One of the bands that played Woodstock. He was a session player and did many of The Monkees recordings. His brother was Mel Taylor, the drummer for The Ventures.
Larry Taylor Credits
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I've learned what not to say.![]()
The only sense I can make of it is that tuberculosis consumes all your energy and, eventually, takes your life.
We got several Kosher bakeries around here.![]()
Not to worry. I'm treading on much thinner ice than you are.
I'm a 2 finger typist. The problem was that I gave my honest opinion. Something I shoulda learned to not do in the Navy. But I've been a civilian a loooong time. My bad.Some people can type faster than they think.
Is everyone becoming members of...the resurgence of TB among the undocumented citizenry...
I'm not volunteering for that one."Cures" for consumption more reflected the ideals of the national culture than reflected the science of a cure. Of course there were not actually any cures until the advent of antibacterial drugs. A case of TB was a death sentence then. The English put their TB patients to hard work and the Swiss gave their patients fresh mountain air and lots and lots of food.
One of these two cures is worth a TB gig report.
Here's a good video that shows 'The Mole' playing bass....... RIP
Here's a good video that shows 'The Mole' playing bass....... RIP

Ugh. I just quit a project I was involved with. Was a recording project where the guy said he wanted to do simple Americana; I showed up the first day and played flawlessly over two songs, added some background vocals, and then he wanted a third song which had a funk rhythm, so I played some funky stuff and it was "too many notes." Then he kind of sang what he wanted, which was exactly what I had played, so I just moved down to a lower register to play it, but it still wasn't right for him. So I thought, well, maybe he wants some more traditional type blues stuff, which I tried to do, but I could just never connect with that song in a way that worked for him. It left me feeling flustered and guilty for taking his money, and self-conscious about the next session. Then he asked me if I could slap (?) and i'm like (to myself), that is not really what I came out here expecting to be asked for an Americana / blues roots kind of thing.
I ended up trying to rework the lines in my home studio, he's still not happy, so I decided today to text him that he needs to find someone else. What that song actually needed was a strong drummer to really bring up the funkiness of the rhythm, which would have allowed the funky bassline to find a home in the pocket. I told him that, and I know the right guy to do it. But I could see nothing I did after that was going to make him happy.
I hate failing. He graciously offered to let me keep the payments but I'm going to send them back; it will feel better that way. I don't care if he uses any of the other work or not. I'm just happy to have this off my back.
Lotta people 'hear' what they want but have no talent to communicate that to others. Sorry for your PITA encounter.Ugh. I just quit a project I was involved with. Was a recording project where the guy said he wanted to do simple Americana; I showed up the first day and played flawlessly over two songs, added some background vocals, and then he wanted a third song which had a funk rhythm, so I played some funky stuff and it was "too many notes." Then he kind of sang what he wanted, which was exactly what I had played, so I just moved down to a lower register to play it, but it still wasn't right for him. So I thought, well, maybe he wants some more traditional type blues stuff, which I tried to do, but I could just never connect with that song in a way that worked for him. It left me feeling flustered and guilty for taking his money, and self-conscious about the next session. Then he asked me if I could slap (?) and i'm like (to myself), that is not really what I came out here expecting to be asked for an Americana / blues roots kind of thing.
I ended up trying to rework the lines in my home studio, he's still not happy, so I decided today to text him that he needs to find someone else. What that song actually needed was a strong drummer to really bring up the funkiness of the rhythm, which would have allowed the funky bassline to find a home in the pocket. I told him that, and I know the right guy to do it. But I could see nothing I did after that was going to make him happy.
I hate failing. He graciously offered to let me keep the payments but I'm going to send them back; it will feel better that way. I don't care if he uses any of the other work or not. I'm just happy to have this off my back.
You DID NOT fail. It sounds like the guy doesn't really know what he wants. KEEP THE MONEY. Your time is valuable as a professional bass player. But yes, move on and let him find another innocent victim that won't be able to fulfil his needs. Really. Count this as a strike out by him, not you.Ugh. I just quit a project I was involved with. Was a recording project where the guy said he wanted to do simple Americana; I showed up the first day and played flawlessly over two songs, added some background vocals, and then he wanted a third song which had a funk rhythm, so I played some funky stuff and it was "too many notes." Then he kind of sang what he wanted, which was exactly what I had played, so I just moved down to a lower register to play it, but it still wasn't right for him. So I thought, well, maybe he wants some more traditional type blues stuff, which I tried to do, but I could just never connect with that song in a way that worked for him. It left me feeling flustered and guilty for taking his money, and self-conscious about the next session. Then he asked me if I could slap (?) and i'm like (to myself), that is not really what I came out here expecting to be asked for an Americana / blues roots kind of thing.
I ended up trying to rework the lines in my home studio, he's still not happy, so I decided today to text him that he needs to find someone else. What that song actually needed was a strong drummer to really bring up the funkiness of the rhythm, which would have allowed the funky bassline to find a home in the pocket. I told him that, and I know the right guy to do it. But I could see nothing I did after that was going to make him happy.
I hate failing. He graciously offered to let me keep the payments but I'm going to send them back; it will feel better that way. I don't care if he uses any of the other work or not. I'm just happy to have this off my back.
Well said.You DID NOT fail. It sounds like the guy doesn't really know what he wants. KEEP THE MONEY. Your time is valuable as a professional bass player. But yes, move on and let him find another innocent victim that won't be able to fulfil his needs. Really. Count this as a strike out by him, not you.