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Help me get a thick Jazz bass tone!

Kenny, the Icelanders have an old folk saying:

'That is like killing a fly with a sledgehammer'. I think a double DS'ed Jazz would qualify.



That's a good one ... But ya know what it still sounds like a Jazz Bass

I know Fred Hammon and he emailed me one day about a proposed Super Jazz project that I was planning, and sent me a pair to try in it. The "victim" bass was an old 76 Jazz I had that had already been routed and the Badass is an original 70s that is counter-sunk so there was no way to ever bring the bass back to vintage spec.

Here is a picture of Fred Hammon, Bud LeCompte and me with another DS bass that Bud made for me taken at the MOjO Sonic/LeCompte booth at Summer NAMM

DSCF0007.jpg



;) ... Talk about two great guys Fred and Bud!
 
I'll just make a list of what I can do financially right now (subject to change).

-Buy an Audere JZ3
-Buy a set of pickups instead
-Buy flats
-Leave everything stock and buy a compressor instead (to smooth out the tone)
-Anything that doesn't go over $200 total
 
OK, again(beats dead horse)....Save your money. Buying stuff will not fix it. Seriously. Single coil pickups are just fundamentally different, and take getting used to. That's it. I have been in your shoes and I'm telling you, leave it alone and play it awhile.
I was at a store the other day and pulled a new MIA Jazz off the wall, plugged it into a SWR combo, and it sounded awesome, instantly. Nothing wrong with the pickups. Hands, it in your hands.
 
Ill try most of the tips on pickup settings on Monday, I am trying not to spend money (even though I sounded like I wanted to spend some money), I am thinking the cabinet might be part of the problem but I have owned a MIA J before (it was a S-1 loaded one though) and i found it to be a bit thin and that was back when I was using a much bassier cab.

I am not sure why but I find that the jazz bass records well, I might just add the series switch if the tone doesn't do it for me at practice. I do remember that I used the S-1 switch alot with the old MIA I had, I think I used it with a pick a lot as it had a super big punch to it.
 
Personally, I think that head is the biggest problem. I used to own a Buster 200 and never could get any low end out of that stupid thing with a Jazz bass. That was one of the most disappointing amps I have ever bought. To me, my BehringerBx300T sounds better than the Buster ever did.
 
I'm in a bit of the same struggle. I just got an 85 mij Jazz all stock and I'm telling you that thing was weak, weak, weak. So far I've put a set a bartolini's(I know they're old school but i like barts), and a bad ass bridge. Both made a huge difference to getting clean tone, and decent bottom. I'm still thinking bout getting the audere 4band to top it off. good luck with yours=)
 
I have been having a bit of a problem with my Jazz bass, the sound is ridiculously thin. I have tried messing with the EQ on my head and it isnt really helping me much, also the tone control helps slightly but doesn't seem to add any low end.

I need a relatively thick bass tone, its not an amp or cab problem (Mesa Buster 200 and tour 410) as my peavey sounds huge and thick through my amp.

I have been thinking of getting an Audere and using that to send a thick signal with the Z mode setting that gives the most bass or getting a set of Dimarzio Model J's and wiring it in Series.

I really can't get another bass right now, I just need to use what I have now.

Audere would not be the way to go for the sound that you are looking for. Don't get me wrong, Audere is a very good preamp but for what you are trying to do you might be a little disappointed. The Audere is a very pristine transparent preamp with an mild eq. You can put it into Low Z and crank the bass full and it will not give you very deep bass. For most people this doesn't bother them. But if your looking for a deep thick dub like sound you can forget it. I would suggest you go with Aguilar if you are trying to get deep bass. Stay away from Audere and Bartolini's if you want deep bass. Not saying anything negative about either one because they are both great products. The bartolini livened up my Conklin GT7 very nicely and its a great preamp. And the Audere give my jazz bass very good transparency which was an improvement over the stock passive pre by a long shot. But when I went to get some serious lows, I found that even in Low Z I had to crank it up full blast compared to the pre on my Fender Jazz Deluxe in which I only had to turn it to a 2 or three past its mid-point. Don't get me wrong....I hate muddy basses....but I don't like thin stuff either....I like some meat to my substance.