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Gigging Musicians: Cabinet Choice

I have a pair of Baer M112's that cover everything for me. For a long time my only cab was an Aguilar GS412, which was a ton of fun, but I don't lose any of that big-cab presence when using the two Baers and this gives me the option to just bring one if it's a smaller gig.

I have two heads, a Carvin B1000 and a Baer Valkyrie, and a small Carvin MB10 combo, so I have all my possible permutations covered.
 
Pair of Markbass 1x12's or a single Berg HG310 which weighs about 30 lbs and moves as much air as a 212. I have toyed with the idea of getting a second Berg 310 to replace the Markbass and then I could combine the two rigs. Downside is it would require an amp that runs below 4 ohms. I also like the tiny footprint of the Markbass rig. The other thing holding me back is that I have one of the early Class AB Markbass combos (they're class d now and not made in Italy either).
 
One or two F112's (38 pounds) and I'm half-way to salivation (sp.)! ;)

f112_2016.jpg
 
Ampeg SVT-410HLF at 75lbs. I'm kind of baffled by you guys who play with 115s or 210s. I can't always count on the PA for club/bar gigs here so I need enough power on stage and our drummer hits heavy.

the answer to these types of questions are always, "it depends." My gigging rig varies from a QSC K8 powered PA cab (for when I really need to travel small/light) to a single Hathor 1203 with Mesa D800 (for most of my jazz gigs, but also some funk/soul/rock depending on the lineup/venue) to adding a second cab (MAS109 which will get quite loud) or Subway 1-12) for a loud gig like Live Band Karaoke or Steely Jam (10 piece with two loud guitars). But I certainly don't need an 8-10 for any of my gigs.

As long as your band isn't a competition on who can be the loudest, a pair of modern 1-12 cabs and a high-power class D amp likely can cover it. Really any louder than that and you probably should think about stage volume vs FOH. If you don't have any FOH, then it becomes basically keeping up with the drummer, though the guitarists will no doubt continue to turn up as the night goes on.

Then again, at 55 my days of diming my amp while sticking my head in front of it for visual effect are long behind me. That said, I do still dial up some feedback and get in front of the cabinet, but I'm wearing ear protection and have a rig that will get feedback and less than crazy volumes.

If you're in certain genres of music, then the look is part of the equation. In that case, you're on your own :D
 
Ampeg PF115HE and PF210HE. 45lbs and 48lbs respectively. Powered by Ampeg PF500. They both have removable castors which helps tremendously. One of my bands uses IEMs so I only use the PF115HE for a bit of stage volume and vibration. The other band has our own PA and powered subs. No IEMs at the moment but moving that way. I use both cabinates to compete with the guitars for stage volume or mainly rehearsal volume. It is ridiculous at times. I also go straight to FOH from DI, so I really only need a cabinate for my own stage volume when gigging. I haven't played any gigs where there wasn't a PA and subs so I can get by with little if needed (sometimes just the SCR-DI on my board).
 
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I have 2 Aguilar 1x12 cabs, but recently i've been leaning toward my 4x10 cab, one speaker of which is blown. I couldn't care less, it still puts out more volume and no one hears the occasional fart from it but me. I think I'm gonna get rid of the 2x12 cabs and get a nicer 4x10.
 
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For indoor gigs, Berg CN212 (46 lbs, one hand carry) or Mesa Subway 115+112 (38 lbs/33 lbs, one trip with a cart).

For occasional larger outdoor gigs it's usually a Mesa PH410 (100 lbs) or couple of PH212's (76 lbs each).
 
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