Me too, and not just for finish choices.That's a great thing about G&L: so many finish choices.
That is also reason I would opt for G&L over Fender at this point in terms of American made basses.
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Me too, and not just for finish choices.That's a great thing about G&L: so many finish choices.
That is also reason I would opt for G&L over Fender at this point in terms of American made basses.
Me too, and not just for finish choices.
While I prefer Rosewood, I kinda like how the fingerboard seems to blend with the G&L logo on the headstock!There is a bit of a 60's vibe with this one. Just received it yesterday!View attachment 4701721
Is it time for the tort or no tort discussion? I was still stuck on how fingerboard wood choices color tone. ;-)But we do argue about import stuff, like Tort.
I agree, but certainly not on everything. A couple years ago I traded some work for a Peavey T-40. It was the usual natural ash with a maple neck and a black 3-ply pickguard. Bland. I bought a tort pickguard for it and it spruced it right up. And it still maintains that 44-year-old classic look, plays like a dream, sounds great, and weighs more than the Queen Mary.Depends on the body color for me.
Yes, I like tort.
That's easy:Is it time for the tort or no tort discussion? I was still stuck on how fingerboard wood choices color tone. ;-)

I think G&L's fb feed must have overheard the grumble about their burst finishes
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That's not burst. That's a deep lake…

I have a Tribute JB-2 in 3-tone sunburst, and I had a Tribute L2000 and a Tribute LB-100 in 3-tone sunburst. If I were to rate 3-tone sunburst, I'd say I like it, particularly for its classic vibe, but on the other hand, I sold 2 out of the 3 basses I had in that finish. What's the old saying?: The proof of the pudding is in the eating.Funny thing, I complained about Sunburst earlier but my #1 bass is also a burst…. But not Sunburst![]()
The land of the rising sun(burst)?One sunburst that always amuses me is that on the high end MIJ Yamaha BB Pro 34:
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Presumably in the late 70s a particularly ineptly painted Fender was bought by Yamaha HQ to be used as a template for the three tone sunburst, and it's still there, still being used as an example of the ideal.