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G&L Club Part 7

I don't really see the need for string through either. For starters I always like to unwind a new string right after initially tightening it up and then back it out of the bridge to straighten it out as they inevitably get twisted. To me, doing this is the most important thing to making a B string sound good and it's almost impossible to do when it's strung through the body.

I never understood how the through bridge bridges would lift considering how there's a massive toe that is countersunk into the body which you would thing would counteract any pull from the other direction.

I do the same thing and I agree completely. Alot of time on my basses with string thru body bridges I will run the B String through the bridge just so I can do this.
 
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Any particular flats you prefer on the L-2500?

TI's on my L-series basses sound terrific.

I love the TI's on my fretless L2500. I've got a fantastic Muckelroy fretless 5 with Honey Badger dual coil pickups and rounds; the TI's on my L2500 sound just as articulate as the rounds on the neck-through Muck. Great mids, no mud. Plenty bright to cut through and still be "stringy", without being thin or too bright.
 
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I've been thinking of giving those a try. I used to play DR's Exclusively but last year I switched to Dunlop Super Bright Nickles.

If you've played them as well, how do the two compare?
Never have played any Dunlaps. I tried the Pure Blues based on a description in another post. It is exactly the sound I like, a big fat round sound with teeth.
 
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Pure Blues have a soft feel and a great thick sound for rounds. They are pretty low tension though (DR doesn't publish tension info) so get ready to mess with your action if you've been using hex-core strings.
 
I love the TI's on my fretless L2500. I've got a fantastic Muckelroy fretless 5 with Honey Badger dual coil pickups and rounds; the TI's on my L2500 sound just as articulate as the rounds on the neck-through Muck. Great mids, no mud. Plenty bright to cut through and still be "stringy", without being thin or too bright.

I've got them (TI Jazz flats) on my fretless L1500 and they are the cat's butt! Wonderful presence and bite. They seem to be a great match for the MFD pickups.
 
I considered those. Anyone have them on an SB-2? Opinions, please.

I have TI flats on my SB-1. They're never coming off. I play it through both tubes (Ashdown) and solid-state (Tecamp).

I'm a bit of a TI fanboy, though. I have jazz rounds on a Warwick Corvette standard, and powerbass on my L2k tribute. I can't wait to get an SB-2 and put some superalloys on it :)
 
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Ok. This is the only one I could find on my phone. Not a great pic but you can see some of the wood coming thru.

View attachment 1138598

Nice looking bass there, the Blackburst goes well with the maple board. I see what you mean about how the grain is subdued. I guess the Blackburst finish varies a bit. Mine has a lot of grain showing through, but it was a Ltd edition model before G&L offered Blackburst as a finish option.

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