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G&L Club Part 7

I've lost track but my order is 25 or 26 months behind.
About a month ago I've contacted G&L and Ron Moreno said the bass was ready to assemble and would be ready to be shipped in the following week. Then NAMM happened and I've haven't heard any updates.
Yeah, they got behind and had supply chain issues (like everyone else) and I think they lost 1 person as well.
 
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Did somebody say red G&L Basses?
The JB is empress and 7.5 lbs. I looked for ages to find a real 8.4 lb SB2
The SB2 has been too aggressive for some projects.
I could see a conventional P pickup but is there a humbucking bridge pup that would bolt in?

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Did somebody say red G&L Basses?
The JB is empress and 7.5 lbs. I looked for ages to find a real 8.4 lb SB2
The SB2 has been too aggressive for some projects.
I could see a conventional P pickup but is there a humbucking bridge pup that would bolt in?

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Rather than change pickups, have you considered tapewound strings to help tame the existing one?
 
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Stunning. Absolutely stunning…

Some incredibly beautiful basses showing up here lately! Of course, we all know they sound and play great. Hope everyone gets maximum enjoyment!

The crazy part for me is that I had vague thoughts of this, minus the quilted top and a maple board instead.

I hope the stuff in the band gets sorted out, so I can kinda justify my own custom G&L.
 
I had not considered this.
I do like the whirring of a mellow nickel round wound with conventional pups though.
I know what you mean, I have rounds on my Jazz but tapes on my Kiloton and Flats on my SB-2. I am thinking of swapping the strings on the kiloton and the SB-2 because I think the tapes will work well on it (and I don't really play the kiloton since I got the SB-2).
It's probably worth trying tapes (or even pressurewounds?) because that is a lot less effort than changing pickups & easily reversable if you don't like it.
 
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I had not considered this.
I do like the whirring of a mellow nickel round wound with conventional pups though.
I'm partial to Elixir nickel wounds, which are just a touch mellower than un-coated nickel roundwounds. Recently, I put a set of Pressurewounds on my SB-2, and man, were they bright! Someone told me to give them time to break in. I did, and they did. I now like them on that bass. Another consideration might be Thomastik-Infeld Jazz Flats. They are the only nickel-wound flats I've found, and they're comfortably mellow and a dream to play.
 
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Giving my new JB a makeover (thank you to Greg from Rocketmusic for helping me order the pickguard!)

Next step is white pickup covers. Do any of you have recommendations on where to get white VVT knobs? All the ones I've seen online seem to have sharper edges and a matte finish, where I want it to look like the standard knobs just in white
 

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My SB-1 has Roto Bass nickel-plated rounds which are warm rather than aggressive. Also pickups are nice and low, with the pole pieces tweaked to add a bit of definition. I treat 8 on the volume knob as 10, with the stretch from 8–10 as a way of adding a treble+bass boost when needed. I also have the tone knob bobbing around between 5–10, depending on context.

Offering this as advice to an SB-2 owner has two fat problems: firstly, the tone knob is doing a lot of work; secondly, there's no getting round how close that single coil pickup is to the bridge.

So, ignore this post :bag:
 
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My SB-1 has Roto Bass nickel-plated rounds which are warm rather than aggressive. Also pickups are nice and low, with the pole pieces tweaked to add a bit of definition. I treat 8 on the volume knob as 10, with the stretch from 8–10 as a way of adding a treble+bass boost when needed. I also have the tone knob bobbing around between 5–10, depending on context.

Offering this as advice to an SB-2 owner has two fat problems: firstly, the tone knob is doing a lot of work; secondly, there's no getting round how close that single coil pickup is to the bridge.

So, ignore this post :bag:
Thanks Ricky. That sounds like solid advice.
I wonder if changing the volume pot value would make much difference.
 
I'm partial to Elixir nickel wounds, which are just a touch mellower than un-coated nickel roundwounds. Recently, I put a set of Pressurewounds on my SB-2, and man, were they bright! Someone told me to give them time to break in. I did, and they did. I now like them on that bass. Another consideration might be Thomastik-Infeld Jazz Flats. They are the only nickel-wound flats I've found, and they're comfortably mellow and a dream to play.
I have the Ernie Ball Slinky Flats (Cobalt) on a non-G&L bass that to my ears are bright but still quite full. And they are fun to play. Take a little off the tone knob and they are quite mellow and vintage sounding. But they do cut through when needed. I use either StringJoy or DR nickel rounds on everything else.
 
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