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Guitar Scale Acoustic Basses

Thanks to other members for their advice and inspiration - I whipped up a simple soundhole cover with a CD and a kitchen sponge using a box cutter and a glue gun. It took about 15 minutes. Works great, I think.View attachment 3685736
I just need to find a better looking sponge/foam for the strings above the nut. I've been getting wolf notes (overtones) without it. This blue sponge looks so bad -- does anyone know where I can find a black or dark brown sponge or foam for super cheap?

Home Depot. AC insulating foam.
 
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I hadn't played my MK in a long time. [have been focusing on, and gigging on, drums lately.]

I took it out of the bag, and the CB40s were somewhat corroded. Disappointing. But, actually, most of it came off. I wiped the strings down with a little polish on a rag, and most of it came off and into the rag.
CB40’s are silver-plated, I believe. It’s only natural that some tarnish will accumulate when they are sitting idle.

Tnere are chemically treated products that people put in the case with flutes. The same stuff should work in a guitar case.
 
I wonder if the work Galli has done on flatwounds and nylon tapes for Ubass could translate to guitar scale acoustics? They custom made a set an inch or two longer for someone for their solid body uke bass already. How would we go about convincing them the market is there? Are there enough companies making basses? Seems like it! There's really only one company making strings too. Many people seem to dislike the D'addarios.

Main complication I can see is the fact that these basses range from 22.5" to 25" scale. Flats and tapes would have about 1-2 inch of scale flexibility because of the taper.

Who'd want tapes and who'd want flats?
 
I would like tapes or flats that are 23" scale for my short scale guitar conversions, which all fall between 22.5" to 22.8" scale. I recently bought a set of La Bella 20.5" made for the Magic Fluke Timber bass uke that I hoped might fit, but no they're too short and won't even fit my 20.5" bass ukes because the thread at the barrel is too long and sits right on the saddle. I have the 25" Gold Tone/La Bella on many of my 24"-25" that fit very well.
 
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I wonder if the work Galli has done on flatwounds and nylon tapes for Ubass could translate to guitar scale acoustics? They custom made a set an inch or two longer for someone for their solid body uke bass already. How would we go about convincing them the market is there? Are there enough companies making basses? Seems like it! There's really only one company making strings too. Many people seem to dislike the D'addarios.

Main complication I can see is the fact that these basses range from 22.5" to 25" scale. Flats and tapes would have about 1-2 inch of scale flexibility because of the taper.

Who'd want tapes and who'd want flats?
I would be curious about tapes, but only if they were based on a nylon rope-core “classic guitar” style string like the D’Addarios developed for Taylor, or the La Bella CB40’s.

I don’t like the tone and intonation issues I’ve experienced on other super-short scale bases with regular steel-core strings....
 
They are super sweet fun! This case fits perfect silver Creek parlor guitar
IMG_20200305_185646.jpg
 
I would be curious about tapes, but only if they were based on a nylon rope-core “classic guitar” style string like the D’Addarios developed for Taylor, or the La Bella CB40’s.

I don’t like the tone and intonation issues I’ve experienced on other super-short scale bases with regular steel-core strings....
The Galli UBass flats and tapes are nylon core. The tapes are nylon core, round wound with a black tape wrap. If they could do a longer set with a E string smaller than their current Ubass sets (130ish), who knows?
 
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Ok, I'm going to fund another string experiment. They are not meant for acoustic bass, but, today I ordered some Stringjoy nickel strings - 90 to 44 - that I will attempt to put on my MK.

Ok, the strings are on the bass and off to a good start.

I experimented with the gauges. I had to choose a 90 because that was the thickest gauge they had in the guitar line. So, I started with that, which matches the stock 90s, but then I increased the others slightly. My set is:
90, 72, 56, 44.

They had guitar balls - which passed right through the bass bridge. :) I thought I was done for the day, thinking I needed to buy some string ferrules. But, I had the thought to use the balls from the CB40, cut off, with the new strings strung through - and that worked great.

I'm liking the strings much, and the price was very right - $13.50 a set.

If these work, I am saying good bye to the CB40s.

Don't follow me down the road yet :) - I want to report back after the strings get stable, but for now, they are off to a nice start. Sound and feel good.
 
I logged many hours on the strings. I like them very much. Buh bye CB40s.

Gauges I chose for A D and G were most excellent - and sounding richer than the CB40 set. Only string in need of a tweak is the E 90. I already wrote to them to convince them to make me a 94. And then it will be - perfect.

:)
 
I logged many hours on the strings. I like them very much. Buh bye CB40s.

Gauges I chose for A D and G were most excellent - and sounding richer than the CB40 set. Only string in need of a tweak is the E 90. I already wrote to them to convince them to make me a 94. And then it will be - perfect.

:)

These are not on the Ibanez pnb14e, correct?