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It's too bad Peavey gets ZERO respect.

If you want to complain about crappy gear from the 1970's, look no further than Fender or Gibson. It's funny how people claim Peavey made junk in that era, when those 2 companies were busy destroying their reputations at breakneck speed. Did Fender make a bass amp in the 70's that wasn't half-assed?

As far as the 80's are concerned, I'd say Peavey made better basses than both Fender and Gibson, both in quality and innovation.
 
I agree, They should actually offer some more bass variety

I don't have a problem with their variety. They have the entry level Milestone Series($169) to the Cirrus Series(up to $2,399) with the BXP and Grind Series in the middle. And they make some really nice looking basses, in my opinion. So I think they have enough of a variety for people's level of playing and wallet.
 
tisk,tisk,tisk...guyz, if you never played on a usa cirrus wait before you slam it...let me tell you this I had a tobias 5str signature with zebrawood/ash body with wenge/ purple heart/maple neck all that...the bass had a growl a punch it barked da whole nine yards so I thought,but by me being a tone freak and lookin for another 6str bass I decided to check out what I saw in da bass player magazine this peavey cirrus now already da wood configuration had my attention because I know tones,now if the electronics was crap I can change em...no problem...when i went to a peavey dealer store near me and played this bass for the first time I ask if i could trade in that tobias...thats right a trade and the owner took it gave me two peaveys I sold one to a buddy and kept the other that store was stuck with that tobias for 3yrs nobody wanted it after they heard the peavey cirrus they all bought a cirrus :D check out on you tube(my bass buddy) bill dickerson by markson2008
 
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i own a Peavey TNT150 from 1989 made for europeans. it works well enough for my band. but i need to upgrade soon. i asked about the Peavey 810 and i too, was shunned.
 
OK, so check out my handle, that should tell you something....been playing since the late '60's, & hands down love the cirrus, prefer the USA 4 strings. It's that quality issue, plus the graphite reinforced neck is stable in a climate that dictates lots of adjustment to most other instruments. I was working in a major Peavey dealer in western Canada for 10 years, relocated to eastern now, but their gear, for the most part, was very good. Price point drives some items, & no, it wasn't all perfect, either. But most MI companies try to grab as much of the markets as they can, & Peavey has done very well with basses, bass amps, guitar amps & much of their PA. I has the pleasure of working with their Line Array PA systems, & loved them. Guitars, not sure of them, & I think they were wise to give up on the drums. Just my opinion, over 40+ years of playing & dealing with them.
Oh, yeah, I was the service manager in the Peavey store, too! You get to see everything going through there, & it was mainly guitars, & other brands of amps going in.
Tells you alot!
 
If you want to complain about crappy gear from the 1970's, look no further than Fender or Gibson. It's funny how people claim Peavey made junk in that era, when those 2 companies were busy destroying their reputations at breakneck speed. Did Fender make a bass amp in the 70's that wasn't half-assed?

As far as the 80's are concerned, I'd say Peavey made better basses than both Fender and Gibson, both in quality and innovation.

The better question: Did Fender ever make a decent bass amp - EVER?

Now, back in the '70s, Fender did many things wrong, but they still made good tube guitar amps. Yes, their basses and guitars suffered, but back then Peavy didn't make basses or guitars. And when Peavy made an amp, it was solid state caca.

Over the years they got better - so too did Fender.
 
I *just don't know* quite where to begin with this one...

:ninja:

You can start with, “that man rocks and so does his rig”. Hey, Peavey stuff ain’t for everybody, but for some it’s the bee’s knee’s because it’s performance per dollar ratio is great. Rocker’s don’t need hi-fidelity (like some jazz or pop guys might demand) so why spend money on high-end bass gear when you’re just going to EQ it down to desirable rock tones? Besides many hotshot bass players with high-end gear can’t rock their way out of a big sock! Yea you heard me! :bassist: