See below:
I have a few at home...when I get a chance I'll post or find a pic.
Yep. And Jule and I have gone 'back and forth' by mail off and on for the past handful of years as well. I think it's a great thing. Jule knows that we're tied up personally in our chosen vocation, and our tools of the trade. He also knows that as musicians, we don't always have lots of money...so it's a sizable investment in a few ways, so it's a really nice thing that he writes an occasional personal note. Also, my wife thinks it's really sweet.
You know, for as much as my bass is a really personal thing (one of the first things I touch in the morning when I get up every day), my Monique is another thing I've come to depend upon on a daily basis. It's ease of use, dependability and quality of tone are integral to my existence. It's good to be known as a band with good stage sound, but we're also known as easy to mix by sound techs, studio engineers, etc. Mo' has no fuss or fluff to it. It's a box that sits in a rack, it doesn't have many knobs, no sliders, no ground effects, no fans whirring, no effects loops or tuner outs or mutes. Some of the techy info is less stated and instead there's emphasis on diaphanous things like 'feel' and 'tone'. Try explaining the 'Sensitivity' control to other players without getting a quizzical look.

When people tell me that it doesn't make sense to have a tube rectifier in a preamp, I shrug...because it makes sense to me. I've heard it. I've heard different tubes in that socket and know that it's doing something to create feel. Either way, I'll keep using Jule's stuff and happily reaping those rewards.
But y'all know I'd say all that.
If you want to hear Monique in my live and studio settings (or catch me out with her if you're in the NY/CT/MA etc. area this summer)... Streams of our S/T album are available for free here, as well as some live videos of us in action:
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This fall we're busting out of the region and will be visiting more places across the country.