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Can one get a hold of the Phat Cat bass pickups anywhere?
Actually, that's NOT correct!Serial #0000 is the first Hamer guitar (Standard) made, and the one owned by Rick Nielsen. Jol's Flying Vee bass doesn't have a serial number, and actually had a Gibson logo on it for a while before sporting a logo that says "The Hamer". That bass is below, displayed by the lovely and talented John B:
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Of all the suggestions, the ones I can see most given Hamer's current direction, would be the LP Jr/Special platform, the Newport style (I actually tried to order one of those 4-5 years ago!), or the double-cut 32" scale idea (maybe with a slightly reworked body?).
I have gigged as a bassist for most of the last 15 years, and have played Hamers almost exclusively. My main bass is a 2TEK Cruise from '96, but before that, I favored set-neck Chap basses. Besides the 2TEK Cruise, I usually play a double-cut Medium Scale (simlilar to the "Blades" Bass) that I ordered 5 years ago:
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The only thing I'd change about that bass would be to put Bass PhatCats in there instead of the EMGs (which I'm doing now) and to get a 2TEK bridge. Otherwise, it's ideal - plays well, sounds good and balances perfectly.
The 2TEK Cruise is probably my favorite all-around Hamer bass (apart from the Impact), but since it is essentially an reinvented J-Bass, I can't see that one ever coming back - Hamer isn't going back to bolt-ons anytime soon, if ever.
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The Chap bass would be a good thing to reintroduce for players, but any new price point would probably be too high since they can regularly be found used for well under the $1k mark.
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I would be very interested in a new Hamer offering if it had the 2TEK (I spoke to Mike Hansen several times in the last year or so, and he's bringing that bridge back now!) and was a straight-ahead solidbody. I'd prefer a full scale set-neck instrument, maybe even an updated version of the Impact (the regular set-neck version, not the incredibly rare neck-thru).
Keep in mind that Hamer is not a "budget" brand. Anything in their catalog is going to list for at least $4-$5k, and street out in the mid $2-$3ks+. While I'd LOVE to see them offer a production instrument under $2k street, I can't see them doing any low-cost production instrument at this point. Jol is probably looking for ideas for an all-around, innovative instrument that brings together features us 21st Century bassists seek - maybe a new ideal instrument.
If he gets behind something, we'll be very impressed with the result.
I don't know. I would say that if not now....then soon. Hamer's arrangement with SD is that SD builds the custom pickup for Hamer exclusively, for a period....then, they open it up to the rest of the market. I know you can get guitar Phat Cats from SD at this point.
And that's one of the first suggestions you would have encountered over at the Hamerfanclub if your mind wasn't so made up about them.man...that double cut is beautiful! Thanks for your input.
Interesting word choice within this particular context.....Jol knows where to go to get the Hamer base feedback.
I agree about the Moncaco bass. I have one. It is the same one I had in my NAMM booth for bass amplifiers. I couldn't believe people's reaction to that bass......they LOVED it.
Semi-off topic, but where would one acquire this bass?
Now a double-cut Les Paul style body is for the most part utterly useless for a bass player. There's a reason that horn has to be out there at the 12th fret.
John:
I'm guessing you've never played a 32" scale with that body style?![]()
I do agree about the TBird points. I loved Hamer's improvements on that bass from the '80s, but we won't see a copy or reissue of that one again any time soon.
Something original, yet familiar, would have a better shot of working. Not like that's an easy bill to fill though, right?
).Heck, what about a body based on the original Cruise shape, but not a clone, with a set of old-style Thunderbird PUPs, and a headstock that's a cross between a '90s Cruise Bass and the Gibson T-bird (just enough to confuse someone "in a smoky bar").
John
Spoken by somebody that sounds like they worked there.![]()
.Nah, I've never been attracted to the medium scale sound or feel. And going back to the Starfire comment, the reason Jack Cassady liked the Gibson Les Paul Triumph bass was because it was a semi-hollow with a long scale. He liked the modded Starfire, but wasn't comfortable with the short scale.
And that's the reason I think it's important to not worry about recreating nor paying homage to the LOOK of the T-bird. But that SOUND is an iconic rock sound from The Who (was "Live At Leeds" the "Fender-birds"?), Wishbone Ash, etc. And if someone made a T-bird sounding bass with modern ergonomics I think the sound would appeal to a lot of players.
I also think that something similar to a T-bird would be a nice idea. But since the T-bird design would be out of question, why not take another Gibson bass design that recently gets some attention and hasn't been reissued yet? I was thinking of the RD design. How about reversing the body shape and have it neckthrough (like the original T-bird), Hamer did this on the Impact 5-string. Instead of mahogany the bass would be all maple. And since Gibson hasn't reissued the G-3 yet and EBMM came out with a 3-pickup bass (Big AL) maybe this bass can have 3 pickups (Phat Cats/HB) too. Hardware would be the standard Schaller 2000 bridge, and possibly the Schaller BM light tuners. Some fancy binding (eventually on the body too, like the Gibson RD Artist CMT) and Hamer's trademark inlays on an ebony board. Just an idea...
And that's one of the first suggestions you would have encountered over at the Hamerfanclub if your mind wasn't so made up about them.