Agreed.
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The one on the MG800 is fixed- i forget the frequency- like most modern amps so they don’t waste energy on anything below 30hz-ish. There are pedal and rack mount ones with variable frequencies which help for problem stages/rooms. I have this one (and have yet to use it, but the idea is solid).sorry... thought you meant using an external equalizer/compressor
Lasted the first two songs.Liking the hat lol
The one on the MG800 is fixed- i forget the frequency- like most modern amps so they don’t waste energy on anything below 30hz-ish. There are pedal and rack mount ones with variable frequencies which help for problem stages/rooms. I have this one (and have yet to use it, but the idea is solid).
https://www.broughtonaudio.com/product-page/low-high-pass-filter
YepMG350 users: ok to use the amp as DI only, no cab attached?
OK, would putting a 10-2, as I considered before, accomplish the same general goal of adding a 12 slant? Specifically, get the impedance down to 2 and give me more sound pointed at my ears? Plus, it would have the added benefit of giving me a nice small rig to cart when I don't want/need the 12s. Hmmm...I've thought about a/an SLT which would do a few things: point the rig more at my ears, get it down to 2 ohms, and look oh so cool. I've gone from pretty tall rigs to just the two 12s and the fact that it's pointing at my butt, even with the arrays, makes it a little harder to hear even up close.
You know, that's an interesting suggestion. I tend to be a mid scoop guy and that combined with a scooped bass probably contributes to this. I will try that next time out. Thanks for the advice!
I have 1 of each cab and have payed them together a few times. For the most part a single 12-3 is all I need for my loudest settings and most of the time the single 10-2 would be enough. FWIW, I always play with the single cab on a stand to get it up closer to and pointed at my ears.OK, would putting a 10-2, as I considered before, accomplish the same general goal of adding a 12 slant? Specifically, get the impedance down to 2 and give me more sound pointed at my ears? Plus, it would have the added benefit of giving me a nice small rig to cart when I don't want/need the 12s. Hmmm...
Steve C...yours still for sale?
OK, would putting a 10-2, as I considered before, accomplish the same general goal of adding a 12 slant? Specifically, get the impedance down to 2 and give me more sound pointed at my ears? Plus, it would have the added benefit of giving me a nice small rig to cart when I don't want/need the 12s. Hmmm...
Steve C...yours still for sale?
Thanks for the feedback. Yes, I know it's actually 2.67 but I was just rounding (which isn't actually good for real impedance calculations!).I have 1 of each cab and have payed them together a few times. For the most part a single 12-3 is all I need for my loudest settings and most of the time the single 10-2 would be enough. FWIW, I always play with the single cab on a stand to get it up closer to and pointed at my ears.
short answer - yes. with the correction that adding the third cab does not get you to 2 ohms... it takes you to 2.67 ohms which is what the heads are rated for. 4 cabs would get you to 2 ohms and is not recommended from what I understand.
longer answer - yes... but the two cabs do sound different. Both are great but they are not the same. Also by mixing them, you do not get the same multiplying effect that you get by adding more copies of the same cab. That said, my mix of the two does sound great together - bringing the best of each to the party. The 12-3 does put out more sound than the 10-2 so it does tend to be the dominant part of the overall sound of the cabs mixed. I do worry that I would be tempted to push the 10-2 further than it can go (hasn't happened at this point) but splitting the power between three cabs rather than just two would help with any issues there. And the single 10-2 does make a killer tiny rig. Still if you're thinking of dding a third cab to get louder and move more air, the 12-3 would be more effective. If you're just looking at pointing the sound at your ears, a stand might be enough or the 10-2 would certainly help there while also adding a tiny bit more punch to the overall sound.
I'm off the 6x10 solution for now. Thanks for talking me down!![]()
Is there any special requirement for the optional footswitch for the MG-800? Does it need a special cable? A little footswitch with a light would be ideal. What are you guys using?
Worked on me! I'm just waiting on FedEx to drop off my BA210. It's supposed to be here today. Unfortunately, they're not being especially cooperative today. Fortunately, I don't actually need it until Friday.
Is there any special requirement for the optional footswitch for the MG-800? Does it need a special cable? A little footswitch with a light would be ideal. What are you guys using?
Got it today. Got off work, came home, went and picked it up, got back home and unboxed it, took it to a gig...
View attachment 3638624
Sounded pretty massive!