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G&L Club Part 7

Good to know. I have read nothing but great things about G&L and after many years finally decided to pull the trigger. The QA issues that have been mentioned are surprising. Should I look into Sandberg etc? I am done with Fenders.

From the research I did myself on a potential 5er (Dingwall would be optimal but I rather avoid MIC when making substantial purchases, and they do not offer custom lefties as of yet), Sandberg has superior QA.

That being said, none of the reports that we've had on this forum have indicated that G&L are unwilling to correct whatever error as soon as it is spotted, be it the wrong fretboard wood, non-quartersawn neck, wrong finish, et cetera.
Meaning, the risk associated with G&L is primarily to do with making sure that someone checklists the bass vs. the order. This isn't a "my bass arrived with bubbling finish" or "my neck is S-shaped" type of QA that we're talking about.

If it's any help, even with the delay from correcting the error in my order, I do not regret getting a G&L SB-1 over a Sandberg California VS or VT (which was what I considered for my 4 string too, 3+ years ago when I ordered my bass).
 
Those are three nice choices, they coud all be nice. But, based on the pictures you posted, I can't pick between the Himalayan Blue with the white pickguard or the Alpine White with the black pickguard

I don't know if Pearl White is the whitest of those white, but I think the pearl look of a Pearl White pickguard would be an outstanding fit for that Himalayan Blue. That blue also looks great against the deep black of an ebony fretboard.

If you were to go with the Alpine White, then a 3-ply pickguard is key. Black-white-black if you go with a black, butI think a white-black-white would also look pretty good with an ebony board.

Nothing wrong with Lake Placid Blue but, compared to the other pics you posted, it looks kind of plain.
 
I've never been a huge fan of XL's but my 2020 JB still has the original strings even though there are a couple packs of my favorite Sunbeams in the drawer. Lazy or afraid of messing up a good thing? Yes to both!
Funny thing but I find that I keep coming back to D'Addario strings from trying others. They are consistent, not too anything, reasonably priced and always available. I like the XLs (not NYXLs so much but may try them again), flat and round. And the color coded ball ends are like garanimals for bass players. Easy to identify for future reference!
 
Those are three nice choices, they coud all be nice. But, based on the pictures you posted, I can't pick between the Himalayan Blue with the white pickguard or the Alpine White with the black pickguard

I don't know if Pearl White is the whitest of those white, but I think the pearl look of a Pearl White pickguard would be an outstanding fit for that Himalayan Blue. That blue also looks great against the deep black of an ebony fretboard.

If you were to go with the Alpine White, then a 3-ply pickguard is key. Black-white-black if you go with a black, butI think a white-black-white would also look pretty good with an ebony board.

Nothing wrong with Lake Placid Blue but, compared to the other pics you posted, it looks kind of plain.
Good to get input from a fellow South Jerseyan. I was all set to get the dark Ebony fretboard but I’m getting responses that there is a lot of issues with fret sprout. I’m wondering if should just go with a maple fretboard. That would change the color scheme a bit.
I agree with the Himalayan blue with white pg or the Alpine White with black pg both looking really good. I can’t decide. LPB is a cool color but I’m thinking it’s a bit overused.
 
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Funny thing but I find that I keep coming back to D'Addario strings from trying others. They are consistent, not too anything, reasonably priced and always available. I like the XLs (not NYXLs so much but may try them again), flat and round. And the color coded ball ends are like garanimals for bass players. Easy to identify for future reference!
I’m like this now. The only ones I didn’t care for are the pro steels. Just a bit to clanky. I have a brand new set of flats I still need to try. But I love the EXL 170 that come standard on G&L. They also came on my Yamaha attitude 3. Very nice
 
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Good to know. I have read nothing but great things about G&L and after many years finally decided to pull the trigger. The QA issues that have been mentioned are surprising. Should I look into Sandberg etc? I am done with Fenders.

My Sandberg's (both Indonesian made) are as good as both my Tribute and Fullerton.
My two offshore Lakland's are also higher quality than either G&L.
I think the QC and G&L is only OK based on issues friends have had as well as myself.

The Laklands set up much better but the necks are too thin front to back.

The Sandberg's are a better feeling necks and I love the P. The J is good but don't love the tone either active or passive. The obvious thing to do was change pups but then I tried a Tribute JB2 which had a perfect neck shape and width for my hand.

For a highly optioned Fullerton (bought off the rack, not ordered) that was pricey, I was surprised to see zero shielding. The neck originally moved around but now seems stable. There is a tiny bit of fret sprout.
Paint is perfect, as light as a feather, perfect neck shape (and action / set up is decent but not amazing without some fret work), and I like the tone. I was going to replace pups and still may but it sits well in a busy rock mix.
Overall, it currently is my number one J bass.

The Tribute now sets up well and I'm correcting a wiring issue from the PO. Possibly due to poor soldering, but I think these plastic body pots with a glue on metal can are crap. One literally fell apart during removal as they are not crimped.

My other basses are 70's Fenders, 2 J's and 3 P's as a reference. I know about ski jump and heavy but dig the necks shapes and the tone.

To the OP: You mentioned which color for resale and I forgot to mention that G&L's have horrible resale. Not uncommon for a $2k bass new to sell for $1k a year later. If you looking for a great G&L with a strong resale, consider used.
 
I find white basses pretty plain and boring.

But on stage, nothing stands out and flashes as much as white basses with dark boards. Plus white goes with everything.
This is brighter,stage light, sunlight, stands out and goes with everything. USA Silver Flake (Marty Bell) White bound ebony markerless board.
K-Mod. Glows green under Blacklight. No fret sprout. I live in a dry area of California. Plays and sounds as good as my 98 Warwick Dolphin .
Plays excellent is 9.5 lbs. Stable comfortable neck. Sounds like nothing else. Chicks Dig it.

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@dave64o
 
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This is brighter,stage light, sunlight, stands out and goes with everything. USA Silver Flake (Marty Bell) White bound ebony markerless board.
K-Mod. Glows green under Blacklight. No fret sprout. I live in a dry area of California. Plays and sounds as good as my 98 Warwick Dolphin .
Plays excellent is 9.5 lbs. Stable comfortable neck. Sounds like nothing else. Chicks Dig it.

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@dave64o
Wow looks really cool.
 
Good to get input from a fellow South Jerseyan. I was all set to get the dark Ebony fretboard but I’m getting responses that there is a lot of issues with fret sprout. I’m wondering if should just go with a maple fretboard. That would change the color scheme a bit.
I agree with the Himalayan blue with white pg or the Alpine White with black pg both looking really good. I can’t decide. LPB is a cool color but I’m thinking it’s a bit overused.
Bummer about potential fret sprout issue with ebony, i wasn't aware of that until now.

I think I know which I'd pick between the Himalayan Blue and the Alpine White, but I'm going to let you decide for yourself since that's what matters anyway. :D

But, just to throw in another variable ... if I were to decide to skip ebony and go with a maple fretboard instead on the Alpine White, then I think black blocks would be almost mandatory with a black pickguard (assumign a 3-ply black-white-black). Actually, I might even consider doing the same with the Himalayan Blue, too.

Looking forward to seeing pics, neighbor! :D
 
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This is brighter,stage light, sunlight, stands out and goes with everything. USA Silver Flake (Marty Bell) White bound ebony markerless board.
K-Mod. Glows green under Blacklight. No fret sprout. I live in a dry area of California. Plays and sounds as good as my 98 Warwick Dolphin .
Plays excellent is 9.5 lbs. Stable comfortable neck. Sounds like nothing else. Chicks Dig it.

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@dave64o

You're too good to me. :D
 
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Hey guys, I am about to place a custom order for my first G&L JB. I picked out some options I wanted, but I am stuck on choosing a particular color. I have it down to three options so far. Curious to see what you guys think, but also I wanted to which of these colors would be better for resale in the future.

Option 1. Alpine White Body with matching headstock, Ebony fretboard and either a White or Black 3 ply PG.
(I like the idea of the Ebony FB and Black PG against the Alpine White body and headstock, I think it could be a cool contrast, and have a sleek modern look. Imperial Storm Trooper? But I wonder if I could get board of White after awhile. Or maybe not LOL!)

Option 2. Himalayan Blue with matching headstock, Ebony fretboard and White PG
(The Himalayan Blue looks to be a really cool color and different. But it is a bit out of the norm, I love the color but I am not sure about it on a bass, and I also worry about resale with such a unique color. Could be really cool though.)

Option 3. Lake Placid Blue with matching headstock, Ebony fretboard and White PG.
(LPB has always been a great color, but I already have a P bass now with that color was looking to maybe do something different. Also, there seems to a plethora of LPB G&L basses with LPB out there especially with all the Fullerton Deluxe's in that color. But, maybe there is a reason for that, and maybe the JB would hold its resale better with that color option. And it is a stunning color.)

I have attached a few pics with the color combos. I definitely want the Ebony fretboard with white binding so all color combos would include that.

1. The pic of the Himalayan Blue has the exact options I would select.
2. I included a couple of Alpine White pics (one is a guitar with the color combo I was looking at) I couldn't find a pic of a JB with the exact color combo.
3. The LPB would be the exact color combo but shown on a guitar in pics.

One other question, with regard to the G&L White options, which is the whitest of the white options out of Olympic White, Alpine White and Pearl White?
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Here is a picture of my LPB L-2000 just to show off the color. The finishes on this and my Matador (Candy Apple Red) are just so nice. Just the right amount of sparkle imo.

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Here is a picture of my LPB L-2000 just to show off the color. The finishes on this and my Matador (Candy Apple Red) are just so nice. Just the right amount of sparkle imo.

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How do you like the matador? I was thinking of getting one last year but shelved the idea. I wanted to have stacked volume/tone cause I don’t like that it only comes with volume for the back pickup. What are you thoughts on that?
 
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How do you like the matador? I was thinking of getting one last year but shelved the idea. I wanted to have stacked volume/tone cause I don’t like that it only comes with volume for the back pickup. What are you thoughts on that?

I really dig it. Mine is two volume and tone. I normally don't care for two volume setups, but I find the sweet spot with both pickups on is rolling the bridge one back a quarter. To make things easier on stage, I had them make the switch that is normally series/parallel into an on/off switch.

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