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I don't like black basses...

I'm not a huge fan of red basses. I have 2 red basses!
My Jazz bass looks exactly like yours but in Candy apple red. For some reason sometimes the color bugs me a little. The other day, I just closed my eyes and played the bass for a while just trying to focus on the feel and hearing it's tones.
Turns out that's the best bass I've ever owned! Got me over the color thing very quickly! :)
 
Some events are Black Tie.
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I didn't like black at first, because they were hard to keep clean on the walls at the store I worked. Then some great instruments came into my possession that happened to be black. After many years, the black ones didn't get on my nerves/go through fashionable trends. Remember how natural instruments were the thing in the late 70s, only to be looked at as hippy in the neon 80s, to come back as acceptable in the traditional colored 90s when neon was out?
Black never went out or in. It just hangs in there. I love it.
Plus, black is black, I can trade or sneak in instruments easily when they are black. The lady just sees them as a black bass or guitar.
 
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Neither do I, "on paper"...but this has been my #1 bass for over 10 years now – shown along with my only amp for 22 years (old pic from 2014):

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IMO, white guards (or light guards) help black basses immeasurably, whether they have maple or dark wood fretboards. Actually, with pretty much any instrument in any color, I like contrasting guards, not guards that are close to the body color. They provide punctuation to the instrument, making it look more formed, and they provide an attractive visual transition/buffer between body and neck. An exception would be a classic white blonde guitar with a white or gold anodized guard. That's a stunning look IMO.

Both your basses look great, though!

P.S. Note the very yellow neck on this bass, which I mentioned in your other thread.
 
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Neither do I, "on paper"...but this has been my #1 bass for over 10 years now – shown along with my only amp for 22 years (old pic from 2014):

View attachment 2951220

Both your basses look great!

Every time I see one of those B100/B200 combos for sale locally I really have to restrain from buying one! They sound great, but I have a Rumble 500 V3, and just can't justify it! I do have an Amen SCR-DI that I run in front of my Rumble though, and it gives me a pretty nice Ampeg-influenced tone.
 
...but have no plans to part with either of these. Been a sunburst for close to 25 years, and have never really been into black, but recently things changed and I came across these. The MIM Classic 70's was just a killer deal that fell into my lap, and after selling my 3TSB w/ tort American Standard P I couldn't help but get the Classic 50's lacquer.

View attachment 2950737

Keep the basses, but consider dumping the rug: So many axes have posed atop it, I suspect it is no longer hygienic.
 
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I feel you on this, but for me it's red finishes. Since I started playing about 16 years ago, red was always the last finish I would pick if I had a choice and all other variables were equal. Still, the majority of my favorite basses I've owned just happened to be some shade of red. Weird, but luckily aesthetics are the last thing on my list when buying a bass. At the end of the day, if it sounds good and feels good, I could care less what color it is.
 
...but have no plans to part with either of these. Been a sunburst for close to 25 years, and have never really been into black, but recently things changed and I came across these. The MIM Classic 70's was just a killer deal that fell into my lap, and after selling my 3TSB w/ tort American Standard P I couldn't help but get the Classic 50's lacquer.

View attachment 2950737
That is my favorite Jazz right there, tort on black with block inlays and a bound neck - perfection!
 
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