But Munji, if I don't buy something I don't want, how will I be able to sell it so I can get something ELSE I don't want???
This should be the official tagline of the TB classifieds.
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But Munji, if I don't buy something I don't want, how will I be able to sell it so I can get something ELSE I don't want???
This^^^^
Mungi, ever think about running for office?
But Munji, if I don't buy something I don't want, how will I be able to sell it so I can get something ELSE I don't want???
I've been trying to stay out of these threads because they are a waste of time and aren't about basses at all, but personal opinions on finance. But...........
How on earth do you expect to have a conversation about the cost/benefit ratio of an instrument while factoring out the expertise of the builder?
All other things aren't equal and they never will be. We aren't in a lab keeping all factors equal while experimenting with a single factor, price.
Michael
This is what a $8500 car would do.
By the way, this is my opinion only but I think if a person has the balls to go onstage with a Fodera, they better have some wicked bass chops. Fodera is a symbol of utmost quality & I expect nothing short of excellence in a performer holding one.
A solid-body instrument doesn't have to resonate. In fact, a solid-body instrument can yield terrific results without resonating at all.
Im sorry...I dont care how many ways you want to spin this..$8500 is entirely too much for an instrument...PERIOD.
Im sure Fodera are great guys and seeing them work will be inspirational...but give me a break.
When I see numbers like $8500 a few things come to mind.
Vic Wooten and Manhatten rental costs...other than that..wood is wood..

Well, OK. Which wood choices would make more sense to you, rendering you likely to cough up the $8,499?
Brad Johnson said:That's the truly funny thing about this. Many folks act like the wood is the big expense in making an instrument. Probably because there's so much of it on most basses.
So they complain about price and are clueless as to what's involved in running a business building at this level.
"Hey, I can buy wood at Home Depot!"
Yes, you certainly can.
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Where have I been?
I got here just in time for a fight!!
But seriously how come Bass Player Mag is our source for "truth, justice and the American way"?
Call each of these builders and ask them their motivation. They Will tell you.![]()

Brad Johnson said:That's the truly funny thing about this. Many folks act like the wood is the big expense in making an instrument. Probably because there's so much of it on most basses.
So they complain about price and are clueless as to what's involved in running a business building at this level.
"Hey, I can buy wood at Home Depot!"
Yes, you certainly can.
![]()
and your saying you can pick out the $8500 guitar during a blind study of 5 different basses using all the same materials and electronics..each priced accordingly...
Sorry bro..dont buy the logic ..I do dig Phish though at least we have that going for us ... well I did til they started charging me $70 to see em... but alas![]()
curbowkid said:I totally agree, wood, hardware, electronics are all a fraction of the price. The hours of working and shaping and perfecting are what costs the most. Perfection doesn't cost 200 bucks.
As I recall, in the Dan Atkinson experiment where he used "home depot" plywood and a "good" bass making wood, the listening samples poll came out to 50/50 basically disproving that wood matters for sound.
tastybasslines said:As I recall, in the Dan Atkinson experiment where he used "home depot" plywood and a "good" bass making wood, the listening samples poll came out to 50/50 basically disproving that wood matters for sound.
I totally agree, wood, hardware, electronics are all a fraction of the price. The hours of working and shaping and perfecting are what costs the most. Perfection doesn't cost 200 bucks.
As I recall, in the Dan Atkinson experiment where he used "home depot" plywood and a "good" bass making wood, the listening samples poll came out to 50/50 basically disproving that wood matters for sound.