I usually reply, “yeah but imagine how awesome he could have been on a 5”Many people will tell you Jaco only need 4 strings![]()
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I usually reply, “yeah but imagine how awesome he could have been on a 5”Many people will tell you Jaco only need 4 strings![]()
I'm an outsider on TB, but I'll tell you everyone on here loves 5-strings.
I find them way too heavy. The necks are massive to counter that extra tension.
all of this is wrong.
I'm an outsider on TB, but I'll tell you everyone on here loves 5-strings. I find them way too heavy. The necks are massive to counter that extra tension.
I usually reply, “yeah but imagine how awesome he could have been on a 5”![]()
Hello mates! One does really need a 5 ? I am interested about it but since I am intermediate player I dont want to slow down my learning or even complicate my already gained progress, but maybe the 5th also teaches me new things , like expand the scales and stuff...
Its easy to say " go get one" , just keep in mind that I dont have a big budget to own 2 basses so I would have to sell mine 4 string to get a 5.
What do you guys say?
Thanks!
Hello mates! One does really need a 5 ? I am interested about it but since I am intermediate player I dont want to slow down my learning or even complicate my already gained progress, but maybe the 5th also teaches me new things , like expand the scales and stuff...
Its easy to say " go get one" , just keep in mind that I dont have a big budget to own 2 basses so I would have to sell mine 4 string to get a 5.
What do you guys say?
Thanks!
I said the same earlier in the thread. However, it seems many still give it's only 5 more notes, or all the classic songs were written on a 4, never seeing this aspect of a 5. Or at least never appreciating it.Longer answer: once I got 5 string, I realized the biggest advantage was NOT the low notes. Certainly, it was extremely valuable to get those low notes without constant detuning/retuning, but I realized that the low B string was just as valuable from the 5th fret and above, where it was in 4-string territory. So, the biggest advantage for me was having more range in each fingering position all the way across the neck. Also, once I got the hang of 5 string, I remapped a bunch of songs I'd been playing for years on four -- including those where I never went below low E -- to make them easier to play. One example was to reduce position shifting (though of course I still had the option to do so when I wanted). Another example was to play five frets up the neck, but using lower strings... the frets are closer together up there... but I could also avoid being trapped down near the nut: F minor, 'nuff said.
This!!I realized the biggest advantage was NOT the low notes. Certainly, it was extremely valuable to get those low notes without constant detuning/retuning, but I realized that the low B string was just as valuable from the 5th fret and above, where it was in 4-string territory. So, the biggest advantage for me was having more range in each fingering position all the way across the neck.
Yes, Felix is a monster bass player, I really enjoy listening to him.Yeah and his kid Felix rocks a 6 string - so go figure!
This is why all my (gigging) basses including DB and EUB sport a high C string.This post is spot on. I dabbled with five string basses until I saw how much easier it would make walking bass lines to have a fifth string and not shift positions as much.
I'm an outsider on TB, but I'll tell you everyone on here loves 5-strings.
I find them way too heavy. The necks are massive to counter that extra tension.
Mine do too. And a low B as well.This is why all my (gigging) basses [snip] sport a high C string.
It has little to do with extended range, though it does open up chordal capabilities.
flat out no