I'd worry about her ability to project some charisma and to sing at performance volume on stage.
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Hey derrico1 what do you think of her singing? I think her pitch is ok.I'd worry about her ability to project some charisma and to sing at performance volume on stage.
JWP said:Has he had any formal training or would he consider hooking up with a singing coach? Some talent there but it does not sound like he has had much formal training....
no market for this unless she quits contorting her vocal cords and uses her natural voice.

This one got me in trouble with my wife lol because the dancers were too hot. If you notice i made sure not to stare at their bodies hahaha.
https://www.youtube.com/watch?v=SDvxuaD8RaQ&feature=relmfu
Off course I turn down so of these paying gigs to play with my band.
Like I said he can sing really well when he is on his game and at rehearsals but many times he messes up during shows.
IMO he has potential in that he has decent vocal tone and sounds like he could really have a powerful voice, but he's forcing it too much. It reminds me of the problem I have when I sing: I don't focus on honing the natural tone I have and I will without thinking of it, focus more on vibrato and other things that enhance a singer's voice and that totally kills my pitch.
Everyone says "fire them" no matter what the question is, like they're some big-time geniuses themselves. Hate to break it to you guys, but I have heard singers who sound awesome on their multi-million selling recordings sound out of tune and shaky in front of thousands live. Perry Farrell, Anthony Kiedis, Axl Rose, Brian Johnson, Steven Tyler (though he got better once he got off drugs)...and that's just off the top of my head.
Don't forget Ozzy..... When I was a kid and listened to "Live at Last", I was like "who is singing this stuff?". And this isn't just a live show, it was an album release. I've heard plenty of live vocals that wasn't even close to the recording.
I think people say "fire them" easily because they have nothing at stake. They don't need to break the news, they don't need to deal with the relationships, they don't need to find a replacement or deal with ownership issues like songwriting credits, etc. If each TB member had to actually deal with the fallout of firing someone, I'm sure it wouldn't be so easy to say.
I've done music for over 20 years, and I can count the number of people that I've fired on one hand. I know a bandleader around here who will fire and replace someone as soon as there's any type of issue. He is the epitome of the TB "fire them" crowd. He's had this band for years, yet bands with less laps around the block do better. He's run through most of the decent players in town, and lots of people won't work with him. He has clients pissed at him because the band he brings is not even close to the band he advertises. He has gigs booked for months in advance and they are paid, but he still posts ads on Craigslist to find someone to fill a gig last minute. By following the "fire them" philosophy, he really has stunted the growth of his band and diluted the quality of his show.
Also, we don't know what else he brings to the band. If he wrote the songs, then by firing him, you'd have to write all new material unless you are going to steal his tunes (bad karma). If he has the PA, booking connections, etc. you may send the band back a few steps. IME, you should find a way to work with a person before letting them go.
IMO, the biggest problem is that the phrasing that he uses highlights his weaknesses too much. It probably can be fixed. If I can sing lead, and actually have a crowd appreciate it now and then, anyone can.
We had a rehearsal last night and he was pitchy, he said his voice was not warmed up yet. Then after we finished rehearsing he said can we try that song one more time my voice is warmed up. we took our instruments out and recorded the song he was still pitchy as hell. we try telling him that he needs to write parts that are not so high so that he doesnt sound so out of tune. he reply the he has been singing since he was 16 and that he was signed before blah blah blah and he can still sing those high extended notes. then i said bro you are not in the same predicament now, there are a few things different now that dont allow you to sing like you could before so write music that emphasizes your strengths and not your weakness. He would not consider what we were saying then he played back the last song we just played and he told us is sounded good and we were like NO that is out of tune he was like no i just bended the note. So we are probably just going to give him two more shows to pull it off or else.
Well the things is that I am trying to get a neutral opinion which i can only get from strangers or outsiders. If I ask my friends the fact that they are my friends might push them to take my side instead of giving me an objective opinion. Maybe you are right and it wasn't right for me to do that but right now I feel like the band has to make a very important decision that will greatly influence our future which is why i am looking for objective opinions. Also I assume that there might be people here who are more experienced than I and who have been through something similar so they can give me good advice.
Ummm....this needs to be posted in the Chicks at Gigs Thread. Definitely!!

Bingo.
ThisThe video didn't even sound like the same band. The professional recordings sounded pretty good (even though it's not my thing) and the singer sounded fine. But oh, that video!