MikeBass
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- Nov 4, 2003
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She's an easy target because of the controversy surrounding some of the Motown tracks and her sometimes cranky nature, but sometimes I think she's too much like Jaco is here on TB-just a name that someone can diss without any knowledge of her and her background and the times she functioned in.
This has nothing to do with the thread but a lot to do with Civility, IMO.
I do think the original issue of this thread is the lack of Civility that Carol has displayed as she goes about tilting at windmills.This has nothing to do with the thread but a lot to do with Civility, IMO.
Again, can someone point me to any recient recordings she has played on???
I do think the original issue of this thread is the lack of Civility that Carol has displayed as she goes about tilting at windmills.
Back on point:Invalid Link Removed - 71 comments
http://industry.bnet.com/technology/10005551/four-myths-about-suing-google/ - 5 comments
http://www.ubervu.com/conversations/freakbits.com/carol-kaye-misunderstands-torrentfreak-0221 - 124 comments
Invalid Link Removed
What I have a problem with is people saying that she is irrelevant, overrated and a lousy player simply because she can be abrasive and vocal or has been misinformed or just plain doesn't understand copyright issues and the Internet. __________________
This thread just touches a greater problem-due to Napster, Kazaa, Pirate Bay and Bit Torrent there is an entire generation of consumers out there who think that they should not have to pay for ANY music, software, or information whatsoever. I was first aware of this when I was on tour in Singapore and went to a local shopping mall. There was a store where you could buy the entire recorded output of one Artist/Band on mp3s on a CD (this was in 1999) for next to nothing. This was incredibly illegal.
What everyone has to remember is that at the end of this food chain is not "the Man", but Carol, Victor Wooten, Mike Watt, Nathan East, Michael Rhodes, Jaco's kids, and other fellow bassists and their families. When sales tank less sessions are booked because the Record Companies have no money so it hits the Record Company budget and the session bassists you love to read about in BP lose. Indie artists are hurt because their sales go directly into their pocket so they will feel a 30-50% drop in income. When there's no money and no sales Artists can't afford to tour. Music publishers won't develop new bass books or methods because it all goes on the internet for free. No profit means no motivation to invest.
I'm not some Luddite that believes we can put the Genie back in the bottle, but if you follow this to it's logical conclusion you will end up with old music and video clips on Youtube for Media and Music, some 16 year old kid in his bedroom on Youtube demonstrating how he slaps for Music Instruction and really inaccurate TABs for sheet music.
If "music should be free" then we can't even charge cover when we're playing for the door somewhere. Everyone will have to take their instruments and a tin cup and hit the streets. Not my ideal world.....
BTW, if software should be free, why don't some of you who work in IT/Development just send all of us ALL of your products right now? How about it? Didn't think so.....
Look, just because YOU don't understand how to create a business model in an industry where the digital media part of a package is free, doesn't mean there aren't any such models out there. Also, for the record if people like Carol Kaye and Victor Wooten aren't part of the system that you are referring to as "the man" (which is a bit of an immature viewpoint btw) then I don't know who is.
Next, where are you pulling these numbers from? Do you have a source for this "30%-50% drop in income" for indie artists or did it just sound like a good number to throw out? I guess the explosion of the "indie artist" in the last 5 to 10 years (fueled mostly by filesharing and internet discussion forums) just flew completely under your radar? Maybe all these young artists making a living wage and touring and selling (yeah, SELLING) records and other merch directly to their fans is just a mirage?
I really don't think it's necessary to explain that just because the paradigm has shifted, it doesn't automatically mean that there's no more money to be made. Let's take your example of instructional videos. If someone wants to make a great instructional site these days and SELL it to the public with minimal threat of people pirating their work, they can simply create an encrypted pay site that hosts all the instructional information in a streaming only format. The person who would have traditionally paid the $30 or $40 for a VHS or DVD now pays a monthly fee for access to the site, IN FACT with this model the instructors can continuously make updates and add lessons and keep a customer "on the hook" for WAY more than the simple one time purchase that would have been made in the previous generations business model. There are examples like this for every single issue you can bring up with pirating that level the playing field and create a money making environment for those who are entrepreneurially minded.
You folks act like the music business has been a static thing and the rules for how media is sold and distributed where printed up in the back of the bible. Business changes as technology changes and smart people will find ways to profit off of those changes while the old guard cry and moan that their old business models no longer work.
Quit beating a dead horse, get on board, and make some money.
If a citizen votes for a politician, that politician wins an election, and then goes on to embezzle millions of dollars - should the voter go to jail as an "accomplice" to theft and corruption?
No offense intended to anybody here, but all this second- and third-party guilt crap is really, really idiotic. :scowl:
I would tend to be a little uncivil if I were attempting to shut down what I perceived to be the theft of a work I created (granted she may be misfiring and mistaken at the target). Sorry, but I've got just a little bit too much Texas Redneck in my nature to not protect me and mine.
I would have a total breakdown of Civility, for example, if I found someone in the process of liberating my bass and amp from the back of my car because "music should be free"....
Look, just because YOU don't understand how to create a business model in an industry where the digital media part of a package is free, doesn't mean there aren't any such models out there. Also, for the record if people like Carol Kaye and Victor Wooten aren't part of the system that you are referring to as "the man" (which is a bit of an immature viewpoint btw) then I don't know who is.
Next, where are you pulling these numbers from? Do you have a source for this "30%-50% drop in income" for indie artists or did it just sound like a good number to throw out? I guess the explosion of the "indie artist" in the last 5 to 10 years (fueled mostly by filesharing and internet discussion forums) just flew completely under your radar? Maybe all these young artists making a living wage and touring and selling (yeah, SELLING) records and other merch directly to their fans is just a mirage?
I really don't think it's necessary to explain that just because the paradigm has shifted, it doesn't automatically mean that there's no more money to be made. Let's take your example of instructional videos. If someone wants to make a great instructional site these days and SELL it to the public with minimal threat of people pirating their work, they can simply create an encrypted pay site that hosts all the instructional information in a streaming only format. The person who would have traditionally paid the $30 or $40 for a VHS or DVD now pays a monthly fee for access to the site, IN FACT with this model the instructors can continuously make updates and add lessons and keep a customer "on the hook" for WAY more than the simple one time purchase that would have been made in the previous generations business model. There are examples like this for every single issue you can bring up with pirating that level the playing field and create a money making environment for those who are entrepreneurially minded.
You folks act like the music business has been a static thing and the rules for how media is sold and distributed where printed up in the back of the bible. Business changes as technology changes and smart people will find ways to profit off of those changes while the old guard cry and moan that their old business models no longer work.
Quit beating a dead horse, get on board, and make some money.
i'm not sure what you are getting at.
No problem-kindly send me the fruit of your labor for free-will you?
I've got a great idea, anyone who reads my posts in this thread owes me $1. Obviously I'm expending energy and time to write my posts and I expect to be paid for it, nevermind the fact that I've chosen a medium in which you can obviously read my posts without paying for them. I am the artist of my posts and should be allowed to determine their worth. Man, you guys are going to owe me so much money, I'm so excited.
p.s. DON'T YOU DARE STEAL MY POSTS (and by "steal" I of course mean "use for your own personal enjoyment without paying me my dollar") you dirty no go thieves and pirates.
I've got a great idea, anyone who reads my posts in this thread owes me $1. Obviously I'm expending energy and time to write my posts and I expect to be paid for it, nevermind the fact that I've chosen a medium in which you can obviously read my posts without paying for them. I am the artist of my posts and should be allowed to determine their worth. Man, you guys are going to owe me so much money, I'm so excited.
p.s. DON'T YOU DARE STEAL MY POSTS (and by "steal" I of course mean "use for your own personal enjoyment without paying me my dollar") you dirty no go thieves and pirates.