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G&L Kiloton

As a big G&L fan I was looking forward to the new model with great anticipation. And now I'm sad because it's not aimed at my personal likes/dislikes :). Essentially a passive L-1500/Climax with an SB-2 body & pickguard. Looks great - SB2 is my favorite G&L body and I like pickguards, but tonally it just isn't my bag. If it were I'd still have one of the Climax basses I've run through over time -- all played passive only. I've got to have a neck pickup and can take or leave the bridge pickup - L1K, JB-2, L2K, SB-2, SB-1, . . .

I was hoping for something not already represented in the lineup - dual single-coil MFD, split-coil with bridge humbucker, bridge humbucker with single coil neck, etc. Even my active-capable G&Ls tend to just get played passive so the active/passive difference is not a big deal to me (other than not liking the limitations of the active-only M and MJ series).

So now there are active & passive dual single coil basses (MJ and JB) and sweetspot humbucker basses (L-1500 and Kiloton). You could even say active and passive-optional dual humbucker basses (M2?K and L2?K) even though the comparison is not exact.

I wish G&L great success with the Kton and will watch curiously to see where they go next.
 
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As a big G&L fan I was looking forward to the new model with great anticipation. And now I'm sad because it's not aimed at my personal likes/dislikes :). Essentially a passive L-1500/Climax with an SB-2 body & pickguard. Looks great - SB2 is my favorite G&L body and I like pickguards, but tonally it just isn't my bag. If it were I'd still have one of the Climax basses I've run through over time -- all played passive only. I've got to have a neck pickup and can take or leave the bridge pickup - L1K, JB-2, L2K, SB-2, SB-1, . . .

I was hoping for something not already represented in the lineup - dual single-coil MFD, split-coil with bridge humbucker, bridge humbucker with single coil neck, etc. Even my active-capable G&Ls tend to just get played passive so the active/passive difference is not a big deal to me (other than not liking the .imitations of the active-only M and MJ series).

So now there are active & passive dual single coil basses (MJ and JB) and sweetspot humbucker basses (L-1500 and Kiloton). You could even say active and passive-optional dual humbucker basses (M2?K and L2?K) even though the comparison is not exact.

I wish G&L great success with the Kton and will watch curiously to see where they go next.

I was a little disappointed as well. They basically did what I thought they'd do minus one pickup in the middle position.

I've been hoping for a P MM with my favorite pickups, MFDs. I'm a SB fan but always wanted to have some sweet spot humbucker tones with my P tones.

I know there is a space limitation that makes that difficult but you can move the pickups a little or reverse the P pickups DG coil to the neck side to help some.

Still, this Kiloton seems like it'd make a good fretless or something to throw flats on to warm it up some. It does have series mode and a tone knob so it should be able to get some thumper sounds.
 
Still, this Kiloton seems like it'd make a good fretless or something to throw flats on to warm it up some. It does have series mode and a tone knob so it should be able to get some thumper sounds.

Having owned an L-1500, I bet the Kiloton would be an awesome fretless. And it should be able to thump, at least sometimes. I found my L-1500 wildly inconsistent across different rigs. Through some, usually more old-school rigs, it sounded just incredible -- like the nastiest possible blend of P-bass and StingRay. Through others, it was thin and nasal, i.e., more of a classic bridge pickup tone, which is not my thing. Unfortunately my gear fell into the latter group (at least in most rooms -- yet another variable), until I ran the 1500 through an Aphex Bass Xciter. That added the necessary phatness, and gave me some truly amazing rock tones. Problem is, I greatly prefer a more plug-and-play experience, and don't like relying on effects all the time. Heck, I haven't used any effects on stage in years.
 
It's main draw I think is the fact it's a G&L SB style bass. Simple, passive, yet effective.

Saddle lock bridge and aluminum post tuners. Plek job on the frets.

SB body (like a slimmed down P bass)

MFD pickup (high volume, full clear tone)

One volume, one tone.

Also a passive musicman-esque bass is neat.
I agree, a passive SR is neat-that's why I have 2 of them. ;)
My RB820 & 920 sound and play great. They are not quite as pimped out as a G&L with the saddle lock and Pleking, but they do have a cast bridge, 1 5/8" nut (which I kind of prefer over a 1.5" lately), weigh in the 9# range and possess that classic, golden era Ibanez MIJ build quality.
The Kiloton is for those who prefer G&L basses. I know I like them, my El Toro is killer. I'm just too cheap to shell out over $750+ for a bass. :D
 
I hate to be the negative Nancy here because I'm a major G&L fanboi, BUT! This one sure seems like some psychological experiment to test the gullibility of goober bass players to unadulterated pure sales hype and fantasy. Listen to me. Is there anyone here DUMB enough think that slapping a standard MFD pickup on an SB-2 body is somehow the discovery of the millennium and that alone will produce a bass with all the atomic power that caused the Empire of Japan to surrender unconditionally? PUHLEASE! GIVE ME A BREAK! What you have is my L2500 with most of it's important features either missing or turned off. Allow me to make a modest suggestion. Just ignore all that Marketing Hyperbole. Go buy a nice USA L2500 (especially in fretless). Learn what a 5 string is all about. Take some time to learn what all the knobs and switches on it do. And take my word for it, THEN you will be ready to bring the empire of Japan to it's knees with your bass.
i really NO NOT want all those knobs. and I don't need them.
 
I agree, a passive SR is neat-that's why I have 2 of them. ;)
My RB820 & 920 sound and play great. They are not quite as pimped out as a G&L with the saddle lock and Pleking, but they do have a cast bridge, 1 5/8" nut (which I kind of prefer over a 1.5" lately), weigh in the 9# range and possess that classic, golden era Ibanez MIJ build quality.
The Kiloton is for those who prefer G&L basses. I know I like them, my El Toro is killer. I'm just too cheap to shell out over $750+ for a bass. :D

Ibanez makes a good bass, even their cheap stuff is good.

I have a Talman I keep around as a bass I just play and don't care too much about. I was pretty surprised with the quality of the hardware on a bass that cheap. The only parts that feel cheap on it are the pickups, which is easy to fix. Not bad for a bass I bought new for 150 bucks on sale at GC.

G&L is definitely what I prefer though. I just dig the quality and the MFD pickups. I'd buy Tribute models if they had more options but so far I've been OK shopping used. All the G&Ls I own I purchased used.

This Kiloton is making me think of ordering one for the first time just because I'm in the market for a fretless and nothing caught my eye yet on the used market that is a G&L.
 
I know there is a space limitation that makes that difficult but you can move the pickups a little or reverse the P pickups DG coil to the neck side to help some.
The MFD humbucker is narrower than an MM pickup and is placed roughly 1/4" closer to the bridge compared to a Stingray/Sterling, so getting a P/MM type combo using the MFDs might be possible without fussing over pickup position to much. The SB-1 pickup is placed about 3/8" closer to the bridge. I think you might be able to fit a split-coil MFD in there if you move it forward into the standard P postition.
 
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The MFD humbucker is narrower than an MM pickup and is placed roughly 1/4" closer to the bridge compared to a Stingray/Sterling, so getting a P/MM type combo using the MFDs might be possible without fussing over pickup position to much. The SB-1 pickup is placed about 3/8" closer to the bridge. I think you might be able to fit a split-coil MFD in there if you move it forward into the standard P postition.

Good point. I knew the SBs had the pickup moved a bit vs. a Fender P but didn't think about it that way.

Yeah and when you add two pickups it changes the dynamic a bit since you can blend them. PJs move the bridge pickup a little towards the bridge than a Jazz bass has it but you have the P pickup for fatness.

There's a guy around here somewhere that did something like this on a L1500. If I remember he did move the split MFD towards the neck some. I'll have to find his post, I think it's in the G&L club thread somewhere.
 
I remember that modded L-1500.

Out of curiosity, I cut out a piece of paper with the same dimensions as an MFD humbucker and set it on my SB-2 in the L-1500 position to see how close it would be to the mfd split-coil. Assuming my measurements are correct, there was about a 1/8" gap between the split-coil and paper. So there's a chance that an SB-K is possible using the standard pickup positions.
 
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I remember that modded L-1500.

Out of curiosity, I cut out a piece of paper with the same dimensions as an MFD humbucker and set it on my SB-2 in the L-1500 position to see how close it would be to the mfd split-coil. Assuming my measurements are correct, there was about a 1/8" gap between the split-coil and paper. So there's a chance that an SB-K is possible using the standard pickup positions.

Dang now I'm wondering if I shouldn't get a cheap old used L1500 and then just mod it. That's awesome.

I couldn't do the reverse to my SB-1. I like it too much the way it is.

Did the SB-2 seem to have the bridge pup route left over with the MFD in the L1500 spot?
 
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Dang now I'm wondering if I shouldn't get a cheap old used L1500 and then just mod it. That's awesome.
I was thinking that would be a more sensible alternative, rather than buying a new Kilton and modding it.

Did the SB-2 seem to have the bridge pup route left over with the MFD in the L1500 spot?
Yes, the bridge p'up route sits a bit behind it but there is a bit of overlap.