The drummer was a real basher, so I played hard to be heard - the bass held up, in spades. My wife loved the sound (the only other one she really likes is the L2500).

After 9 hours of gigging & rehearsal time with some hard playing - this one is a keeper.
 
Just arrived today. Only got to play around with it for a few minutes through a small Marshall combo. But man, this thing has quite the snarl to it. Really mean and aggressive. I've heard a few people refer to these things as a poor-man's Wal, and I get it now. Also, I'm really happy I went with the walnut finish, it really is beautiful.

I thought my Fender P bass had a meaty tone. It's nothing compared to an L-2500. Really heavy and beefy if you want.
 
Hey all,

I had to do it - I sanded the finish off the back of the neck on my new JB yesterday. I guess it is mine now! I started by marking the neck with a sharpie marker (so I could ensure I was sanding evenly - when the sharpie disappeared, I knew that spot was sanded). I used 150 grit followed by 220 grit, and then topped off with 0000 gauge steel wool. I then coated the back of the neck and fingerboard with KG4 gun oil. It plays beautifully now, and the neck is as smooth as can be.

I had to add a little more relief and raise the string heights - when digging in, they kept hitting the frets and buzzing. This is the highest action I've had to use - 9/64" at the last fret. The bass was very full and thick at our gig last night. The drummer was a real basher, so I played hard to be heard - the bass held up, in spades. My wife loved the sound (the only other one she really likes is the L2500).

After 9 hours of gigging & rehearsal time with some hard playing - this one is a keeper.

Pictures would be really nice too.:D
 
Raise it as high as you can get it without fouling the strings on it.

Short of that, I'd think a Nordstrand Big Single would be the only thing close, size-wise....
 
Status
Not open for further replies.

Latest posts