wow... that was great. I guess its not the sound of a J that I dislike its just the sound of both pickups wide open that I dislike.
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That's was exactly what I thought. Score 60%. Glad one of my correct calls was the mustang. Been gassing for one of those ...I thought so. A, C and E sound short scale.
Yeah, I guess that's me.Some people thought that the jazz tone meant long scale and the neck only tone meant short scale.
That's was exactly what I thought. Score 60%. Glad one of my correct calls was the mustang. Been gassing for one of those ...
AND THE ANSWER IS:
A: Long scale: Lakland Skyline DJ4, Lakland pickups, neck pickup only on full
B: Short scale: SX SJB62 3/4, Nordstrand NJ4 pickups, both pickups on full
C: Short Scale: Mustang bass
D: Long scale: Same bass as A, but both pickups on full
E: Short scale: Same bass as B, but neck pickup only on full.
Munji, I love you man! Don't take this personallyYou really took this thread in stride and played along and I very much respect that, but I just wanted to gently call you out on something, not with mere words, but sound clips to put meat into the matter.
Now I'm thinking some of you are gonna cry foul with me recording a jazz bass with only a neck pickup. Some people thought that the jazzes played with the neck pickup were P-basses or short scales. Some people thought that the jazz tone meant long scale and the neck only tone meant short scale. Very interesting what the brain wants to make your ears hear!!!
Thanks for all the participation, guys. All comments welcome. Hopefully, it's not gonna get too "scientific", as I said, this was for fun and perhaps a little learning, not to start a war.In my mind, if a bass sounds good and plays good, use it. I don't care if it's $100 or $10000.
Well, I don't think I did that poorly. You can call it 60 percent, but I called two out of three short scales. As someone else said, maybe I should drop some Nordies in my Mustang. I suspect that's the biggest weakness of the bass.
Not sure what is what, but in order of which ones I would pick for a recording session, as a player or as a producer, specially as a producer:
1-B
2-D
3-E
A and C wouldn't qualify for me.
The tone I liked most was a shortscale SX? WOW!
Well, I don't think I did that poorly. You can call it 60 percent, but I called two out of three short scales. As someone else said, maybe I should drop some Nordies in my Mustang. I suspect that's the biggest weakness of the bass.
Well, I don't think I did that poorly. You can call it 60 percent, but I called two out of three short scales. As someone else said, maybe I should drop some Nordies in my Mustang. I suspect that's the biggest weakness of the bass.
If your Mustang feels like it has mojo unplugged, I absolutely recommend the Aero upgrade. My Musicmaster with the Aero has been seriously bullying the rest of the stable - the P and J basses were struggling to keep up on the blues gig. So the Aero stuff is worth every penny IMHO/E.
I don't think it has anything to do with scale as I've had long scale basses that sounded the same and short scale basses that were very open and alive sounding. All guitars and basses should be judged on a case by case basis.