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Genzler Amplification Club

@RNG1 ---- sorry to say that there are just a few LBS difference between the BA12-3 cabs, BA15-3 SLT and the BA210-3 cabs. The major difference between the BA12-3 and BA15-3 is the form factor. Again this comes down to the "Building Blocks of Tone" discussion. What works for your tonal vision. I will say that all of these cabs do work very well together.

@Tdub77 ---- yes the BA15-3 SLT does bring what you would expect, deeper, wider, fuller LF with all of the articulation you'd expect with the BA. If you are considering, I would think that a 15" under your current stack would really open your eyes and offer even more combinations as needed.
Hope this info is helpful.
 
Here is my rig for tonight in Newton, NJ. Using Genzler DI for lows and mic for mids/highs. Should be interesting!
View attachment 3698622

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@RNG1 ---- sorry to say that there are just a few LBS difference between the BA12-3 cabs, BA15-3 SLT and the BA210-3 cabs. The major difference between the BA12-3 and BA15-3 is the form factor. Again this comes down to the "Building Blocks of Tone" discussion. What works for your tonal vision. I will say that all of these cabs do work very well together.

@Tdub77 ---- yes the BA15-3 SLT does bring what you would expect, deeper, wider, fuller LF with all of the articulation you'd expect with the BA. If you are considering, I would think that a 15" under your current stack would really open your eyes and offer even more combinations as needed.
Hope this info is helpful.

Your killing me smalls. So i really need to keep my 12/3 stack and add the 410 and 15 so I can do everything....
 
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Wow 10:30 am and you’re already set up? Did you just load in after last nights gig elsewhere?
Curious how that mic works out for you, I’m sure it can’t hurt but always wondered what close micing would do on these arrays. Let us know and have a good gig

That was last night. Traveling to Cape Cod now for another. I’ll post later.
But, it was a pretty boomy Theater last night. Not sure how the mic’d cab did. However, these arrays sound great 10-20 feet away. Tonight’s room is a 1400 seater so it should be a fun one too.
 
Here is my rig for tonight in Newton, NJ. Using Genzler DI for lows and mic for mids/highs. Should be interesting!
View attachment 3698622

So how did the Shure beta 52 (?)/mic placement do for that show?

(Edit).... Just got caught up on the previous couple of posts. Well, let's us know what the sound guy thought of the di/mic combo when you get a chance.
 
The BA 15-3 has aroused my cab GAS.
I'm happily gigging my mag800 with either an genz nx212 or a genz contour 115 with an upgraded 15pr400. ( i love all things genz/ genzler)
I wonder how the BA 15-3 will compare to those 2 and if it would be loud enough to replace both ?
Cant wait for some reviews to start rolling in!!
 
So last night was the first time out with the MG800. It was in a room we have played many times so I knew I'd be able to hear any change in sounds right away. I have a few quick takeaways....keep in mind the cabinet used was my DNA 2X10. This cab has a big low end, smooth mids and the crossover seems to be in a good spot and the tweeter performs well. EQ for the the MG was set flat with the contour knob all the way off. Bass used was my Peavey TL-Five.

Low End: The Genzler had a tighter bottom end than my previous amp. I knew it would based on the frequency set points. It really made a difference and I was very pleased.

Mids: No complaint here. Combined with the lows I had just a great thump going on. My bass definitely cut through better than it ever has in this room. For our 3rd set, I ended up sweeping the mids to '150' and gave that just a little bump. It was just tonal bliss. It wasn't anything I even needed to do. I could see where this would come in handy in some of the rooms we play that are the big concrete caves etc.

Highs: My old amp seemed to be centered around a higher frequency which led to more "open" top end. The MG definitely made playing up high on the neck "speak" a little more. Another plus!

DI: We had some fellow musician friends in the crowd and they all commented how good the bass sounded in the house system. I was on the mic level setting and it was the perfect signal to the board. Good job Genzler.

I also used the distortion channel on a couple of songs and that was awesome too. Just added that extra dimension that added a good kind of flavor.

Overall everything about the amp was a win. I'll be in another venue tonight we have played a couple of times now and has always been a challenge to dial in a killer sound. I don't think I'll have anything to worry about though!!

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Honestly I’m lovin my 12’s and was hoping a used slt would show up in my area if someone was changing out to the 15...

so far no luck - will probably have to save a little longer and go retail...

My thoughts exactly. I can see myself picking up an SLT for maybe $500 +/- before the year's out. Like I really need it!!! I keep thinking of that thread about gear vs. reality. The problem is, while I may not have a single valid reason to own a second BA12-3SLT, if they can be had for a great price, why not. It's the inversion of the dilemma the OP faced on that thread!
 
I used the MG800 again last night in one of our typical dive bars. Concrete floors, hollow stage, lots of glass etc. Still through the DNA cab and this time pulled out the Sire v7. Once again, eq flat on the amp and contour off. Same great results. I really love the 'flat' tone of this amp. I used to previously have to really bump the volume and mess with EQ in this room as I realized I've actually been in this room quite a few times. I had the pre-gain knob at about 1 o'clock and the master right around 10 o'clock. This amp just magnifies the right frequencies to help cut through without having to run a ton of volume. The guys in the band are really loving the sound and are pumped up for the new cab as well. Gonna be a long week around here waiting! Definitely a winner!

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All I know is, after picking up the bass again after a 30 plus year absence, I can't believe what's available to us these days. I come from the, if it ain't gigantic, it can't possibly to do the trick, school of thought with regards to bass amps. You, know, I had an Acoustic 361, Acoustic 371, CV's and the like. Now, I have a couple of nice G&L's to play with and finally arrived at a Magellan 800 and ONE BA12-3. Well, it looks like we'll be seeing quite a number of BA12-3's in the used market for great prices. I need another BA12-3 like another hole in my head but man, if I start seeing this cabs for $500 with free shipping on a regular basis, I'm going to get at least one more. And, I'm just playing for myself in my office!!!! It's a sickness, but at least I'm not really harming myself.
I play FOH at church. All other playing is practice or for my own enjoyment (not the neighbors) and I have 2 12-3’s pushed by an 800, so I feel ya. I also took 30 years off.
 
With so much (no doubt deserved) love for the Building Blocks, thought I'd remind everyone how perfect is the Magellan 212T! For that matter, the Streamliner still brings it in spades.
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Thanks for sharing. Looks like an awesome combination.