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G&L Club Part 7

Other than the checking lines (nothing to worry about) that one appears to be in great condition. My clear-finish El Toro has them on the body and considering the headstock I'd bet that one does too. ASK. I've never seen one go as high as $2000 in the US but your market may be different. See if they're negotiable before making that long drive. Checking lowers the value but not the tone.
Thank you. I have bought two basses this year (one is a Kiloton-5) and I do not consider buying this one nor making the journey. The asked price is way too high anyway even in my country, it should be closer to €1,200/1,400 (same number in US$) because an El Toro is rare, sought after and this one is in good condition...
I sold an ASAT Bass Leo Fender Signature (1989, unlined fretless ebony board, natural gloss too) last year, I was not able to get more than €750 (US$750) for it. My 1999 USA SB-2 sold for €950 18 months ago, a fair price here.
 
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Okay, I'm sure I could figure this out by piecing together the posts above and looking at user manuals and all, but maybe y'all just know this off the top of your head and feel like thumb-typing at me, so thanks in advance if you can answer this:

If I have two stock Fullerton JB4s (a 2018 and a 2021), and two stock Fullerton Kilotons (2019 and 2021), do I have the right pots for my pickups?

Assuming stock pickups and no mods?
 
Hahahah. I can't leave you hanging like that. :)

* CR = Caribbean Rosewood
* MP = Maple

** EDIT - I added the minimum prices that dealers are required to advertise.

FULERTON DELUXE MODELS (I'll do the CLF Research models in a separate post)

ASAT Bass:
Jet Black / Alder / CR / $2009
Butterscotch Blonde / Ash / MP / $2109

Fallout Bass
3-Tone Sunburst / Alder / CR / Tort / $1949
Himalayan Blue / Alder / CR / Parchment / $1949
Alpine White / Alder / CR / Pearloid / $1949
Purpleburst / Ash / MP / Black / $2049

JB
3 TSB / Alder / CR / Tort /$1999
3 TSB / Alder / MP / Tort / $1999
Jet Black / Alder / CR / Parchment / $1999
Jet Black / Alder / MP / Parchment / $1999
Himalayan Blue / Alder / CR / Parchment / $1999
Purpleburst / Ash / MP / Pearloid / $2099

JB-5
3 TSB / Alder / CR / Tort / $2099
3 TSB / Alder / MP / Tort / $2099
Jet Black / Alder / CR / Parchment / $2099
Jet Black / Alder / MP / Parchment / $2099
Himalayan Blue / Alder / CR / Parchment / $2099
Purpleburst / Ash / MP / Pearloid / $2199

Kiloton
Graphite Metallic / Alder / CR / Black / $1959
Blueburst / Ash / MP / Pearloid / $2059

Kiloton 5
Graphite Metallic / Alder / CR / Black / $2059
Blueburst / Ash / MP / Pearloid / $2159

LB-100
3 Tone Sunburst / Alder / CR / Tort / $1949
3 Tone Sunburst / Alder / MP / Tort/ $1949
Fullerton Red / Alder / CR / Tort / $1949
Himalayan Blue / Alder / CR / Tort (I wonder if the tort guard is a typo?) / $1949
Jet Black / Alder / CR / Parchment / $1949
Jet Black / Alder / MP / Parchment / $1949

SB-1
3 Tone Sunburst / Alder / CR / Tort / $2049
Andromeda / Alder / MP / Pearloid / $2049

SB-2
3 Tone Sunburst / Alder / CR / Tort / $2099
Andromeda / Alder / MP / Pearloid / $2099

LEFTY JB
3 TSB / Alder / CR / Tort / $1999
Jet Black / Alder / MP / Parchment / $1999

LEFTY JB-5
3 TSB / Alder / CR / Tort / $2099
Jet Black / Alder / MP / Parchment / $2099

I'm kind of late to the party, as usual…
I was just curious about the above Fullerton Deluxe specs. Did they move away from Sugar Pine to Alder & Ash?
 
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Not sure I'm getting this. Would it still be playable as a normal L2000? Or would the pickups work strictly in single coil with the only option being which coil was in use? (Plus series/parallel and active/passive?)

I'd like to wire an L2000 with a separate switch for each pickup for single coil option. That way it could be played with both singles, or either pickup could be singled individually while the other is still in humbucker mode. Of course, that adds two switches to the three already there, giving it about as many switches as a 747. And five switches has to really confuse us bass players...we're only used to counting "1, and 2, and 3, and 4."

I have done this already. And it doesn't disappoint. I used an Awesome Guitars T4-plus switching system so I can run each coil in and out of phase as well amongst the dozens of other settings. The only downside is that some routing is needed to create more space in the control cavity.

View attachment 5046724

I did something similar to my '96, but not as extreme as @Kawai2g4b 's
E2EADED9-76F1-4435-B677-AB7AB9E591F2.jpeg


As you can see, I added a 4th switch.
The early '96-'97 L2500's came wired Parallel and OMG, without Series, just like the L2000's of the same era and earlier.
Problem was that the OMG mode was somehow mistakenly wired with the same Polarity on each pickup, so you got double the 60-cycle hum (each pickup hummed). So I got that fixed by moving one wire on the S/P switch. I then added the switch to be able to go from Inner and Outer coils. The switch is a 3-way on-on-on, like one you'd use for S/P/SC. Down is outer coils (70's Jazz bass), up is Inner coils (sounds kind of Warwick Thumb-ish). In the middle, it's back to how it was from the factory, with the double-hum mode, but sounds very aggressive.

So with the 4th switch in conjunction with the pickup selector, there are double the tones from just the one addition.
I also added a push-pull Volume pot to give me regular ol' Series when pulled up.
 
Can anyone tell me if the Dimarzio DP122 fits the LB-100 Tribute?

Love this bass but the shielding is not good... (it's not a grounding issue before you ask).
Any pickup designed to fit a P-bass should work. I put an MFD split coil in my Tribute LB-100. That being said, I haven't specifically put the DP122 in mine. If you don't get an answer regarding that specific pickup, I suggest you try asking on bassesbyleo.com/forum.
 
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Love this bass but the shielding is not good... (it's not a grounding issue before you ask).

All the split P pickups are already hum cancelling
@Stan_da_man, T-34 is right. You already have a humbucker on that bass. So if there's a hum and you suspect the shielding, and if you're sure it's not a ground issue, it's almost certainly from outside interference and not the split-coil humbucker pickup. Tributes normally come with shielding paint in the cavities--OK, but not great. I'd try improving the shielding with either more shielding paint or copper tape. A first step of that might be to make sure the shielding paint is grounded at some point. If it's not, it's doing nothing. Also, check the pickup to make sure it's properly installed. If one of the coils is installed upside down, it is no longer a humbucker. That almost never happens, until it does. I had that issue many years ago with a 1970 Fender P-bass.
 
I recently purchased a Fallout Bass, and it ever a killer bass!

It's my first time owning a bass with an MFD pickup. Does anyone have insights into what the three different positions of the selector switch do in terms of modes?
On my L2500, the mode switch is: series (toward neck), single coil (middle), and parallel (toward bridge).
 
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I recently purchased a Fallout Bass, and it ever a killer bass!

It's my first time owning a bass with an MFD pickup. Does anyone have insights into what the three different positions of the selector switch do in terms of modes?

Parallel/Split/OMG (series with a treble cap)

OMG - is going to be the higher output low end focused sound. I tend not to use it on the Fallout as it could use a touch of bass cut (how I use series on my L2500). Do not be afraid to turn the volume down a touch when using this mode. Generally true of any G&L when switching into a series mode.

Split - Nice clear tone with plenty of low end, but will have some noise due to not being a hum canceling mode.

Parallel - Sounds similar to Split with no hum. There is a little bit of a different voice than Split, but very similar. I tend to hear it as a slightly different high end than the split coil mode.
 
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"Two year lead time and over $4,000 new,"
For $4K I'm going with either a Marco or Mike Lull. Can get some impressive tops from Marco for that and basically hand made. Both have histories of perfect right out of the box.
I can't justify that kind of pricing for a machine made bass especially based on some of the Fullerton necks I've played. They were good, but not that good.