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G&L Club Part 7

Does anyone gig a tribute when they aren't comfortable taking a USA?

I gigged a Tribute SB-2 pretty regularly over my US L-2000. Partly for tone, partly to leave the nice one at home. The Tribute could totally hold its own.

I'm at a stage now where I'm not gigging anywhere I'd be concerned about an instrument, but I have a Tribute M-2500 that makes the rounds occasionally.
 
I gigged a Tribute SB-2 pretty regularly over my US L-2000. Partly for tone, partly to leave the nice one at home. The Tribute could totally hold its own.

I'm at a stage now where I'm not gigging anywhere I'd be concerned about an instrument, but I have a Tribute M-2500 that makes the rounds occasionally.
I'm sort of curious about the M-series basses. Also, MJ basses.

I do not gig anywhere sketchy myself, but I prefer taking the Squier to a new place so I can feel it out before taking the L-2000.

After some research, it appears even tributes are kind of expensive. They range up in the $6-700 range! Way more than my Squier! Dang!!
 
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At the gig last night with my JB. Right now this is my go to bass. Love the way or feels, plays and sounds.
 

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So, this bass is amazing ...
Is there a reason why they stopped making this version of the late 81'/early82' hog/ maple?

Or is this bass a special order. Because I have yet to see another bass like this.

I think it has something to do with the head stock design, it looks to much like the fender head stocks on the Precision & Jazz bass, so it was causing some legal issues if I'm not mistaken, some G&L experts correct me if I'm wrong.
 
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I think it has something to do with the head stock design, it looks to much like the fender head stocks on the Precision & Jazz bass, so it was causing some legal issues if I'm not mistaken, some G&L experts correct me if I'm wrong.

Yup, threat of lawsuits was the key. Personally, I much prefer the newer headstock design. Opinion is divided on this point, though.
 
I think it has something to do with the head stock design, it looks to much like the fender head stocks on the Precision & Jazz bass, so it was causing some legal issues if I'm not mistaken, some G&L experts correct me if I'm wrong.
I know they changed the headstock in 83. I Heard someone say that the factory didn't paint solid over mahogany. So maybe it was a mahogany slab that got dinged at the factory and painted over it.
I think it has something to do with the head stock design, it looks to much like the fender head stocks on the Precision & Jazz bass, so it was causing some legal issues if I'm not mistaken, some G&L experts correct me if I'm wrong.
 
View attachment 965973 View attachment 965974
So, this bass is amazing ...
Is there a reason why they stopped making this version of the late 81'/early82' hog/ maple?

Or is this bass a special order. Because I have yet to see another bass like this.
This is pre-law suit I just want to know about this maple neck mahogany body with this weird black chip paint. it not seem to be a common color scheme
 
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So I got to play my M-2500 on 3 gigs this weekend, and let me tell you, it was impressive. I brought both my Sire V7 and the 2500. I ended up playing the M-2500 for the majority of the time. The pup dial was very intuitive, and allowed me to sit nicely in the mix, or favor the rear pup and cut like a knife. Very impressed.
yeah I hear you-
I bought a new M2000 recently and it is a unique active bass. still leans towards a P bass tone which is good for me. I hear more vintage sounds than 18 V modern ones. still organic sounding to my ears; a near perfect bass for me.
I have no doubt that a B string on an M would be exquisite.
really surprised these M series aren't more popular; a great choice for those who think an L 2000 or an EBMM SR is too zingy
 
Don't know if this club is one of those that gives out numbers or not but, whether or not you do, I'd like official membership. I bought this beautiful L-2500

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back in March but until recently had only had a chance to play it at home. I liked it but I wasn't really wow'd by it. Maybe it's just because I'm still getting to know the controls well enough and can't yet instantaneously tweak them to get a specific sound like I can with my Stingray. Maybe it's because playing at home I haven't really been able to play it at band-volume level. Maybe I miss having an on board mid-control like I have on my Stingray. Maybe I just didn't like it as much as I like my Stingray. Maybe a combination of those things. Maybe something else.

Then last week I finally had a chance to play it with the band (we were off for quite a while and that was our first time playing again) and right away I finally found the "Wow!!!". I don't yet know if it knocks my Stingray off of it's spot on my #1 pedestal, but I get it now. I love the big, beefy tone and I love having no trouble cutting through to whatever extent I want to cut through. Can't wait to play it more as adjusting the controls becomes more natural to me. And, I have to say, I like how passive mode is another legitimate, great sounding tonal option and not just a "limp along in case my battery dies" fall back.
the magic in the L's are in series mode and the front PU. the passive tone is nice and I run mine with the treble dialled back; they can be quite aggressive.
 
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