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Genzler Amplification Club

I played a fun gig last night with Dulcie Taylor and her guitar player (George Nauful - amazing player) and percussionist (Tracy Morgan - also a wonderful player) using my 800 and single BA12-3 with my fretted Sire V7 in a small listening room setting (seated about 100). Multiple musicians in the audience and those on stage commented on how good the bass rig sounded. The head and cab simply work... really, really well. Everyone on stage could hear me well and through the audience, whether in the front row or the back of the room, the bass was right in the mix and sounded great. I did find myself thinking that my incoming 350 combo would have been more than enough for the setting. George and Tracy both remarked that we need to play together more often so next time with them I’ll plan on the 350.

As gets said in this thread a lot - Thanks Jeff for killer gear!
 
I was subbing on a gig in Fort Worth last night .. Great cool room with great small Meyer PA... The opening act guy had another (very common brand class D amp ) ..
I brought my Uber 115 and my MG800. He used my cab with his head.
I put my MG 800 up for him to hear. The MG hit with so much more quickness and authority it was NO comparison...
I ran the B Contour ( Yellow LED) to tighten it all up since the PA was massive and tight in the lows .I didn't need it on stage.

I'm sure he will be checking out an MG800.. It was night and day difference in a good way.
 
I purchased my first 2 Genzler 112-3 arrays slightly used back when they first came out and the owner had Lecover make some covers for the arrays and they was honestly as good as any covers I've ever had. Really well made and extremely padded for great protection. You won't find better covers aftermarket anywhere.
 
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Getting some gnarly overdriven SVT-style tones with this setting. The modern contour with the cranked drive boosts and cuts in all the right places.
Running a Ric 4003 in the Magellan 800 into an SWR 6x10...vintage tone with hi-fi amplification!
 

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I just posted a NAD thread for my 350 Combo... I am very, very impressed. I don’t think it will replace my larger rig but I think with an additional cab, it probably could. Even without a 2nd cab, I think it would work for 90% of my uses. The small footprint and crazy light weight are so attractive to me. Add that, at least in my first impressions, it really does sound and feel like its bigger brother, I feel as if I made a very good choice in purchasing it.

Tomorrow, I’ll use it with the church band rather than the 800 & BA12-3 and will have some time to compare the two rigs as well as seeing how the two different cabs play together either tomorrow or Tuesday. After that, I will post a longer review both here and in the thread I started.

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Had to laugh last night folks. We were playing a quite large a private party and cook-out, BTW the band is a Rock n Roll and 70s and 80s hits band. Kinda of with an edge.. I had my MG 800 with my Schroeder PL 12 and Schroeder 12-12L hooked up, no send to the PA. BTW Guitarist is running dual Mesas with eight twelves on stage.

Had an edge attitude setup on the amp, with my USA Spector NS4s. Maybe a little mid and some punch. Everyone was digging it, stage vol. was up there and we were cooking. Even getting compliments from all there in the audience. Then some Oompappa bass player says to me at break, the bass is too hot. I check around the crowd including other musicians I know and other friends and family members that have been to countless gigs, and they say no it's cookin' out there (BTW 7 piece band with even a trumpet at times). Oh yeah, the mix was done by a Pro sound guy in our area that had done concerts with almost every Pro that travels though here.

Come to find out this Bassist was a C&W bass player with only a few years under his belt, been playing with a lite weight Ampeg head with a 20 to 25 year old Peavy cabinet for the last 15 years. Takin' a backseat to the rest of the C&W band.. His first bass was a 5 string P bass that he still plays only (I assume his only bass), no problem there - but they didn't even make 5 string basses when I started playin bass in the 60s. My first bass was a Lafayette 4 string (go look that one up). That was gone decades ago. LOL. It took me years to afford a real Hofner, much less a real EBO or Les Paul Bass, or others.

But the MG 800 cut through like a knife, and be careful of who comes up and talks with you at a gig that claims to be a bassist with an ear for sound. They may have no clue about what the sound is supposed to sound like. And may only be used to a junk 25 year old Peavy cabinet and an old Ampeg head that buries them into a C&W mix into the PA in a beer joint.
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The only person that has ever told me the bass was too loud
was a cranky old (im old too) guitar player that ALWAYS played too loud.
When someone like that tells me the BASS is too loud.
I tell them. That means it's perfect! ! LOL


Had to laugh last night folks. We were playing a quite large a private party and cook-out, BTW the band is a Rock n Roll and 70s and 80s hits band. Kinda of with an edge.. I had my MG 800 with my Schroeder PL 12 and Schroeder 12-12L hooked up, no send to the PA. BTW Guitarist is running dual Mesas with eight twelves on stage.

Had an edge attitude setup on the amp, with my USA Spector NS4s. Maybe a little mid and some punch. Everyone was digging it, stage vol. was up there and we were cooking. Even getting compliments from all there in the audience. Then some Oompappa bass player says to me at break, the bass is too hot. I check around the crowd including other musicians I know and other friends and family members that have been to countless gigs, and they say no it's cookin' out there (BTW 7 piece band with even a trumpet at times). Oh yeah, the mix was done by a Pro sound guy in our area that had done concerts with almost every Pro that travels though here.

Come to find out this Bassist was a C&W bass player with only a few years under his belt, been playing with a lite weight Ampeg head with a 20 to 25 year old Peavy cabinet for the last 15 years. Takin' a backseat to the rest of the C&W band.. His first bass was a 5 string P bass that he still plays only (I assume his only bass), no problem there - but they didn't even make 5 string basses when I started playin bass in the 60s. My first bass was a Lafayette 4 string (go look that one up). That was gone decades ago. LOL. It took me years to afford a real Hofner, much less a real EBO or Les Paul Bass, or others.

But the MG 800 cut through like a knife, and be careful of who comes up and talks with you at a gig that claims to be a bassist with an ear for sound. They may have no clue about what the sound is supposed to sound like. And may only be used to a junk 25 year old Peavy cabinet and an old Ampeg head that buries them into a C&W mix into the PA in a beer joint.
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Has anyone here played both the Darkglass M900 and the Genzler 800? I have the DG, but have been considering the switch. Just curious what others who have had both, have to say.

Sure. Both are very nice, very capable heads. Each of them can do a great clean tone, or a great overdriven tone. Ultimately, I think it will really come down to personal preferences.
 
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How do think the two compare, clean tone wise?

Within spitting distance, really. The Darkglass isn't scooped, per se, but it has an overall very crisp/clear clean tone, with great lows, so there is at least a slight perceived mid scoop. The Magellan is definitely very balanced from top to bottom, and feels a tad more "warm," though again, it is nicely clear and articulate.
 
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Hey, folks, just got my Magellan 800. Only spent a few minutes with it, so far,loving it, but a question about the contour. I’m trying to understand what, exactly, it does. Is it basically an adjustable preset EQ curve that comes before the regular EQ? It certainly seems that way.

Thanks. Can I join the club, now?
 
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